How to, Documentary Lighting | Interview Setup - Pro Vlog 56
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- čas přidán 27. 08. 2024
- #aputurelighting #behindthescene #filmmaking #documentary
Dallas Video Production | Production Vlog Behind the Scenes | Dallas Texas DP
IG: / pdmokry
FB: / piotrdmokry
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![[lighting vlog-0007] I have another Amaran T2c](http://i.ytimg.com/vi/kO23xRtqsaM/mqdefault.jpg)
![[lighting vlog-0007] I have another Amaran T2c](/img/tr.png)
pretty boy Mokry! great vids as usual. I sometimes get a bounce underneath to make up for the hats
I’ve watched a lot of cinematography/ lighting videos over the years and your channel is by far the most informative. Lot of different stuff, regular uploads, so excellent to see into your setups. Thank you!
That really hits! I appreciate the kind words. I will keep them coming!
I learn something from every single one of your videos. Thank you!
I will keep them coming, glad to help in any way.
Excellent Work!!
Please make a video building out those grip equipment carts. Such a good idea!
great job mate 👌
Thanks for the visit
I love these shots. Sometimes less is more! Great work and very inspiring!!
Less is all I could do! But it worked for sure!
Content over perfection. I agree, sometime you have to play with the cards and situations you are dealt with. I have been rushed before but the content is what is golden sometimes!!
Beautiful work and great break down! Thanks for sharing! Yeah the hat covering eyes can always be a little bit of a challenge. A lot of the time when people are wearing hats, I just ask them to tip their hat back a little bit to pull the shadow off their eyes. That way you’re really not affecting the authenticity of their style. But are still able to catch the light in their eyes.
great tip here, thank you
Great Work as well bro
Well done mate 👍
Thank you! Cheers!
All of these are great setups, composition and lighting is on point! Even with little to no time, you should pat yourself on the back for getting the job done! The guy at 6:34 I think might be a little too dark for my taste it might just be the almost clipping windows making me wish there was a tiny bit more light on the subject but these are great starting points for an editing. Especially with how easy it is to make a power window and track a subject in davinci resolve a good editor should be able to make the subject pop even more but if I was an editor and was handed this footage I wouldn't be complaining!
With it shot in SLog3 there should be wiggle room. You are right about tweaking it in post. I let it play, and will leave it to the editor for creative control. Thanks so much for watching!
Running and gunning, I think all of your setups looks, great! As always, love your videos, thank you for sharing.
Great looks for fast setups! 👏👏🙌🙌
👏👏👏
Personally I don't mind brighter backgrounds and windows at around 90% of the IRE scale - it's the outside, it's supposed to be bright, it doesn't have to be ND'd down all the way to 50% IRE value. Every single one of your shots looks gorgeous, my favorite is the one with natural light at 6:30 because I can really tell it's natural and it gives a more documentary style feel, not as polished as some high-end productions might be.
Agreed! It just felt so right, so I let it roll! Saved a bit of time too. I want to do more like this in the future.
Hitting some of the links above, thanks for adding this for those that desire to help
Words can't express how grateful I am for the content you've published, I've done a super deep dive of a significant amount of your content and I feel it's completely upped my lighting game, and I've re-invested a hefty amount into lighting gear and equipment that I now realise I was completely lacking.
I have an upcoming shoot that will be outdoors, any tips on using the large diffusion/reflector outdoors and the best way to keep it stable? Looked like you didn't have any issues even in windy conditions. Do you clip it at both ends, tie it or something like that? I have c stands, arms, sand bags, etc, but I really want to make sure it's as solid as can be for my upcoming shoot. Thanks man!
great video bro very helpful
Glad you think so!
@PDMokry, I study your vids intently -- another master class! As a solo operator, often dealing with tight spaces and on the fly setups, this one really spoke to me. Question for you, do you have a rapid workflow that you use when switching angles --I would assume it's easier to do with a high key flat lighting arrangement. I have a job coming up with 15 rapid fire interviews with employees of a firm and am wondering how to create novelty so it's not the same angle with each. Thank you, Sensei!
Very natural looking shots. I think the fella at 7:00 could've had a little higher exposure on his face but its not killing it.
Thank you so much! It was shot in Slog 3, so there should be room to boost in post. Thanks for watching!
I actually really liked the exposure for the man at 7:00, I think it was very in keeping with the natural light occurring in the room and felt very natural overall, I guess like PD says, it does come down to subjective opinion at the end of the day!
Moody, all day, every day 😁
Let’s go!
Wauw! I'm so amazed of your work here.
What lenses brand did you use on the 50mm and 85mm? And what LUT did you apply in post? I'm just like.. "Wow! I wanna make images like that"
Superb content. Love the false colour overlay.
Often find myself running an image into my ninja to check false colour. Is the LUT something you made?
Love these kind of video man, thanks for sharing. I am curious too about which lens you used for the 8:50 shots, this is very beautiful 🔥🔥
Much appreciated! Thanks for watching! I used the Sony 85mm 1.8
@@PDMokry thanks man ❤️ for now I have a double setup (a7iii/a6400) but before investing again in camera and lens I want to learn how to make a good cinematography with a couple of lights, thanks for the response and sharing on this channel
All shots look dope. Like your commentary. Where and when I can see this doc?
Thanks so much! Unsure on the release date and location. But will update with a link.
@@PDMokry BTW, I've seen somewhere that your name is Piotr. Do you have Polish or Czech roots?
Sometimes I use my tubbie as a kicker rather than a backlight.
Great idea!
Always enjoy the content. Curious what tube light holder you're using with the T2c hairlight rig.
Thanks for watching! Here is what I use for a compact setup:
www.bhphotovideo.com/c/product/1532758-REG/nanlite_hd_t12_1_la_pavotube_single_t12_led.html
Nice! Thanks for the reply.@@PDMokry
nice video 👏 for that first interview do you think maybe a bounce opposite the key might have helped lift the shadows from the hat without being overpowering? commenting before finishing the video in case you mentioned this lol
I wanted to use the bounce I had, but the wind was too strong. I could not set it up safely. I usually use foam core or an ultra bounce for fill.
@@PDMokry my bad lol I missed the part where how it was still that windy in the first barn lol
Did you have audio issues because of the wind?
The rycote super softie was amazing in the wind. No issues at all with good audio.
Would you elaborate onyour boom pole, mic and windscreen that you used? I'm assuming here with limited time, the boom pole was your only direct audio source with camera scratch audio? On your primary gigs, do you normally have a wireless lav alongside a boom pole?
I opt for a boom 99% of the time. Sounds so much better. The Sennheiser 416 has a Rycote Super Softie connected to a K-Tek carbonfiber boom pole.
Do you have an aputure preference when using a 50mm?
The further from the subject, the more I open up.
Is your false color metering REC709 sir ?
It is metering the conversion LUT
Can u send me a link to the 5-1 bounce?
amzn.to/3ToRtr7
Which 5 in 1 are you using for those run n gun interviews?
Unsure of the brand, but the impact of Amazon should do the trick.
amzn.to/3ToRtr7
How did you secure that big boy? And what stands were you using?@@PDMokry
subjects with a hat 😢😢
but looks great
They make it tough for sure!