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i played this on alto saxophone with my brother on percussion, running around in the back thank you for choosing this song for us, Mr. Humbert 💗

That E major 7 at the end is simply wonderful 🥰🥰

41:23

why did bro quote caleb hu 😭😭😭😭my faithful comrade in arms his ahh is NOT a critic

score video nice :) (i liked the black background with white text)

I love the facial expressions of the little female cello player who is sitting to the right behind the solo cello player. A mixture of liveliness and melancholy. She "breathes" with his playing. I love it. Btw the soloists are all wonderful. One HAS TO FALL IN LOVE WITH HERBERT BLOMSTEDT anyway.

Le maestro BLOMSTEDT DIRIGE SANS LA baguette ce qui donne L immense avantage de suivre le langage de ses mains véritables instruments musicaux qui s ajoutent a ceux de L orchestre

3:11 6:52

In 1968, I got so caught up in this concerto that it gave me the flu. There I lay listening to this thing over and over in surreal fevered bliss. Far out. 38:47

J’aime beaucoup cette version de Martha ARGERICH 🤍🤍🤍

WOW!!

Incredible performance of this absolutely divine work - which is my favourite among the concertos Beethoven wrote. Cheerful and upbeat in nature and full of gorgeous melodies and playful interactions between the soloists and orchestra.

I spent years listening to tens of recordings of Ondine, appreciating the infinite possibilities of interpretation of the piece and the myriad of different takes on it from different pianists. But I kept listening to so many recordings also because I was looking for one that would match my sensitivity and fully convince me in all of the sections of this masterpiece. I believe my search is over. This is the most astonishing one I've heard to date. God bless these 2 musicians.

volume so down

I prefer your version of Moonlight Sonata. More dramatic and thank you much for spending the time to share

3:22

The cough 4:01 is insane

2:10 oops!

I think Ondine and Gibet are wonderful . I think Argerich wins on Scarbo. Hers is darker…. IMO the way it should be played

19:50 20:48 22:15

vivace goes hard

Maestro Blomstedt clearly enjoys leading this symphony. Performing music can be A LOT of fun, in my experience.

I swear I heard this in the background of MASH somewhere.

I like the rendition of Anastasia Huppman better. She plays it with slower tempo. True to the sonata was written.

6:29

Playing this at a silent midnight time is a transcendental experience. Trust me, I bet you won't regret it.

This interpretation is a gem.

I'm curious where in Florida this was played, because honestly the lack of resonance from many of the instruments indicates a venue with improper acoustics. When I played this in high school, somehow I managed to play in venues that were set up properly (such as panels set up toward the rear of the stage that project more sound forward).

This was the art for my first Debussy book! <3

One of the Most Beautiful Songs :)

Wow !! 100 years ago !! 🎉

Love it's speed !! ❤️

ブロムシュテットさんの指揮のゲヴァントハウスは最高の組み合わせだな。 最初から最後まで素晴らしかった！！

That was amazing, one of my favs executed to perfection!

Holy wrist!

II. 4:39 III. 8:49

Coming back here (my "first" video) 2 years later after having performed my first Scriabin recital... this might still be my favorite Vers la flamme on the planet. It's like holding a burning piece of paper in your hand until you're forced to drop it. (Laul's recording is a close second, similar in conception and with much better sonics, but this one throws all caution to the wind and is relentlessly exciting even on repeated listening.)

I played this for Band UIL and got a one.

Beautiful sounding piano too!!!❤

This piece was a pain to play starting at 1:31 and I played 2nd clarinet for this piece my junior year of high school.

와 미친 진짜 신난다

2:12 Screw this bar in particular on bassoon.

The larghetto ❤

not at all what i'd imagined, but it's freaking amazing

GRANDIOSE! Magnifique de sensibilité et d'harmonie, de joie , de vie, de liberté , où chacun Donne le meilleur de lui-même . Merci infiniment pour cette merveilleuse présence !❤

コレを初演で聴けたら・・・でも、私なんかじゃ、判らないかもですね。

This sounds like the most stereotypical Chinese music as opposed to Korean tf, only thing even remotely Korean about this piece is the fact that’s it a variation on Arirang

Note: I just love it when the strings come back in at 18:59. What a beautiful sound.

Why so fast? Ravel's indication is an unequivocal 'lent'.