Time-Aligning Speakers for Chris Stapleton Tour

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  • čas přidán 15. 09. 2023
  • Take a quick dive into the world of live sound engineering with Arpad Sayko, the mastermind behind the pristine audio experience on the Chris Stapleton tour!
    Arpad shares his invaluable insights into the art of time-aligning speakers to deliver the ultimate sonic perfection. Join us for a sneak peek of our exclusive interview, where Arpad unveils the secrets behind crafting that signature Chris Stapleton sound that leaves audiences in awe.
    If you're a fellow audio enthusiast, touring junkie, or simply curious about what goes on behind the scenes of a massive concert production, this is a must-watch. Arpad's expertise and dedication to his craft are nothing short of remarkable, and you won't want to miss the full interview when it drops.
    Stay tuned for the complete interview, where Arpad Sayko spills the beans on his journey, challenges, and unforgettable moments while working with Chris Stapleton.
    Don't forget to hit that "Subscribe" button and ring the notification bell so you'll be the first to know when the full interview goes live!

Komentáře • 15

  • @isaac10231
    @isaac10231 Před 8 měsíci +6

    This is quality content! Keep it up!

  • @csdarlington86
    @csdarlington86 Před 7 měsíci +1

    Arpad is a wizard and super cool.

  • @kadiummusic
    @kadiummusic Před 7 měsíci

    Who?

  • @mikeboltz
    @mikeboltz Před měsícem +1

    Nice video. Next time take 2 hrs , show 12 math equations and over complicate it like everyone else’s videos.

  • @freeradical6390
    @freeradical6390 Před 8 měsíci +5

    How can the sonic be quantified down to 1 mic with 30,000 seating positions?

    • @jasongarte
      @jasongarte Před 8 měsíci

      I thought the same thing. I’m guessing because the delay will be more or less similar- roughly at least- at all listening positions. Very good point though.

    • @omrikladar-benstine819
      @omrikladar-benstine819 Před 8 měsíci +2

      While there are differing amounts of delay due to processing between the mains and Subs, the largest factor is the difference in distance the sound is traveling before reaching the listener. This ratio will change very little beyond the first 100ish feet in front of the stage in a deployment at this scale, an area that will undoubtedly be covered by a separate array (stage fills) closer to the crowd and delayed accordingly!

    • @freeradical6390
      @freeradical6390 Před 8 měsíci

      @@omrikladar-benstine819 fascinating stuff! thanks!

    • @renesupersonic
      @renesupersonic Před 8 měsíci

      I see he took the measurement of the mains and subs, what about the outfills and 270’s? Shouldn’t all the time aligning of a system be done by the system engineer, not the FOH engineer.

    • @poptartaz
      @poptartaz Před 8 měsíci +4

      It doesn't. You're suppose to take measurements from multiple positions and find a happy medium between all of your misaligned sources