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Can you please make a comparison between Godox M600 Bi vs Nanlite Forxa 720 Bi. Trying to purchase the most defined light shadows

This dude is a legend 🫡

It was great to meet you in person over here at Cinegear LA. Your contribution to the lighting community can’t be overstated. Good talking with you. Love to keep in touch but I forgot to exchange info…🤦🏼‍♂️. Keep up the good work. Hopefully if you find your way back in the southwest states ever again for an expo I’ll get a chance to run into you again.

The Logic behind this: 1) One stop means you should double the light. 2) Inverse square law says: intensity1/intensity2=distance1^2/distance2^2 3) so intensity1 being x, intensity2 being 2x (as we want to double the light) 1/2 is our intensity ratio. 4) so distance1/distance2 = 1/√2 5 so to double the light you should √2 change the distance. Which is approximately 1.4. Where you get the ratio between distances (also f-stops) 1 meter, 1,4 meter, 2 meter, 2,8 and so on… 1.4 is the ratio when you double the intensity or half it…

what app did you use to control it? Cause godox app doesn't connect to it.

Excellent, have you done Any review for godox s60

you make great videos

Anybody have a solution for different diffusion materials?

Nice - 3 gaffers I watch on YT ... together on the stage ... I have to watch it :D

why is the color breaking at 15:50 ? What camera are you shooting on? Old Sony? Thank you for great review btw

Hi, will you review the Nanlite 10 degree projector lens?

Panel Discussions The Art Of Lighting (Day 1) czcams.com/video/CNWTirv-tb0/video.htmlsi=licaCqbhVYoYgYuj What They Don't Teach You In Film School (Day 2) czcams.com/video/9QAM0BnWim4/video.htmlsi=VsDQS9vxxOeBbLaP

nice

Hello! Do you have an update on gupo gear now that you have used them for a while? Would you recommend them for building out a G&E van?

Any video on how to remove unwanted reflections from reflective superficies?

Gearing up for a show and weighing the budget options/intensity options of a 2400B vs. a 1200D. Looking at your previous videos, the 1200D with the (15 degree) narrow reflector comes in at 61,600 LUX at 3m. The 2400B with the 45 degree reflector comes in at 34,400 LUX at 3m. Is the 1200D really nearly twice as bright? More familiar with the Aputure series along with ARRI HMIs. Are the main advantages of the Nanlux 2400B the G/M, Bi-color capability, and intensity across spread of the beam?

I really was looking for an explanation about the differences. Thank you!

Interesting how the ballast is the exact same as the intellytechs 2.0 models

There's a frequency selector to make the flicker free

Does this fit into a standard film milk crate?

Can the type A adapter work om the X100 / CX 100 lights? Or only on the 60w light?

Hello, thank you for your videos The cabinet did you make it yourself? Thx

Hi love your videos I was thinking about getting the Amaran 300c I am a small prouction house doing crops interviews and min movie. I have $555.00 USD to spend on a light. I would love to get your opinion on where to put my money there so many choices out there I am going nutsss THXS

interresting, you could run this on a hacky Y 220 on 15A north american circuits like we do with m18.

Great review and explanation for the review ❤

wow the orion 300 FS has more punch in flood mode with the frenel

What about TL30?

I really hope you get chance to cover the new Godox SL150R and SL300R, as far as I can tell they are the same as the SZ but without the zoom, greater CCT range, more effects, and £150 cheaper. I'd like to know if there's a catch as the new 300 would be a great compliment to my old SZ150R if they can match well at the same settings

Love this channel Andrew. Thanks for all your work on it. Any thoughts or tests you’ve done with the 600D and the smaller Aputure lantern? Just wondering if it’s a definite no no and the 90 is the only option?

Nice that these can actually run the Forza60 -- I tried a few of the Moman 140wh ones, and they shut down within a few minutes from the draw.

How about the size of the ballast

I own a 36 deg bundle and the Spotlight SE is a compromised product for sure. The usage is fairly limited but compact enough to fit in my case as a grab & go lighting accessory. Nice review, Andrew!

Can you do a Video about Aputures Sidus one CRMX transceiver?

Hi Andrew, did you have a chance to compare the Master HD Stand (KS200112 / 226M) vs. the Master Cine Stand (KS501411 / 542M), and if they're comparable in stability? The HD has round legs vs. square legs on the Cine but features spring loaded risers, which is quite an advantage. Thanks!

Those contacts are dumb, detecting non-powered accessories could be done by RFID or something. Powered ones via a 3-lead cable, if a cable breaks, no big deal, but contacts are a weak point. BTW, for 8k i'd expect it to work very well without the need to wait for firmware updates.

Can it work wif nanlite some ?

“I have a confession to make: i have *no idea* how to pronounce the brand name. So I’m gonna stay clear of saying it so I don’t look silly.” 🧠 💪

hope to see you there

Nice. I am still not sure if i should get the 150c or 300c 🥺

The price point as you say is tricky to work out. The ETC Series 3 X8 Lustr with a 26 degree lens is the same price as the 600C Pro, without the Spotlight Max, and has the same light output. Which means buying a Spotlight Max for a 600D is tricky to justify financially, and ETC products are outstanding Re shelf space, in theatres we used to hang all the lights from pipes in the ceiling of the lamp store to use max amount of space. Works really well, and same trick works in vans

do an LIVE epi from CineGear!!

Are you hired or sponsored buy apature now or are you still independent?

Have you considered having a look at a ETC Source Four Series 3 Lustr X8 with one of the XDLT lenses?. Would be intersting to see just as a comparison point for the more film and TV orriented equipment usually reviewed.

Look forward to hopefully seeing you at Cinegear. Love to meet you face to face to show my respects for your work on this channel. As for the spotlight max… This feels like a mixed bag. I really love how far Aputure has come with their products and continue to push the envelope in terms innovation and user feedback and how they incorporate it. You can tell a lot of work in R&D has been brought to bear. But I feel like this is a fail. Not a complete fail, but one I wouldn’t feel comfortable releasing into the product line of great products. There’s high expectations that they themselves have set. But if you are going to make a product make it better than it was before. This is an extremely well built product. But sometimes even if something is great in build quality, if it doesn’t live up to the hype in terms of what ultimately what it is there to accomplish: -superior Optical clarity with all the use of accessories -Great color accuracy with minimal aberration -Output magnification well above native lumens -Rotating barrel and physical functionality I’m really inclined not to fall in love with this product. I know a lot of us out there really wanted this from Aputure. They clearly put a lot of work into this but I don’t know where they ran into trouble. I don’t build lights and I’m not prevé to how challenging it must be to make this sort of product for basically multiple different point sources and make it good for all of them. I’m only a Gaffer and I know what I’m looking for. This isn’t it. Love your channel, love Aputure, I don’t love this.

There is so much chromatic aberration that I doesn't feel too bad with my Spotlight SE anymore. It should be unnacceptable for this cost.

Andrew's neighbors, "Honey, he's out there doing it again."

The focus shift / chromatic aberration at the edge of the gobo is very dissapointing. Especially for a fixture of this size, cost, and build. They should have done better.

aye nice

Have a great time at Cinegear 👍

What a team at Cine Gear. Looking forward to watching the panel.