Dialogue Editing for Motion Pictures - Lesson 1: Organization

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  • čas přidán 1. 10. 2013
  • If you start to edit too soon, before you've organized your workspace, you will undoubtedly run into trouble later down the line. This video addresses some of the issues you will face as you plan your editing universe. For much more on getting started see Chapters 7 and 10 of the book "Dialogue Editing for Motion Pictures - A Guide to the Invisible Art - 2nd Edition" by John Purcell - Focal Press
  • Krátké a kreslené filmy

Komentáře • 34

  • @dialogueeditor
    @dialogueeditor Před 9 lety +9

    Remember, the most important part of the job is getting it done!

    • @Doty6String
      @Doty6String Před 2 lety

      reading your book now John really enlightening now even many years later. thanks

    • @dialogueeditor
      @dialogueeditor Před 2 lety

      ​@@Doty6String Hi Alex. Thanks for your note. The book and I are not as young as we once were, but it's a pleasure to know that we can still offer some help. Good luck.

  • @GeneoVanEngers
    @GeneoVanEngers Před 5 lety

    I been in a sound production class for 13 weeks I have had a hard time understanding this from my instructor your videos are so helpful and easy to understand thank you.

    • @dialogueeditor
      @dialogueeditor Před 5 lety +1

      Learning is a funny thing: you never know what will work. I'm glad that this helped. Now go to your instructor and tell him/her how helpful his/her class is and how much you've learned from him/her! A little politics can go a long way. Thanks for the comment.

  • @AndrewGarrisonIndieFilm

    This series is excellent. Thanks, José!

    • @jldaudio
      @jldaudio  Před 6 lety

      All credits goes to John Purcell.

  • @merryberryspeaks
    @merryberryspeaks Před 4 lety

    Thank you so much! I'm about to make the sounddesign for a graduation film and i'm quite out of practice. This will help me a lot! :)

  • @speakerfood8691
    @speakerfood8691 Před 9 lety

    Thanks for sharing this tutorial. As I'm a little neurotic in organizing, I developed a way to name the regions with the spoken words. It's in Logic Pro, but I'm sure I can get it to work in Pro Tools too.
    Automatic Dialogue Region Naming in Logic Pro X

  • @silviemonk5556
    @silviemonk5556 Před 10 lety +2

    Hi Jose. I told some student filmmakers about your videos. If you don't get a jump in views over the next month, I'm going back there to chop some heads!

    • @jldaudio
      @jldaudio  Před 10 lety

      Ja,ja. Thanks Silvie.
      I hope these videos can help them to understand better our work.

  • @TheMillennicast
    @TheMillennicast Před 10 lety +1

    Ah these videos are a god send, how you don't have more views, I don't know. I'm currently moving into sound production and specialising on the subject in University. Been using Pro Tools for a while, but it's cool to see some useful lessons and tips.

    • @jldaudio
      @jldaudio  Před 10 lety

      Hi AngryMetalGamer,
      Thanks for your comment.
      John Purcell is a very didactic person. He is clear, shows examples, and speaks with honesty, doesn't try to sell you any lie. I recommend you to buy his book. To my taste is the best book about our field.
      Good luck with your studies in the University.

    • @benjaminkabialis6509
      @benjaminkabialis6509 Před 8 lety

      Didactic has a negative connotation. "Instructive" would be a suitable alternative.

    • @jldaudio
      @jldaudio  Před 8 lety

      Hi Benjamin. My english is very limited. So, I can't handle some subtlety. I didn't know what you point.
      Sorry and thanks for your correction.

  • @polarmx7890
    @polarmx7890 Před 5 lety

    Muchas Gracias José, tienes un magnifico canal!

    • @jldaudio
      @jldaudio  Před 5 lety +1

      Muchas gracias, Polar. En este caso, has escrito tu mensaje en un video cuyo principal responsable es John Purcell.
      Nosotros solo le pedimos permiso para subtitularlo. Es decir, los créditos le pertenecen.
      Pero muchas gracias por tus palabras, Polar.

  • @silviemonk5556
    @silviemonk5556 Před 10 lety +2

    Jose, thanks so much for doing these videos. I'm so sick and tired of hearing low budget films with dialogue tracks full of holes, background sound that jumps levels with each cut, and all around sloppy work. These should be required viewing for anyone making any narrative film!!!

    • @jldaudio
      @jldaudio  Před 10 lety +3

      Thanks Silvie.
      I think the same way than you.
      Fortunately there are people who have the gift to explain our tasks in a didactical way. John Purcell is one of them.
      I asked him to let me upload some of his videos in my web page.
      His book is a must.
      Thanks again, Silvie.

  • @khoaidol
    @khoaidol Před 6 lety

    Thanks a lot Jose !!!!!!!! That's help

    • @jldaudio
      @jldaudio  Před 6 lety

      Hi, Khoa. All credits belong to John Purcell.

    • @dialogueeditor
      @dialogueeditor Před 6 lety

      Thanks. I'm happy it was useful.

  • @christiancaicedo4632
    @christiancaicedo4632 Před 9 lety

    Two Questions:
    The upper track "2642" is that the audio and/or video from the editor?
    Also, all tracks level must be measured by the level of the reference tone?

  • @christiancaicedo4632
    @christiancaicedo4632 Před 9 lety

    Two Questions:
    The upper most track "2642" that says Ghostmonth ProRes 422 is the audio and/or the video from what was edited?
    Also the reference tone is a way of telling others that if the level of a track is higher than the reference tone, it will sound too loud/distorted?

    • @dialogueeditor
      @dialogueeditor Před 9 lety +1

      Christian Caicedo In this demo, the topmost audio track is the sound stripped from the video during import. Any self-respecting picture will provide a guide track on the video file. This gives you a reference of the editor's and director's "vision" of the sound (maybe), and it's a very good sync reference for you. You have the option to import this sound with the picture. Do it. Lock it.
      The name on the file itself is the full file name. The "2462" you see in the track name cell is just's PT's way of truncating it in order to fit in the box. Evidently, PT has decided that numbers are more important than letters (probably rightly).
      The reference tone is an indication of how much headroom there is. So a -20dBFS reference means that there is 20 dB left before digital clipping. It is also used as an alignment tool to match your "internal" levels with the outside world. A -20dBFS reference will align to 0 dB VU if the chain is set up in this traditional manner (reference levels vary with location, convention, etc.). When you're working on a project with other people, a reference tone is useful to make sure you all are listening to more-or-less the same thing.

  • @ngampukilong694
    @ngampukilong694 Před 5 lety

    can anyone tell me how to download the software

    • @dialogueeditor
      @dialogueeditor Před 5 lety

      Hi. Please tell me what software you're looking for and I'll try to help.

  • @harrij.9542
    @harrij.9542 Před 4 lety

    Hi, may I ask why is the original volume automation not included in the copy? Thanks,

    • @dialogueeditor
      @dialogueeditor Před 3 lety +1

      In general, I don't import the volume automation. I use the editor's mix as a reference, but I don't want to inherit his/her automation. I find it much easier to start from scratch.

  • @marshallhall9413
    @marshallhall9413 Před 6 lety

    How can I access these demo sessions? (the video and AAF file)

    • @dialogueeditor
      @dialogueeditor Před 6 lety

      Hi Marshall. When this book came out (Dialogue Editing for Motion Pictures: A Guide to the invisible, 2013) there was a companion web site that gave away all of this material. I checked today and the link is dead. I'll keep looking and let you know.

    • @dialogueeditor
      @dialogueeditor Před 6 lety

      Hi Marshall. Months ago I told you I'd find the demo material. I forgot. Now I remember: cw.routledge.com/textbooks/9780415828178/demo.asp. The password is "success." (I didn't come up with that one!) Sorry about the delay. Have fun and let me know if you have trouble accessing the files.

  • @simonbellemare2289
    @simonbellemare2289 Před 9 lety +1

    However!!!

  • @Daniel-pu9fi
    @Daniel-pu9fi Před 6 lety

    Hwhat