We have to endlessly listen to the Dvorak cello concerto and the two by Handel. Nothing wrong with them as far as I am concerned. But I find it so much more pleasant to listen to considering the incomparable Italian style. The energy, the warmth, the cantabile, the soavita'. Boccherini was himself a cello player. This performer sounds like a super star, like Mistislav Rostropovich and Pablo Casals.
Pour le sigle " YES" je n'en connais pas la signification. Concernant ce concerto, il me semble possible que ce soit une des premières œuvres de Boccherini, d'autant plus que dans le 1er mouvement mouvement, le 1er thème n'est pas réexposé intégralement, ce qui est une survivance de la forme " suite ".
1000 fois bravo à Min Young Kim ! ❤
Супер!
Cette artiste d'origine asiatique certainement , joue avec beaucoup de sensibilité cette œuvre qui n'est pas si souvent pratiquée car très virtuose .
진짜 잘하네요~ 항상 느끼는 거지만 민지양은 정말 노래하는 힘이 대단한것 같아요~
좋은곡 좋은 연주 굿
Beautifully played!
Great!
We have to endlessly listen to the Dvorak cello concerto and the two by Handel. Nothing wrong with them as far as I am concerned. But I find it so much more pleasant to listen to considering the incomparable Italian style. The energy, the warmth, the cantabile, the soavita'. Boccherini was himself a cello player. This performer sounds like a super star, like Mistislav Rostropovich and Pablo Casals.
did you mean haydn
😮👏🏻👏🏻👏🏻
J'aime la façon dont elle balance sa tête de 1:42 à 1:44.
Great! Is this his number 6 i guess?
녹음이 연주를 하나도 손상을 안 주어
아주 감상 잘했습니다
훌륭하십니다.
Y.E.S.ochestra는 어느나라인가요.
연주자들 모습으로 봐서는 동구라파 같아서요
제가 검색해보니까 유럽을 무대로 활동하는 젊은 음악가 중심의 프로젝트 오케스트라 같아요~거기서도 솔리스트네요 민지양은
@@imim4311 친절하신 답신에 감사드립니다
I read that Boccherini wrote this when he was 17. It is true? And what Y.E.S. stands for?
Pour le sigle " YES" je n'en connais pas la signification.
Concernant ce concerto, il me semble possible que ce soit une des premières œuvres de Boccherini, d'autant plus que dans le 1er mouvement mouvement, le 1er thème n'est pas réexposé intégralement, ce qui est une survivance de la forme " suite ".
11:48
12.38
12:38