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Your underpainting leaves not enough room / space for the elements, they appear as squeezed together.. left apple 🍎 Else a good informative demo of glacing.

Super! Endlich mal zu Anfang ausfühlich erklärt, was man alles braucht. Auch die Erklärung der physikalischen Hintergründe hat mir sehr geholfen! Und die Tipps zum Trocknen!!! 100000 Dank!!!

Good one. I’d love to see your old master techniques!

You are so sweet to watch and hopping I can make the angel wing pour painting ❤

Did you say not to use oil paint and if so would it not turn out right

No sense of value in this video

Vielen Dank für das super tolle Video. Ausprobieren und üben, üben, üben. Ist wie mir dem Autofahren, da hast du recht. Nochmals vielen lieben Dank! ❤❤❤❤❤❤❤❤❤❤❤

Schönes Video. Habe eine Frage zu dem Owatrol Floetrol. Es gibt es mit einem weißen bzw. mit einem grünen Deckel. Wo sind die Unterschiede und warum nutzten sie es mit grünen Verschluss. Das Fletrol mit grünen Deckel ist wesentlich teurer.

Thank you for this - I know it’s old but very helpful I must admit though I do actually like the way the resin made the pastel looked textured a bit…see for me I would say it looks good haha but I understand it’s not really the way it should look.

Glazing is like a graphite drawer's first step into painting XD As a drawer first, I still do a prominent under painting in monochrome.

Good tips, especially for oils! I will say- in my experience, if you’re using acrylics, you’re best off going one of two directions. 1. Ideally, use an actual glazing medium. They were a game-changer for me, & give beautiful results, without any of the risk of damaging the binders & resulting in adhesion/permanency problems like you can get from diluting acrylics excessively with water. From the ease of use & smoothness of application, to the quality of the finish, glazing medium (I’m used to Golden’s) seems to really be better for this purpose than any other matte or gloss medium I’ve tried, though they can work in a pinch & are probably still better than water in most cases; don’t get me wrong. I use water to just SLIGHTLY thin the consistency of acrylics all the time. But if you use enough to try to thin heavy-bodied paints, especially, to a good glaze consistency, IME it seems like that’s a risky amount of water to add to them (if you must attempt this, I’d thoroughly mix a few drops of water in at a time to slowly dilute to the desired consistency, & mostly stick with very transparent pigments, as I really ideally ought to for glazes regardless- but especially in this case; if you add a bunch of water all at once you get weird issues with the binder breaking into clumps & it’s way too easy to add too much at once). 2. This gets to my other point. If you DO use water instead of a more suitable medium for glazes, I recommend using it with fluid or high flow acrylics instead of heavy-bodied, if at all possible. You’ll have a much easier time that way & achieve better results. Because fluid & high-flow acrylics have a heavy pigment load concentrated into much less binder, & the binder is already more of a fluid consistency from the jump, it seems like you can get away with using considerably less water, & rather than risking breaking up unevenly, it simply dilutes smoothly. So with a relatively small amount of water & a transparent pigment, you can dilute them to a good glaze consistency & transparency without encountering as many problems. Heavy-bodied acrylics are just not designed to tolerate the amount of water that you’d need to get a thin, fluid, glaze consistency suited for a smooth, even, very thin application. IMO fluid acrylics + glazing medium (which you can also get away with using less of if you’re using it to dilute fluid/high-flow acrylics rather than having to completely change the consistency of heavy-bodied paint) is probably pretty ideal. Using that kind of blend with a nice, soft brush (I like an oval mop, or a soft flat, or something like that) makes for an extremely smooth, even, thin glaze that still is nice & juicy & strongly pigmented while being plenty transparent as long as it’s at least a somewhat/semi-transparent pigment. Plus, heavy bodied paints are way more expensive, so in addition to not being particularly well-suited for glazes, it’s kind of a waste of paints that are designed to be applied as thickly as you want, if you’re thinning them down to a fluid anyway. Of course if you can’t afford to be buying both heavy bodied AND fluid paints, go with whatever suits your general purposes (you CAN thin heavy bodied paints down with glazing medium much better than with water, & you can technically also buy heavy gels, molding pastes, etc., & simply color them with the pigment load from fluid acrylics- it’s a versatile medium & you can pretty much add any source of pigment to any medium/gel/paste)… But I would definitely warn against adding too much water to heavy-bodied paints, & recommend splurging for some good glazing medium if you can afford to, regardless of which acrylic paint type you go for. For anyone not aware, the difference between fluid & high-flow acrylics as basically just consistency. They’re both a high pigment load concentrated in a smaller amount of very fluid binder. It’s just that fluid acrylics still have a bit of acrylic thickness to them (think of the consistency of drinkable yogurt- but don’t drink them). Whereas high-flow is the thinnest acrylic paint base you can go with. It’s basically the same consistency as ink or milk or something… Pretty similar to acrylic ink, except it’s still considered a paint, whereas acrylic ink is literally an ink, though I’m not sure what the exact difference is. From what I just read, acrylic inks are “water resistant, but not permanent” whereas high-flow acrylics are “permanent when dry & can withstand gentle hand-washing.” High-flow acrylics also, apparently, contain a retarder that prevents them from drying INSTANTLY at that thin viscosity (which I suppose makes them more usable as a paint, whereas acrylic inks should only be dipped into with a pen or what have you because they dry even more rapidly)- but then, IME they’re still acrylic paints & definitely do dry quickly despite the retarder.

Sehr informativ!! Vielen Dank! Nun aber meine Frage: wo bekomme ich Powderblender und das Fixativ her?? Hier in Österreich habe ich keinen Anbieter gefunden-auch nicht über Amazon :-( Könntest du uns bitte noch einen Link reinstellen ? oder vlt. gibt es ja Jemanden hier, der mir diesbezgl. helfen kann..Vielen Dank schon mal im Voraus!

Danke für das tolle verständliche Video. Gibt es zwar schon ne Weile aber von mir gerade entdeckt. Hab gleich mal abonniert und ein bisschen bei dir rumgestöbert. Toll. Habe mir schon viele Beiträge zum Thema angesehen und dabei ist eine Frage aufgekommen. Viele benutzen Pouring Fluid, du nicht. Ist es überhaupt notwendig? Jetzt kann es losgehen... Gruß aus Berlin

The second d is much better

Not so good

Hello there I’m really glad I type this in and found your site. I was just about to pour some resin on spray paint and pan pastel and I’m really glad to watch what you’ve done. I’m so glad I didn’t ruin my picture but I will tell you, my original concept was to do. Encaustic which is hot wax and probably some oil sticks and put many layers of wax so then I can incise some of the lines and then use the oil sticks if you know what I mean, but thanks for that video you really saves me a whole lot of work I would’ve been really upset.

Oops, Entschuldigung. Ich habe gesehen, dass der kopierte Artikel von einer MANUELA WIRTH ist und sie hat dieses Video nur als Referenz angegeben.

Thank you using oil paint for the process

Kannst du mir vielleicht auch beantworten ob ich Harz über eine Leinwand gießen kann ?

Wie lange dauert es bist das Bild getrocknet ist damit ich es versiegeln kann?

Super erklärt. Danke

Just found this video and agree wholeheartedly with a previous review, that this is one of the best explanations I’ve heard, and I too am a 72 yr old beginner. Very motivating, thank you.

Thank you for the complete demonstration. Does Liquin really dry paint in a matter of hours?

My underpainting is completely uncut oil, meaning its very thick. Will I be able to use this technique over it without cracking?

Du sieht ein bisschen aus wie David Walliams😅

Danke für das tolle Video mit vielen wertvollen Tipps! ❤

Danke für dein Video. Was muss ich beachten, wenn ich mein Bild lackieren will.😮

My favourite colours gold black..very interesting, especially with the gold leaf..💖 maybe black,gold and gold leaf, with some small diamonds 😊

Omg too funny

Thank you for this video, I was recently given reference photos taken with a poor quality cell phone. In one of the photos, the little girl is moving and her eyes are completely distorted 😭 this is my first time agreeing to draw on commission and the anxiety is real!

Da ich sehr stark schwitze an den Händen ist es dennoch möglich mit Kohle zu zeichnen?

Excellent tutorial...I would love to see more of the old Master techniques!

Danke für deine tadellose Einführung. Super erklärt. Danke dafür, dass du die Zeit genommen hast...🫶👍

Awesome maybe try a split cup next time

Πολύ χρήσιμο video με αναλυτικές οδηγίες. Δοκιμάζω αυτή την τεχνική σε πορτραίτο δεν έχω τελειώσει ακόμη αλλά έχει ένα ωραίο αποτέλεσμα μέχρι στιγμής. Ευχαριστώ για τις οδηγίες 🥰🥰

Dein Video ist wie alle anderen sehr informativ und interessant! Mich interessiert noch wie lichtecht die Prismacolor Stifte eigentlich sind. Verkaufst Du Deine Bilder, die Du mit diesen Stiften gezeichnet hast? Bei Polychromos und Luminancestiften ist es ja bekannt, das sie nicht verblassen. Viele Grüße Claudia : )

Ich bin begeistert von diesem Video, da ich Anfängerin in der Ölmalerei bin. Wunderbare Erklärungen, der Vorbereitung eines Gemäldes. So hatte ich mir meinen derzeitigen Malkurs für Anfänger (und Fortgeschrittene) vorgestellt. Man erhält zwar sehr gute Tipps bei Nachfrage, ist aber nicht wirklich Schritt für Schritt ans Malen mit Ölfarbe eingeführt worden wie in diesem Video. Super! Ich werde Deine Videos weiterhin verfolgen. Danke für diesen visuellen Kurs.

Whats the best paper for Faber Castell 9000 please?

I know this video is very old now but what about several light coats of spectra fix first and THEN the resin? I have watched many reviews of spectra fix and this seems to be the fixative that has the least colour shifting for pastels. Several coats of that should make enough a barrier between the pastel and the resin no?

Danke - schöne Erklärung

Thank you, you helped me loads, great idea 🌹

Tolles Bild und aßt gerade bei mir meine Schwester hat mich gebeten ein Bild in schwarz weiß zu malen von meiner Schwester und meinem schwager kann ich auch auf leinwand so malen oder geht das nur auf Papier?

Super für die mega Tipps!!!👍👍👍👍👍🤗🤗🤗🤗🤭🤭🤣🤣👍👍👍👍

THIS IS WONDERFUL! I struggle with wing pours...can you give me the link to Joe for his pouring tool idea?

Super erklärt!! Vielen Dank! 😊

How are you luv?

Hello, this is the first time I have seen one of your videos & wow impressed I am! I love your colours & design in this piece it is peaceful, soft & beautiful. I look forward to seeing many more of your videos. Thank you. Cheers, Michelle from Australia 🌹

Bitte verrate mir, was das für schmale Pinsel (mit der abgerundeten, kurzen Borstenspitze), rechts neben dem Porträt sind und wo du sie gekauft hast.🙏

regarding the technique of blowing with a straw on to the piece and creating the nebula affect...trying to understand what are the ingredients in the method and ratios of the materials used?...

Kartusche Frage: kann ich Ölmalfarben mit weißem Acryl aus der Kartusche mischen?