1:00:26 @Rich You can even preset your whole chain, EQ, Dynamic and FX, to have them applied as a default or one-click process. Since I'm the sole user of the same mic, I have a Rode NT USB Mini preset where my dialogue track and bus get all of the VST added with the values I've chosen, at the start of every project.
Hi Curtis! Something I’d like to add to the bit about measuring loudness in Resolve: if you bounce your mix, you can let resolve analyse the mix for loudness without having to play it in real time
Hi Curtis, Thank you for your videos. Could you do a comparison between DaVinci Fairlight 19's native Plugins vs IZotope RX Post Production Suite 8? The latter is expensive, but does it provide a significant advantage to Film Post Production workflows? Thanks again. Best.
Great video! Learned a lot from your teachings, instruction, and insight. Can you enlighten us on polyphonic wav files in fairlight as well as create polyphonic wav files (bounce feature I think)?
1:00:26 @Rich You can even preset your whole chain, EQ, Dynamic and FX, to have them applied as a default or one-click process.
Since I'm the sole user of the same mic, I have a Rode NT USB Mini preset where my dialogue track and bus get all of the VST added with the values I've chosen, at the start of every project.
👍
Hi Curtis! Something I’d like to add to the bit about measuring loudness in Resolve: if you bounce your mix, you can let resolve analyse the mix for loudness without having to play it in real time
Very nice, thanks @RedFrameTech 👍
Hi Curtis, Thank you for your videos. Could you do a comparison between DaVinci Fairlight 19's native Plugins vs IZotope RX Post Production Suite 8? The latter is expensive, but does it provide a significant advantage to Film Post Production workflows? Thanks again. Best.
Great video! Learned a lot from your teachings, instruction, and insight. Can you enlighten us on polyphonic wav files in fairlight as well as create polyphonic wav files (bounce feature I think)?
Thanks for the suggestion. 👍