The Evening Redness in the West - Ben Rieke

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  • čas přidán 21. 11. 2021
  • Recorded by the IU Concert Orchestra at the New Voices Competition winner's concert, Jacobs School of Music MAC, Nov. 14 2021
    Violin soloist - Yeajin Kim
    The title of this piece is the subtitle of Cormac McCarthy's novel Blood
    Meridian. Described as an "anti-western", the book follows the unnamed
    "kid" as he joins a band of sadistic bounty hunters on a bloody rampage
    through early 19th century Mexico. I have long been fascinated with Blood
    Meridian with its startling juxtaposition of horrifically violent imagery and
    beautiful prose, as well its inscrutability; events occur in a total vacuum of
    context while still being colored with an elusive gravity by the simple yet
    bizarre language in which they are described. I am always left with more
    questions than answers when I put it down.
    The most important impression that the novel has left with me is the
    quality of violence that it presents. In the world of Blood Meridian, it takes
    on the role of a god; venerated, omnipresent, existing outside of time. I
    think its greatest quality is its ability to contextualize the role of violence in
    our own time. We are left with the impression that our relationship to
    brutality and war is too intimate to ever change, but how can this be true
    in the civilized first world of the 21st century? Violence now might not be a
    part of my everyday life, but it thrives now more than ever in other forms-
    commodified, exported, transmuted. Our scalps are harvested secondhand.
    The Evening Redness in the West takes its structure from the novel itself.
    New tempo markings are analogues for chapters, themselves broken into
    different sections as in Blood Meridian. This is done not necessarily to
    preserve discrete images (though some remain), but to present a
    continuously evolving characterization of violence. The lingering concept of
    the "anti-western" brought to mind certain characteristics of "American"
    music (Copland, Gershwin, etc.) that are occasionally twisted and applied
    to this end.
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Komentáře • 1

  • @jonathanlauff2790
    @jonathanlauff2790 Před 2 lety +1

    Congratulations, Ben! Such a powerful creation, and well performed! Keep up the great work!