Nikon Z6 RAW Video + AFFORDABLE Full Frame RAW 4K (feat. Sirui Anamorphic)
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- čas přidán 21. 01. 2020
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Nikon Z6 geni.us/ErzABUx
Nikon 24-70 f/2.8 S geni.us/NBADwx
Atomos Ninja V geni.us/xHxbG
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The z6 keeps getting better, I have been shooting RAW with it for a few weeks the quality is amazing.
If you are pro, but hobby people don t need
if you are interested in videography, but rest of the people don't even need a camera
@@grooyam for raw video u need expensieve computer and there is no reason to shoot raw. With nlog is more than sufficient.
You know how many gb u need for 1min raw video?
@@sottosopra4769 yes i do. What's your point?
@@grooyam
There no such thing as "need" there is only "wants"
I am not saying RAW video is bad, in fact its amazing but its kind of clean looking, its not like Magic Lantern which has that organic film look and sweetest highlight roll off I ever seen from a camera.
Can't get over how good the RAW anamorphic footage looks!!
I will wait on this upgrade until Davinci Resolve supports Pro Res RAW! Still an amazing and under rated camera without it though!
"Right, look at that bit of kit"
Priceless..!!
oh look !! Kai got his voice back! ❤️
beautiful content, you are the best man!
Excellent review buddy!
Wow you happened to make a video combining the 2 things I wanted to see. The Z6 RAW video and that cheap anamorphic. What adapter were you using to mount the lens?
Redefining the look of digital cinematography right here. Yum.
When you're so early you don't have any memes for the comment section
Hi Kai, love the BBC (Brit Born Chinese) reference, awesome my friend :-)
"I've got the world of cinema right in my hand"
Audio broguht to you by Nikon inbody mic.
You don't need to listen to people crossing the street, it's my silky man-flu sore throat voice you should be concentrating on.
Kai W lol
ioklmj11 He is chinese......
That Z50 looks REALLY good!! Way better than any Canon equivalent!
Thanks for the video Kai!! What would you recommend for a budget film production. I had my eyes on the Rokinon Xeen 35mm and stumbled upon your video. Would this lens be a better bet to get that cinematic look or should I go with the Xeen 35mm?
Whats up Playa!!! Love this video. Wish you were my friend
Kai :) Test side by side - video from z6 vs z6+ atomos raw?
How does using raw output affect the battery compared to N-Log? I found I went through three camera batteries and three atomos in a day's shoot.
Thanks for the video. Was wondering if you could give us a bit of details on the cage elements you had on that z6 with the ninja. I’ve got this equipment myself but can’t really make up my mind when it comes to choose the perfect cage to rig the camera, ninja, a microphone... the set up you had looked pretty interesting.. just very curious and ready for some advice. Thanks in advance.
I'm trying to get my head around the compromises that shooting through an anamorphic entails. OK, it's a wideangle lens in the horizontal plane only, but from your footage it looks pretty mild. 1.3x or so? For that you shoot through another four elements (probably), with all the flare this adds. No hood, either.
Tell me again the advantages. Is it just for the elliptical shape of the oof highlights? It's not for the added cost, weight, bulk, flare, distortions.
Hey Kai, have you already heard about the XT200 yet? Would love to see a video from you about it and the new XC35 F2 lens!
I was just watching a different vid of yours when I get a notification from you! lol
Kinda the same. Looking at his old videos. My boy looks old now
@@CharlezMalasana Yeah he has changed quite a bit
Thank you Kai!
Hi! What would you suggest as first full frame mirorles camera, a7III or Z6?
You've got a new subscriber👏🏻
What setting did you use. Unfortunately, I don't have the 12-bit activation.
Which would you recommend for 8 bit log?
Have a Z6 II and a Ninja V there also the 99 dollar package.
Which file format would be best?
10 bit goes only with the update or?
Hear Kai voice, he’s taking about square space, I hit like.
one question I have that maybe someone here can answer for me is in regard to the Sirui 1.33x anamorphic … they are APSC DX so if the camera was in DX mode to film wouldn’t it take care of the vignetting that was shown in this video when cropping to 16:9 is mentioned? Wouldn’t it be more beneficial to film in DX so you can get the true anamorphic aspect ratio? EDIT: I realize why now … by shooting in full frame you can “squeeze” a little extra squeeze factor out of it since this lens covers a larger area than APSC.
that rolling shutter though!
Seen worse from better cine manufactures, would like to see a more in depth review with this cam.
REALLY GREAT VIDEO!
Thanks Kai!
Did you just attach with the FTZ? (My Hassy lenses need and additional lens conversion)
Which SIRUI mount did you use and what adapter did you use to mount it to the Z6?
i supose use TechArt adapter Z-mount to E-mount. i have buy this adapater but i refound the sisui 50m ana, and wait the full frame version..i hope
I’d like to know as well
Why would anamorphic cause the loss of waveforms and peaking? I have never recorded in it before but I have edited such footage, and waveforms are still very workable, Peaking should also still work.
How’s the battery life on the Atomos while recording raw? It’s pretty poor in general and I would expect more power draw with a higher data rate.
I bought a Z6, it's my favorite image quality I've seen out of a digital camera. Extremely clean at high ISO, beautiful focusing experience with adapted manual lenses, IBIS works a treat. The only trouble was with non-Art Sigma F mount lenses and the FTZ-but with Z glass or recent Nikon F lenses, 9/10 strongly recommended.
You're describing my Fuji X T3.
Vikingdescendent IBIS on the X-T3?
Great video Kai - which Z6 cage are you using? I am trying to get one... “British Born Chinese” - love it...
can the z6 shoot anamorphic without the atomos (is that only for prores raw?)? the gh5 does have an anamorphic mode for shooting video. was wondering if z6 does too or that is why you need the atomos
I love your vids
Unrelated question. What glasses are those? I like the frames.
you mentioned de-noising, would you share which software you're using for this on the Nikon Z6 raw footage?
Which lens is it? I don't see a Sirui anamorphic for Z or F mount. Is this an adapted E-mount lens?
I find the z50 video shockingly good. Crisp and stable picture with good AF, white balance, exposure and natural colors. I honestly thought this z50 was a bad camera...looks like I was wrong.
How can I fit the lens into Z6 which mount should I bought?
Hmm, Idk, I saw the RAW footages not that clear in your episode, am I right or this is a CZcams compression issue!?
Good effort.
Anamorohic lens are usually less sharper than the regular spherical lens and it was intended for dreamy and much more cinematic feeling.
Does anyone know if there's an adapter to get the MFT version onto a regular Nikon F mount? Or a Canon EF? I want to get some of these for either a RED with a Nikon mount or a BMPCC6K with the EF mount.
to be honest, the anamorphic flares look the same like fcpx built in flare effect :D
any info for what camera and lens the street bits were shot with. looks good?
thanks Kai for convincing me to spend $200 and send my Z6 in for this update :D
Was the update not for free?
Z6 or Eos R for photography?
what brand of anomorphic lens are you using with nikon Z6? txs
Can it do 4k 60 with the atomos or 1080p raw 60 fps with the atomos?
I have a z6 and love it, but in my experiance no DSLR has a true "RAW" hdmi output. The "RAW" adjustments don't look anything near as good as a true raw like CinemaDNG or Redraw. The highlights are always greyed out. When you bring them down to a nice exposure the blacks get crushed. They're not even as good as a B-raw files. The Atomos Nikon setup is also a big pain in the ass workflow wise. It's hard to switch rigs or go from Glidcam to Gimbal to shoulder rig to tripod. Also I honestly hate the atomos interface.
Question for FCPX users, what’s the best noise reduction software/plugin you have used?
Flan exposing properly in camera.
If you need it get the neat video plug in. It's excellent and the best I've used.
Jake Sloan I heard that’s the best one! Cheers mate
Every time I see a wonderful vlog like this, (thanks Kai), I feel a bit stupid for my buying decision I was Oh So Careful about when I bought my Canon EOS 70D. It's HDMI out puts out video with a brown border added around it. A bit crap, that.
Where’s your jacket from? The one at the start of this vid?
Can you maybe to a comparison to internal recording?
Because for me it's not just the update but the Ninja also, I don't want to pay almost 800€ if the difference is minimal ^^
Wowwww.. when you are a Nikon Babe!!! 4K raw!!! Nikon is beast!! Give me this plllzzz😁😁😁
Does anyone know what camera and lens they are filming with ?
Why is there the 1.1 crop in 10bit N log?
Do I need to pay Nikon to enable me shoot 10 bit N-Log to my Z6.
I'm interested in the 12 bit pro-Res.
Just got mine back from Nikon (free if bought the Filmmaker’s Kit back in February) and shooting my first ProRes RAW...
From what I hear, 1 min = 3GB so not much compression... and FCPX doesn’t support it yet... you have to manually set the 202 and wide gamma...
But this IS the “game changer” promised!
Damn I now miss shooting in Oxford Circus haha 🙆🏻♂️
What is the camera and lens that were shooting you Kai? The footage looks beautiful
I thought it looked great as well. Looked much better the Nikon camera's footage being reviewed which to be honest just looked meh. The King with no clothes.
I noticed moire in 10bit and internal recording, so it's not limited to RAW.
What filter were you using? on the lens?
Hello from NYC !
Спасибо! Скажите, а сам обзор какой камерой снимали?
... Nikon camera PLUS the Atoms recorder equals RAW. Why have we become accustom to external raw recording? I think that it defeats the purpose of a compact camera, a lot.
... cracking review thought, as always.
Imagine the processing power and the cooling capabilities these small mirrorless cameras would need to record 4K RAW internally. I'm sure someone will figure it out, but I doubt that it won't come with any downsides.
@@TaipeiGeek it's already been done on the sigma fp, with like you said significant downsides.
Its because of the ProRes Raw licensing. The licensing fee of in body RAW video recording is high Thanks to RED patents. Adding that in the camera would add up the cost significantly
WOW 1 year ago a camera like this would cost you about 40 K and today people are complaining that it is too big. I mean it is smaller than the typical dslr and a Flash on it.
@@danielvilliers612 what? We had the bmpcc from 2018 which was actually a bit cheaper. Sure it's an innovative camera that brings raw to a camera that can shoot photos well too, this being one of the greatest hybrids, but what you're saying is just false.
Love it
Where do I get that Sirui anamorphic lens? How did you mount it to the Z6? I want it so bad...
I'm guessing it's the Sony E mount version with an adaptor (guy in the video asks if it's a Sony)
what kind of adapter did u use on z6 ??
kai does atomos v can make nikon z6 unlimited video recording?
Say what?! Kai rockin Js? 😂
Hi, we are buy Anamorphic lens for Nikon Z?
I thinks we were all waiting for prores raw. Any of that ?
3:40 aw yeah he's got his zoomies on
Nice to see your house from the other side of the River for once. New face?
Thanks for nikon raw update info!! brilliant :D @mecno
Neat Video works pretty well... www.neatvideo.com/
Maybe someone in the comments can answer this one: what was the point of the CFX firmware update and using CFX cards if RAW recording is only capable with an external recorder writing to SSD?
And then maybe someone can answer why is Kai using Nikon anyway? Did anyone actually switch to a Z6 for video production because of the RAW upgrade as the cheapest(?) solution for shooting in RAW?
He owns a Z6 personally.
What’s the rig bits you have on the Z6 ?
Hey Kai, nice jacket you were wearing in the park -- what's the brand & style?
Not the same thing, but this is the closest thing I can find: milworld.pl/product-eng-7223-Mil-Tec-Smock-Jacket-Olive.html
@@BlairMaynard That's pretty close -- thanks!
Does that Anamorphic lens have autofocus?
How can it be anamorphic with that aspect ratio?
Hey Kai are you doing ok with the virus going on out there. Let us know you good.
7:49 What's going on with the vignetting? Is there a lens shield or something getting into the shot or...?
That’s the edge of the lens lol, it’s anamorphic so it’s supposed to be cropped at 2.39:1, he’s showing the result in full frame
Rode lav mic sounds muffled :S
I'm gonna tell Phillip Bloom that you were on his bridge!!
Which adapter is it ?
Yeah but is it worth the cost, or would a cheaper solution provide the same or better results. Maybe BMCC 4K?
As long as you don't need AF, sure.
but full frame 4k raw with a 24mp sensor means pixel skipping!
Great jorb!
Hamstray!
So, I have a question. Does anyone make camcorders, anymore? Something about the ergonomics of using a DSLR for video looks to be truly cumbersome.
Yeah there some. Panasonic, Sony, Canon etc all make them
Yeah I recently bought a used FS5 for that reason, couldn't be more happy with it
Yeah there are plenty out there on the market. Or you can get a cage with grips.
yea but for some reason they're designed with a hyperzoom lens in mind so they all have tiny sensors and shitty image quality. i can't imagine who buys these things other than broadcast television channels
@@typoded If you're talking about broadcast cameras yes : they surely have pretty damn little sensors (1/3 or 2/3 inch) but there still are C200, C500, panasonic EVA, Sony FS5, FS7 with S35 or FF sensors. You should definitly check them
You did not make any anamorphic video in this test. The sirui 50mm lens is made for crop sensors. You have to put your video camera in crop mode. Then stretch your image from 1.33x to anamorphic.
Anamorphic doesn't necessarily mean widescreen, it just means the recording is distorted along one axis.
While yeah, traditionally anamorphic lenses have been used to film widescreen content on standard-sized film/sensors, some people want to use anamorphic lenses for the glare and blur effects. And this lens seemingly covers that purpose well for 16:9 full-frame content.
blackmagic has already given us raw internal recording (no extra monitor needed) with anamorphic.
Kai love you
That was just pure fun...🤣
I did not know the Sirui was Z mount??
Kai's on-LION, hear him RAW. ok it doesn't work.
Can you link the adapter you used to mount it please?
no adapter needed, it's Z mounted
If hat guy had problems with colors and you had problems with exposure. I'm guess the debayering was wrong for the camera.
comment below what your gear is.
Actually. I'm a big fan of you.