Beethoven - String Trio No. 2, Op. 9, No. 1 (1798)
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- čas přidán 19. 06. 2024
- Ludwig van Beethoven (baptised 17 December 1770 - 26 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire, and span the transition from the classical period to the romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. The "early" period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his "middle" period showed an individual development from the "classical" styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as "heroic". During this time, he began to suffer increasingly from deafness. In his "late" period from 1812 to his death in 1827, he extended his innovations in musical form and expression.
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String Trio No. 2 in G major, Op. 9 No. 1 (1798)
Dedicated to Count Johann Georg von Browne-Camus
1. Adagio - Allegro con brio (0:00)
2. Adagio, ma non tanto, e cantabile (10:24)
3. Scherzo; Allegro (17:55)
4. Presto (20:35)
Grumiaux Trio
Arthur Grumiaux, violin
Georges Janzer, viola
Eva Czako, cello
Description by Robert Cummings [-]
The Op. 9 trios are among the most important early chamber works by Beethoven. Each of the three works consists of four movements, like the then-recent Haydn symphonies. By this time Beethoven may well have been writing in the chamber/string genre as a means of testing his skills in the symphonic realm, which he was a bit hesitant to enter owing to Haydn's dominance of the field. Whatever his motives, he turned out three works whose chamber instrumentation perfectly suits their music.
The score to the work was first published in 1798, along with those of the other two Op. 9 Trios. All three were dedicated to Count Johann Georg von Browne, a Russian army Officer (of Irish extraction!) who was one of Beethoven's leading patrons.
1. Adagio - Allegro con brio: 0:06
2. Adagio, ma non tanto, e cantabile: 10:24
3. Scherzo Allegro: 17:55
4. Presto: 20:35
Thnx
it helped
I'm going to listen to all of the beethoven trio
This is the most beautifulest thing i have ever heard in my life!!!
flat out awesome piece! the last movement-wheew!!!LOVE IT!!!
Georges Janzer was my viola teacher for a while, I am so grateful to him, he was the kindest man I ever knew and I have this and other recordings of him with Grumiaux trio and the Vegh quartet playing Bartok. I highly recommend listening.
fascinating to hear the first glimpses of his string quartets
7april23 lovely. relaxing, sweet, gentle and thoughfull. We could dance during the 3rd part. wow. I would buy this: Keith Stevenson
Magnificent part writing.
Anything "Grumiaux" is going to be GREAT!
I'm glad to find this - great preparation for playing it later this month, thank you!
Let me add my thanks to you for posting this excellent Grumiaux Trio performance. Also, reading along with the score so enhances the music to me. Bravo!
Exquisite!!!
Wundervoller "seidiger" Klang
13april23 wow intelligent and relaxing. Good as background music, while typing out money speadsheets. Keith Stevenson
Bravo! !!!!!
Such an underrated piece
21:08 Magic moment :)
and 23:25!
Beethoven semble la rendre hommage a la partie lente du mouvement 4 du quatuor 18 de Mozart.
( Je ne dis cela que parce que Beethoven avait une grande admiration pour cette oeuvre )
String Trio No. 2, Op. 9 No. 1
Dedicated to Count Johann Georg von Browne-Camus
1. Adagio - Allegro con brio 00:00
2. Adagio, ma non tanto, e cantabile 10:24
3. Scherzo Allegro 17:55
4. Presto 20:35
Grumiaux Trio
Arthur Grumiaux, violin
Georges Janzer, viola
Eva Czako, cello
Dedicating a piece was a nice way to get sponsorship on these days.. Music business is not so different now..
若々しい躍動感にあふれる曲だ！
Tiene una belleza muy completa.
Does anybody else think that the theme in the 4th mvt totally sounds like the choir at zerlina's and masetto's wedding in don giovanni?
I’m listening to this because I have to learn it with a trio and now I’m scared
This should be String Trip no. 3. The ‘no. 2’ is known more as his Serenade in D major for violin, viola and cello (op. 8).
8:15 - the cellist be like "wat dis squiggly thing? Looks like some sort of clef."
Opus 9 are not preparation for something better. I am not incline to think opus 18 are superior. Beethoven's imagination took readily to extreme register and open texture as did Taverner and Shostakovich. Beethoven was at home with the Trio, freely expanding each work to symphonic proportions.
Ça fout le vertige de voir une indication de répétition (ou barre de reprise !!)pour la seconde partie de l allegro initial (alors que celle de la première est déjà dure a supporter).
A t on des témoignages sur ce qu on en pensait a l époque ( ou la plus frivole des comtesses devait elle jurer qu il lui fallait entendre tout 5 fois-car la forme sonate est elle même repetitive-pout épuiser toutes les subtilités du contrepoint?)?
wonderful to listen to, a liitle too blurred to follow for me...
It should be crystal clear. I just checked it.
If on mobile set the high quality setting manually. CZcams defaults to a lower quality for this video because it doesn't have much motion
21:18
25:13
Quem veio ouvir depois de assistir ao concerto na Sala São Paulo dá like
isn't this supposed to be no. 3?