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Hilding Rosenberg - Violin Sonata No. 2, Op. 85 (1940)
Hilding Constantin Rosenberg (June 21, 1892 - May 18, 1985) was a Swedish composer and conductor. He is commonly regarded as the first Swedish modernist composer, and one of the most influential figures in 20th-century classical music in Sweden.
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Violin Sonata No. 2, Op. 85 (1940)
Dedication: Carl-Olof Josephson
1. Allegro (0:00)
2. Lento cantabile (4:45)
3. Allegro assai (13:04)
Cecilia Zilliacus, violin and Bengt-Ake Lundin, piano
Born in Bosjökloster, he was an organist (completing his examinations in 1909), and as a young man a concert pianist and music teacher. In 1915 he began studying at the Stockholm Conservatory under Ernst Ellberg. Later teachers included Wilhelm Stenhammar (counterpoint) and Hermann Scherchen (conducting). Stenhammar included several of Rosenberg's early works in concerts he arranged. After the First World War, he toured Europe and became a prominent conductor. In 1920 he studied on a scholarship in Berlin, Dresden, Vienna and Paris, which brought formative contacts with Arnold Schönberg and Paul Hindemith.
While his earlier works display the influence of Sibelius, he soon led the way for Swedish composers to move away from the late Romantic style and became considered as somewhat radical. His output covered all genres, from his 14 works for string quartet (1920-1972) and eight symphonies (1917-1974, including his symphony no. 2 Grave, symphony no. 4 Johannes Uppenbarelse, fifth symphony Örtagårdsmästaren and sixth Sinfonia Semplice) as well as Piano Concerto no. 2 to songs. He wrote a considerable body of work for the theatre (around 50 scores in total), including nine operatic works.
He taught composition privately to amongst others Karl-Birger Blomdahl, Ingvar Lidholm, and Daniel Börtz. He opined that "One creates out of what has been before, out of the experiences of others, as well as those of oneself, out of everything one knows, has read, or been acquainted with".
His violin concerto features as part of the sound track of the 1936 film Intermezzo, directed by Gustaf Molander and starring Ingrid Bergman and Gösta Ekman. He also composed music for the 1944 film Hets (known in English as either Torment or Frenzy), directed by Alf Sjöberg from a screenplay by Ingmar Bergman.
Rosenberg was Vice-President of the Royal Swedish Academy of Music in 1951-1953, received a honorary doctorate from Uppsala University in 1951 and was a honorary member of the International Society for Contemporary Music. He died in Bromma, Stockholm.
zhlédnutí: 210

Video

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zhlédnutí 1,8KPřed dnem
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Komentáře

  • @foolim1
    @foolim1 Před 2 hodinami

    I like the way he utilizes modes in his work, making a nostalgic and mystical atmosphere. Also, the 2nd movement is incredibly good. Very soothing.

  • @thomaskendall452
    @thomaskendall452 Před 2 hodinami

    Downright lovely!

  • @user-ce8ut8hr9k
    @user-ce8ut8hr9k Před 3 hodinami

    The Finale is so beautiful.

  • @_ViolaNotViolin_
    @_ViolaNotViolin_ Před 3 hodinami

    1st

  • @quackster_69
    @quackster_69 Před 4 hodinami

    first year trying out for state guys lets see how this goes!!

  • @galimusic7164
    @galimusic7164 Před 4 hodinami

    The saxophonist in the original soundtrack play it two classes better. The expression, naturality, no exaggeration, in the sax theme is much better in the original, in my opinion

    • @prs_81
      @prs_81 Před 2 hodinami

      I agree. Here the player is too over the top and playful with it. It needs a certain pessimistic mellowness to it that the original had.

  • @viola_ti_do4291
    @viola_ti_do4291 Před 4 hodinami

    How are you getting these scores!

  • @stevegebhart8388
    @stevegebhart8388 Před 7 hodinami

    Beautifully presented. Great ensemble. This music is so exciting and so much fun to play. Who would not love it?

  • @jonathanparrycomposer
    @jonathanparrycomposer Před 7 hodinami

    Great ! Thanks very much for uploading the score. This music made a massive impression on me when the film was first released...particularly the very opening, the mood of which I lifted for my Cello and Piano piece of 1976 😁 What a talent Bernard Hermann was.

  • @LyleFrancisDelp
    @LyleFrancisDelp Před 8 hodinami

    OMG!! This is the most incomprehensible piece of wind music I've ever heard. No form. No melody. All it does it blindly follow the dodecaphonic system to the nth degree. It makes no sense at all.

    • @bartjebartmans
      @bartjebartmans Před 3 hodinami

      It has all kinds of forms, Sonata form, Lied form, Rondo form etc. Melodies are the tone rows which you will recognize after a few listens or studying. But hey, this is not music for the millions nor easy listening. If that is what you are looking for this is not for you.

  • @RicardoGrion
    @RicardoGrion Před 8 hodinami

    Act III N 10 Imprecionante😍

  • @tarek-khdr
    @tarek-khdr Před 9 hodinami

    I'm really happy to see (and hear) Herrmann on this channel. He was definitely one of the greatest.

  • @Max1Million7777
    @Max1Million7777 Před 10 hodinami

    Richte mich gott

  • @ulfskjran4077
    @ulfskjran4077 Před 12 hodinami

    Note the quote of the principal motive from "Psycho" at the very end... A masterstroke in itself.

  • @helenamarie4337
    @helenamarie4337 Před 12 hodinami

    fantastic

  • @melodymonger
    @melodymonger Před 13 hodinami

    What a phenomenal piece of music 😲.

  • @filmscorefreak
    @filmscorefreak Před 14 hodinami

    Wonder if John Williams took some inspiration from this for his "A.I." score (one of my favorites of his) - similar mood, sonorities, and polytonal treatments. They were friends, so probably.

    • @bartjebartmans
      @bartjebartmans Před 14 hodinami

      Where is Waldo? you can easily replace with find the quotes in Williams' scores. That guy knows the music repertoire inside out. I bet you can write a thesis on the subject.

  • @filmscorefreak
    @filmscorefreak Před 16 hodinami

    David Sanborn is the soloist, unmistakable sound. Passed very recently, Rest In Peace.

    • @bartjebartmans
      @bartjebartmans Před 14 hodinami

      The recording I used of the City of Prague Orchestra didn't list the name of the saxophonist nor conductor.

    • @filmscorefreak
      @filmscorefreak Před 14 hodinami

      @@bartjebartmans Yeah, I tried searching for the credits but found nothing. If it's not Sanborn then the player should get an award for a perfect impersonation. Probably one of those uncredited appearances that famous artists sometimes do for fun.

    • @bartjebartmans
      @bartjebartmans Před 14 hodinami

      @@filmscorefreak Steve Gregory came up in my mind, the awesome saxophonist from George Michael's Careless Whisper. But I am not a saxophone expert.

    • @DavidLovrien
      @DavidLovrien Před 13 hodinami

      @@filmscorefreak The first thing you learn as a studio saxophonist is how to imitate Sanborn 🙂

    • @filmscorefreak
      @filmscorefreak Před 5 hodinami

      @@DavidLovrien lol could be the case here, but i've heard many sax players and there's always something that gives them away that it's not him, can't find it here. Also thinking that a lesser-known player would want to make sure that their name shows up in the credits. But becomes kind of a game when they're famous, kind of like Van Halen showing up in a Michael Jackson song. In any event, fun conversation!

  • @yaelpalombo4093
    @yaelpalombo4093 Před 19 hodinami

    💖🌹🎶

  • @Dylonely42
    @Dylonely42 Před 19 hodinami

    De Niro

  • @jonasdanielseneskeland3001
    @jonasdanielseneskeland3001 Před 21 hodinou

    Interesting subtitle “orchestra with obligato Saxophone” fits many other pieces well, but who is the soloist here? 🙏

  • @adamcathcart
    @adamcathcart Před 21 hodinou

    Nice program note, and glad to have the score alongside

  • @misasdoll
    @misasdoll Před 22 hodinami

    scared for tmea😞

  • @vicb4901
    @vicb4901 Před dnem

    The main theme is so main and overwhelming that it subdues all that jazz...

  • @coasterdragon155
    @coasterdragon155 Před dnem

    Absolutely INCREDIBLE. i love this piece to death

  • @edgarreitz7067
    @edgarreitz7067 Před dnem

    I loved this theme more than the movie! Didnt know it was by Herrmann!

    • @Galileo1234
      @Galileo1234 Před 11 hodinami

      it was his last film score. If i recall correctly, he finished the last recording session and died that same day at night of a heart attack.

    • @edgarreitz7067
      @edgarreitz7067 Před 11 hodinami

      @@Galileo1234 lucky man! Thats one kind of parting!

  • @carcar087
    @carcar087 Před dnem

    1:59

  • @tectorgorch8698
    @tectorgorch8698 Před dnem

    This is so great; keep the BH coming........

  • @barney6888
    @barney6888 Před dnem

    Bernard Herrman was amazing. His list of films is jaw dropping. North by Northwest is one of my favourites. This composer truly had it down pat when it came to pacing and balancing the music with the film. Brilliant composer.

  • @dion1949
    @dion1949 Před dnem

    Thank you. I never would have thought of listening to this work if you hadn't posted it with the score.

  • @arcobow97
    @arcobow97 Před dnem

    Has anyone else ever noticed how he loosely quotes the Marriage of Figaro overture at 32:25? A hilariously genius joke to segue the piece’s home stretch

  • @JAMESLEVEE
    @JAMESLEVEE Před dnem

    The key is C minor.

  • @fransmeersman2334
    @fransmeersman2334 Před dnem

    Thank you very much for this discovery, very beautiful and captivating. This cantata of Hermann deserves indeed to be widely known and performed. Reminds me of Delius but with his own strong musical language.

  • @xlegend8783
    @xlegend8783 Před dnem

    Violin #1B 16:30

  • @rubenmolino1480
    @rubenmolino1480 Před dnem

    genio ¡¡

  • @fransmeersman2334
    @fransmeersman2334 Před dnem

    A magnificent performance of this magical, impressive and irresistible music !

  • @goranjovanovic9885

    20:10

  • @SPscorevideos
    @SPscorevideos Před dnem

    Oh god, I've been looking for this score for years! Thanks!

  • @viola_ti_do4291
    @viola_ti_do4291 Před dnem

    No way!

  • @Makusa-qc2qd
    @Makusa-qc2qd Před dnem

    This is great! Thanks for posting this. I like how Herrmann wrote the harps in different keys in some movements. I'm sure there's a lot of theory (that i don't understand) in the choices he made there. Whatever he did, it's fantastic.

  • @Fan-Tomas
    @Fan-Tomas Před dnem

    Robert Craft mistrz asystent Strawińskiego...

  • @j.vonhogen9650
    @j.vonhogen9650 Před dnem

    Amazing! Thanks a lot for the video!

  • @Fan-Tomas
    @Fan-Tomas Před dnem

    3. Farben- melodia barw dźwiękowych

  • @doromamire
    @doromamire Před dnem

    love this piece.

  • @vicb4901
    @vicb4901 Před dnem

    Bernard Hermann Melville!

  • @Archimusik
    @Archimusik Před dnem

    Where in the world did you find the score for this?!

  • @charlottewhyte9804
    @charlottewhyte9804 Před 2 dny

    nice style not too fast very expressive but with some gazt as well.

  • @steveegallo3384
    @steveegallo3384 Před 2 dny

    Excellent beauty and excitement.....BRAVO from Mexico!

  • @vicentevicente1089
    @vicentevicente1089 Před 2 dny

    I listened until mov III, I'm bored with the schematic up to that point. Besides, thank you very much for this channel; I enjoy it.

  • @Ath3nx_2
    @Ath3nx_2 Před 2 dny

    anyone else know the exact name of this piece bc of the simpsons? ok just me lol