Video

In the description of his GT1000 video czcams.com/video/tsXCI1Zfg98/video.htmlsi=_MAQSA0gNP16a1Qh

Do you know we're to Find he's other patch, the ones not for 4CM ?? I know he makes amazing patch on the boss gt 1000, but can't find them

Wow, thank you!

@@rnodern I'm hoping if I can ask you a question, after a patch is saved is it in the USER area or will it also be in PRESET area?

@@clifforddang5947hey mate, no it isn’t available in both areas. I tend to always save my patches in the user banks, that way I don’t have to cycle through to the preset banks to land on the patch I’m looking for.

@@rnodern Thank you so much!

That will depend on what your footswitch cable looks like for your amp. Is it a TRS cable or a Mono cable? Keep in mind that some amps need to be controlled by MIDI

@@rnodern It’s a mono cable (Orange TH30) I tried with it but it doesn’t seem to work so I’ll try with a trs cable ..

Hey mate, I do this too. Take a look at my pedalboard now: i.imgur.com/TXMEo6i.jpg Okay, so I am assuming you’re using 4CM as described in this video. In the second send/return on the GT1000, run a cable from the send to the in on your pedal, and run a cable from the out of your pedal back into the return of the gt1000. Send/return Loop one is used for the 4CM, and the second send/return loop can be used for additional analog pedals. When you are designing your patch, start with selecting which amp channel you want to use. Engage send and return 1 and 2 (1 is required unless you don’t want to use the amplifier preamp) then place send/return block 2 wherever you want it in your signal chain. If it’s distortion, place it just before send return block 1. Save the patch and it will change channels and engage your analog pedal when you switch to that patch. Note: the pedal has to always be on and engaged, you’re just inserting and removing it from the signal chain in your patch design. You may notice I have many pedals. I’m using a Voodoo hex midi switcher. So, the send/return block loop is sent to/from the voodoo hex. All my analog pedals are plugged into the hex. Then, I send a midi signal to the hex to activate certain pedals in my patch design. It’s super cool if you want to combine the GT1000 with multiple analog pedals.

@@rnodern thanx bro

Eh buddy one more question lol I made a patch I can’t figure out how to assign it to bank 1? Or any of the banks lol when I go to the control function menu and click on any of the banks it doesn’t give me the option to download my patch I made

@@billhinsperger8120hey mate, you select which patch (bank) when you save or write the patch. Something like U1-1 will be patch one bank one

@@rnodern ya I followed your method it’s Awsome but once I complete my patch I go to write and it saves but does not give me an option to assign it to a bank? And when I go to the assign menu it shows all the banks but when I click on any of them it just brings up effects not patch options, are u saying once I write it atomically goes to bank 1?

Take a look at a “Universal Audio OX Amp Top Box”. Sits between the amplifier 4,8,16 ohm out and the speaker. Basically it is a reactive load box, but capable of emulation and has xlr/usb connectivity

@@rnodern oh man that’s about expensive as a tube amp I think I’ll just think with the arid amps through the monitors I just gotta mess around it to achieve a good tone

@@rnodern thanks anyways though was an insightful video

I think we'll die waiting, been waiting since 2010 🤷‍♂️

​@@Log.Rhythm*2013

Yep, the Boss GT1000 app is available on iOS devices. It connects to the GT1000 via Bluetooth.

Hey mate, it wasn’t - I just made it for demonstration :) For a Kirk lead tone start with the amplifier. Go for the modern voicing on your rectifier, channel 2, or if you have a 3 channel recto, then channel 3. Bass just above half way, mids below half maybe 9:30, 10 o’clock..and treble above half. Presence can add fizz so use sparingly. Then on the GT1000 throw a crybaby wah up the very front, followed by a tube screamer. Chug away and keep increasing the gain on the tube screamer until you’re happy with it. Won’t really need much to push the preamp on the recto and result in a nice tight gain sound. A compressor helps if you’re tapping to keep your notes more consistent. He’d also probably be using reverb in the fx loop. This isn’t a recipe, just how I’d approach getting close to his sound

@rnodern will try that mate. How about the drive knob? Should it be after 12:00 or before? I heard this amp can be hard to get a lead tone. We'll see. THANKS much bro!

Thanks for the question. Hmmm that’s really interesting. First thing I’d check is the 4CM cabling, making sure it’s actually going through your effects loop. Next I’d check the back of the amp to make sure the fx loop is on (not bypassed) and volume is turned up. My dual recto has a fx loop volume on the back. Next check the two master volume knobs over on the left side near the power switch (not the master volumes on each respective channel). Perhaps the delay is sitting in one of those switching loops that isn’t engaged? - in tone studio the part of the signal chain that splits off into two separate paths. Lastly maybe a wet/dry setting on the delay but I’d expect that would also be apparent either side of the send return block. Good luck man! Let me know how you go

@@rnodern thanks bro, it's working now after I switch the fx loop to on.

this 1000%!!!!

Thanks for the question. It depends on your amp. Take a look at page 39 here static.roland.com/assets/media/pdf/GT-1000_parameter_eng08_W.pdf - Find the closest to your amp and select the one ending in RETURN if you are using 4CM.

For example. With the Mesa Boogie Dual Rectifier I am using (with either a 412 or 212 cabinet), I set the Output Select setting to "Rectifier 412 RETURN"

@@rnodern thanx dude. One more thing can I use the gt in front of the amp like a pedal board only and still use channel switching on my messa?

@@billhinsperger8120 sure can. Just connect the main out of the gt to the main in on your amp. (Change output settings) to whatever suits the amp/situation. Design your patches without engaging any send and return blocks (green box when engaged with up and down arrow). Roll all the way to the right to the last block and inside there is the amp channel selection. Connect the foot switch jack on your amp to the foot switch out on the GT and you’re good to go.

From memory, on the GT it’s called Amp CTL or something

Thanks mate!

The phone and tablet versions will work.

“Well every minute I’ve spent chasing lies and dead ends I thought it would change (but now I know)”

@@crg1090 thank you!

cause everything once good is gone i think

@@Daniel-en-youtube ? \

I think it's "drinking this muddy water, don't feel like you're welcome."

Hey mate, thanks for the comment. Take a look at 10:05 where I put the delay in the effects loop of my amp. Provided you’re using the GT1000 fx loop 1 in your 4CM setup, anything to the left of the green send return block 1 in the signal chain will be before your amp preamp, and anything to the right will be sent to your amp effects loop. Just make sure that green block with the 1 and the up/down arrows is activated :)

Also, look at 18:45 onwards, where I move the tremolo before the amp preamp, and into the amp effects loop by moving the FX1 block before the send and return block, and then after the send return block. So, make sure your wah is to the LEFT of send return block.

@@rnodern Thank you so much for taking time to answer my question! This solved my issue and now I can set my own patches the way I want it!

I use a Shure GLXD16 on my board. Not sure if they make this product anymore. I just place it anywhere on the board and run it directly into the input of the GT1000.

Yep, you could do that. Just use the main input and output on GT1000 and connect into your amp’s fx loop. Disable all preamp & emulation in your patches. The GT1000 has 2 more fx loops, so you can add more pedals to those loops if you wanted. You won’t be able to use any overdrive or pre preamp effects in the GT1000 however, you’ll need to run your guitar through any pedals you want before the preamp, then into the front of the amp.

I heard a bit of the studio recorded version of this on a promo for them when they were coming to perform in Dubai ! It's out there just don't know where!!

You and me both, mate! I remember seeing them say in an interview a while back that they sit on new songs and sculpt them until the band feels that they’re done. Looking at a version of this song performed +12 months ago, it has changed a bit. I guess their process is very slow because they’re all perfectionists.

In the Sydney monolith show they said as long as their fans keep supporting them they’re gonna keep writing new music and touring so it sounds like something’s in the works! Good things come to those who wait

Apparently.... During their UK tour it was said they are not making enough money to continue touring...

@@rnodern Honestly, i get that its art but i think at this point its almost a disservice to them AND the music. This really sounds NO different than the one we heard years ago! So I think that's a bit of an excuse and they just seem to have a hard to releasing music.

😂 thanks, buddy!

Enjoy every minute of it! They are exceptionally good playing live!

Tonight!!

@@RobdeSwarthow was it!? I ALWAYS enjoy seeing Karnivool play. Im amazed at their stage presence and poise. Im so happy that they have this tour to share their gift to other parts of the world 🤘

Welcome to the rabbit hole that is Karnivool. Their music is a journey. You must start way back at earliest releases and roll through. Begin at Persona > Theamata > Sound Awake > Assymmetry. Sound Awake is possibly one of the greatest albums ever recorded. It is pure perfection from start to end.

Welcome! You’re gonna love what you see. All of their albums are fantastic but check out sound awake. It’s quite possibly one of the greatest rock albums ever recorded.

Oh yes. Sound Awake is one of the greatest albums of all time.

@@scook2106 can confirm. Sound Awake is pure perfection.

props to you for reaching into the unknown to find the hidden gems. You will not be disappointed. Sound Awake is one of the greatest prog albums of all time.