Why does he use so many different compressors and limitors? I get that with some plug ins, you like the analog sound drive and perhaps the intuitivity, but why for those purposes?
indeed lowlink, that and the fact that having multiple compressors doing light gain reduction before limiting is an effective way of reducing dynamics to avoid hitting the limiter too hard
Literally the same reason. Any compressor, EQ, etc. will have its own unique character and qualities which might be suited for a very specific task only. If done right, your chain will sound greater than the "sum of its plug-ins". This is especially true for mastering.
...What does that even mean? Let me speak your language. Each plugin has its own "analog sound drive" because they react differently to sound they're fed. Simplest way to explain it would be that different compressors make different frequency spectrum (like bass) sound different. Some limiters add quite nice harmonics and some just can't handle it and clip... which sometimes sounds good.
@LowLinK What the fuck is THAT comment? This is literally zero "craziness". It's what anyone learns if you spend more than 2 days in a studio. "This compressor is good for drums, this compressor is good for this" etc. If you can't work this out and you call yourself a producer or musician; Rethink your entire life. Seriously. you should. You've got this backwards.
This is very interesting to me because this is the first time I’ve ever seen someone master a track by dividing it up into different sections.
this channel is so good. the amount of knowledge you can gather from those streams is unprecedented. thank you!
One of the most comprehensive streams on mastering I’ve seen, thank you! I enjoyed your perspective on mid/side mixing on bills podcast as well.
This channel is amazing, thank you for your work!
Genius once again, this guy always has some crazy strategies!
Oh wow! Save reminder! Definitely going to download that!
thanks for posting!
I use the Equivocate Equaliser by New Fangled Audio, it's dope
I saw shadow hills in the thumbnail and I already knew...
great tips. But the audio dropouts are really frustrating :( especially when comparing before and after and you cant hear the after
its a twitch stream the audio is gonna be shit unfortunately
Audio doesn't sound like it would normally as a raw file but this is a god tut.
have you tried TC's Finalizer app?
19:00 lul he doesnt know whats going on^^.
What is the track at @3:30?
would be good if you could actually hear the audio when he makes changes
Can you upload new GTA stream? That would be big help
does anyone know what that frequency visualizer is around 3:45?
That would be foosbar2000 player and what you're seeing is a spectrum analyzer
someone explain to me how he is able to right click and see the list of his vsts as he did in 04:33 and i cant on mine??
i was wondering that too.
its a thing you have to download called live enhancement suite
I'm assuming the 1st track he works on (haven't watched it all yet so I dont know if he works on more than ome) is unreleased atm?
czcams.com/video/CIHHjAWwIuA/video.html
@@musicalstreams ah thanks mate, I was assuming it was something by him 👌👍
Why does he use so many different compressors and limitors? I get that with some plug ins, you like the analog sound drive and perhaps the intuitivity, but why for those purposes?
indeed lowlink, that and the fact that having multiple compressors doing light gain reduction before limiting is an effective way of reducing dynamics to avoid hitting the limiter too hard
Literally the same reason. Any compressor, EQ, etc. will have its own unique character and qualities which might be suited for a very specific task only. If done right, your chain will sound greater than the "sum of its plug-ins". This is especially true for mastering.
@@Youngling3 Thank you!
...What does that even mean?
Let me speak your language. Each plugin has its own "analog sound drive" because they react differently to sound they're fed. Simplest way to explain it would be that different compressors make different frequency spectrum (like bass) sound different. Some limiters add quite nice harmonics and some just can't handle it and clip... which sometimes sounds good.
@LowLinK What the fuck is THAT comment? This is literally zero "craziness". It's what anyone learns if you spend more than 2 days in a studio. "This compressor is good for drums, this compressor is good for this" etc. If you can't work this out and you call yourself a producer or musician; Rethink your entire life. Seriously. you should. You've got this backwards.
Plz fix the audio quality and dropouts
wait