BEETHOVEN String Quartet No. 7 in F major (Op. 59, No. 1) 'Razumovsky' Score

"The String Quartet No. 7 in F major, Op. 59, No. 1, was written by Ludwig van Beethoven and published in 1808. This work is the first of three quartets commissioned by prince Andrey Razumovsky, then the Russian ambassador to Vienna. This quartet is the first of Beethoven's middle period quartets and departs in style from his earlier Op. 18 quartets. The most apparent difference is that this quartet is over forty minutes long in a typical performance, whereas most of Beethoven's earlier quartets lasted twenty-five to thirty minutes. Furthermore, this quartet notoriously requires a greatly expanded technical repertoire.
The first movement is in an expansive sonata form, including a fugato in the development and lasting nearly twelve minutes even though it forgoes the then-customary repeat of the exposition. The opening cello melody has its tonality only weakly defined, with the first cadence establishing the key of F major only occurring several bars into the movement.
Another feature of the first movement is the delayed emotional recapitulation. As became one of Beethoven's many tools for emotional manipulation, delaying the grandiosity of the recapitulation for several bars after the establishment of the tonic key allowed Beethoven to heighten expectation of a definitive statement.
While both the majestic slow third movement and the fourth are also in sonata form, the second movement scherzo is formally one of the most unusual movements of Beethoven's middle period, easily classifiable as being also in sonata form.
The final movement is built around a popular Russian theme, likely an attempt to ingratiate the work to its Russian commissioner"
- Wikipedia 2020
Performed by the Emerson String Quartet (Eugene Drucker, violin; Philip Setzer, violin; Lawrence Dutton, viola; Paul Watkins, cello)
Allegro - 00:05
Allegretto vivace e sempre scherzando - 10:16
Adagio molto e mesto - 18:49
Thème Russe Allegro - 30:30

[@Silviola824]

I have lots of happy memories of waking up early to rehearse this piece under the trees. Miss those days.

[@zerpaviolin]

We have a same kind of experience with this quartet

[@JonathanKofi]

@@zerpaviolin @Silviola824 I envy you both

[@eltonwild5648]

What do you mean by under the trees?

[@georgiamarker5117]

The cello in this is so lovely and rich - such a full-bodied sound. Major goals for my own playing!

[@philliphan1208]

Allegro - 00:05
Allegretto vivace e sempre scherzando - 10:16
Adagio molto e mesto - 18:49
Thème Russe Allegro - 30:30

[@user-od2kp3ve4m]

I just love the first melody

[@ultimateconstruction]

Ikr. God's melodies are some of the best ever composed.

[@thatsEforEveryone]

Why is f major so peaceful and incredible

[@timothythorne9464]

It seems F Major had this effect for Beethoven

[@Mchwarz]

It depends on who is handling the F major.

[@PushkaryovVsevolod]

Гениально.

[@dzinypinydoroviny]

I love the beginning. Despite F being the tonic, the tonic fifth chord is untouched up till beat four and it doesn't even sound like "home" as the tonic should - instead the bass drags us back from f to c which feels, for some reason, the most stable in that passage.

[@pavlenikacevic4976]

well, C is the first chord introduced, that's why it feels like tonic

[@erika6651]

This is felt several times through the first movement. It's as if Beethoven found a way to blur the dominant with the subdominant as if they are occuring simultaneously . . .

[@pianofrederickhuang3780]

@@pavlenikacevic4976no

[@pavlenikacevic4976]

This adagio is the little brother of the Hammerklavier's adagio

[@rene_damn]

4:10 😍

[@gabrieldiaz-vg2dk]

6:26 reexposicion

[@wobblyorbee279]

25:38

[@JJC333]

I think this piece sounds like a proto-Schubert quartet.

[@David-tw7wl]

First!