Footprints - 140 bpm (Jazz/Waltz feel) : Backing Track

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  • čas přidán 19. 08. 2020
  • Here are the embellishments used by Herbie Hancock in the original version, which I played in this backing track : F#m7b5 (11), F7 (9 #11 13), E7 (9 #11 13) and A7 (#9 b13). This is based on my transcription of all the voicings in the whole song (not only the head).
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Komentáře • 48

  • @amandawhiteley6737
    @amandawhiteley6737 Před 2 lety +4

    Because it's so so so good......oh my...! From fellow jazziteer...enjoy!

  • @ExiledEZ1
    @ExiledEZ1 Před 3 lety +9

    My, oh my, why is it so good?

  • @JamesSeaberry
    @JamesSeaberry Před rokem +2

    Thank you!!! I enjoyed recording with this fine track.

  • @gardianofsuspiciousstew
    @gardianofsuspiciousstew Před 2 měsíci +1

    This song always makes me mist up🥹

  • @bigked
    @bigked Před 2 lety +11

    this is a great video... i aways use it to teach my students how to improvise in the c blues scale and c dorian - thank u from salvador bahia - brazil

    • @txcrebel4388
      @txcrebel4388 Před 3 měsíci

      I thought it would be aeolian because the F has a minor 3rd

  • @Kazberhaf
    @Kazberhaf Před 2 lety +5

    So beautiful to play to 👌

  • @farhadbahrami1775
    @farhadbahrami1775 Před 3 lety +4

    Beautiful. Merci from California.

  • @themusiccovenant
    @themusiccovenant Před 3 lety +3

    Jazz master

  • @augjazz3164
    @augjazz3164 Před rokem +3

    🎹

  • @jackpasternak7586
    @jackpasternak7586 Před 3 lety +3

    set the playback speed to 1.5x to play the derek trucks version

  • @jongoforth1405
    @jongoforth1405 Před 2 lety +3

    NICE friggin' job! Sparse enough, too. So many backing tracks have too much information, especially rhythm changes. Yes, yes, we all wanna know what the changes are, but nailin' the I-VI-ii-V on rhythm changes all the time make it circus music-less is more when comping. As the great Lester Young once said to an especially busy rhythm section he picked up in New Jersey,
    "Say fellas, just ticky-boom ticky-boom for Lester." He certainly could handle the rest!! Thank you! Great track.

  • @jean-lucbersou758
    @jean-lucbersou758 Před 3 lety +4

    You have to feel the 6/4 ( or 12/8 ) bar ......and the chords bluesy minor progression allows
    interesting substitutions to support high voltage lines .

    • @leonelquinn9106
      @leonelquinn9106 Před 2 lety

      i guess Im randomly asking but does anyone know of a tool to get back into an instagram account..?
      I was stupid lost the password. I love any tips you can give me.

    • @leonelquinn9106
      @leonelquinn9106 Před 2 lety

      @Benton Neil i really appreciate your reply. I found the site thru google and im waiting for the hacking stuff now.
      Looks like it's gonna take quite some time so I will reply here later when my account password hopefully is recovered.

    • @leonelquinn9106
      @leonelquinn9106 Před 2 lety

      @Benton Neil it worked and I actually got access to my account again. I am so happy!
      Thanks so much you saved my ass !

    • @bentonneil7416
      @bentonneil7416 Před 2 lety

      @Leonel Quinn Glad I could help :D

    • @dougvercoza.
      @dougvercoza. Před 2 lety +4

      @@bentonneil7416 this kind of comment is strange. I've seen a few of these in other videos ... May this be a hacker?

  • @VincentSolimine
    @VincentSolimine Před 2 lety +6

    GI puts out great backing tracks! I set a goal to record one improvisation a week for 10 weeks over the summer and I ended up using GI backing tracks for all 10. Here is the last one of the series using this Footprints track: czcams.com/video/f9hKy3oNgoU/video.html

    • @wiseartmusic5979
      @wiseartmusic5979 Před rokem

      nice love that reverb

    • @VincentSolimine
      @VincentSolimine Před rokem

      @@wiseartmusic5979 Thanks, I appreciate it. That's the Walrus Audio Slo Reverb pedal, I highly recommend it!

  • @gerardb42
    @gerardb42 Před 3 lety +2

    bonjour martin - sorte de blues en DO m sans le degré V ( Sol) - cela sonne bien mais je ne comprend pas trop les substitutions de la dernière ligne: FA#semidim ( ?), FA7 ( quarte majeure ?), MI7 (tierce majeure ?) LA7 (sixte majeure ? )...

    • @guitareimprovisation
      @guitareimprovisation  Před 3 lety

      Oui, ce sont des accords très avancés et difficiles à analyser. L'idéal serait de demander la logique (s'il y en a une) à Wayne Shorter ;-)

    • @gerardb42
      @gerardb42 Před 3 lety

      @@guitareimprovisationbonne idée !!!! amities

    • @paul43700
      @paul43700 Před 3 lety +1

      whole-tone scale is a good one for the last line

    • @Myriam-nk2fw
      @Myriam-nk2fw Před 2 lety

      @@paul43700 C whole tone or what key?

    • @chris66chris19
      @chris66chris19 Před 2 lety

      @@guitareimprovisation Une modeste contribution : cela ressemble à un D9 sans fondamentale style T Bone Walker

  • @henrysaravia4661
    @henrysaravia4661 Před 3 lety +4

    What key is this in? I’m not a master in music theory yet

    • @guitareimprovisation
      @guitareimprovisation  Před 3 lety +1

      Cm

    • @henrysaravia4661
      @henrysaravia4661 Před 3 lety

      Guitare Improvisation thank you

    • @dylanwhite123
      @dylanwhite123 Před 3 lety

      @@henrysaravia4661 the key tends to be the first note played and then you determine what orientation by how it sounds (major/minor)

    • @chamiltonhuh7117
      @chamiltonhuh7117 Před 3 lety +1

      You can play Cm7 in Gm Fm7 in Ebm, F#b5 in Bm, F7 in Dm, E7 in Cm or G melodic minor, A7 in Cmelodic minor or F#m

    • @ARCoventry
      @ARCoventry Před 3 lety

      @@dylanwhite123 last note is a better system

  • @hargiarly.2184
    @hargiarly.2184 Před 3 lety +3

    what dies #Ø mean?

    • @yvesrichter4345
      @yvesrichter4345 Před 3 lety +4

      The # is in relation to the F making it a F# and the crossed 0 means "halfdiminished" . So two minor thirds plus one major third, in this case play F# A C E :)

    • @luizcadu
      @luizcadu Před 3 lety +1

      In addition to the last comment, it is sometimes called a m7(b5) (minor seventh flat-5) chord

    • @alessiowisdom
      @alessiowisdom Před 3 lety

      The symbol "#" says that this note is an F but 1 semitone higher . Ø is a symbol that indicate half diminished chords (you can call also it m7b5)

  • @espr7564
    @espr7564 Před 3 lety +1

    Such a great playback, fade out sucks 👎 Pop songs have fade outs 😱