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Ben Rieke
Registrace 26. 11. 2014
Original pieces, covers, and performances.
Email me at werberd5205@gmail.com
Email me at werberd5205@gmail.com
Not Another Word - Ben Rieke
San Francisco Contemporary Music Players (cond. Eric Dudley)
Recorded in Herbst Theater 6/12/24 as a recipient of ARTZenter Emerging Composer Grants
Program notes:
In my experience, people tend to treat composers and artists in general with some kind of distance. "Wow, I don't understand what exactly that was or how you did that" (hopefully followed up with "but I'm glad you did")! The truth is, at least for me, I'm pretty much in the same boat. Even though I have more behind-the-scenes knowledge than any for my own work, I'm flying blind. This has previously been of great discomfort for me-the worry I can't articulate exactly what want to, that I will be misunderstood. In fact, all of this is just deference to a false communicative norm. We are hard-wired to validate truth through text, spoken and written, but just because something can't be validated doesn't make it untrue. Whether or not my experience is the same as yours isn't as important: the experience validates itself. In other words,
"The truth is you’ve already heard this. That this is what it’s like. That it’s what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you a fraud, the tiny fraction anyone else ever sees? Of course you’re a fraud, of course what people see is never you. And of course you know this, and of course you try to manage what part they see if you know it’s only a part. Who wouldn’t? It’s called free will, Sherlock. But at the same time it’s why it feels so good to break down and cry in front of others, or to laugh, or speak in tongues, or chant in Bengali - it’s not English anymore, it’s not getting squeezed through any hole.”
-David Foster Wallace, "Good Old Neon"
Recorded in Herbst Theater 6/12/24 as a recipient of ARTZenter Emerging Composer Grants
Program notes:
In my experience, people tend to treat composers and artists in general with some kind of distance. "Wow, I don't understand what exactly that was or how you did that" (hopefully followed up with "but I'm glad you did")! The truth is, at least for me, I'm pretty much in the same boat. Even though I have more behind-the-scenes knowledge than any for my own work, I'm flying blind. This has previously been of great discomfort for me-the worry I can't articulate exactly what want to, that I will be misunderstood. In fact, all of this is just deference to a false communicative norm. We are hard-wired to validate truth through text, spoken and written, but just because something can't be validated doesn't make it untrue. Whether or not my experience is the same as yours isn't as important: the experience validates itself. In other words,
"The truth is you’ve already heard this. That this is what it’s like. That it’s what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you a fraud, the tiny fraction anyone else ever sees? Of course you’re a fraud, of course what people see is never you. And of course you know this, and of course you try to manage what part they see if you know it’s only a part. Who wouldn’t? It’s called free will, Sherlock. But at the same time it’s why it feels so good to break down and cry in front of others, or to laugh, or speak in tongues, or chant in Bengali - it’s not English anymore, it’s not getting squeezed through any hole.”
-David Foster Wallace, "Good Old Neon"
zhlédnutí: 132
Video
Foreign Bodies - Ben Rieke
zhlédnutí 158Před 2 měsíci
Piano 1 - Ben Rieke Piano 2 - Matthew Schultheis Percussion 1 - jc clancy Percussion 2 - Will Hopkins Video shot by Michael Grebla Program notes: “For as soon as the distribution of labour comes into being, each man has a particular, exclusive sphere of activity, which is forced upon him and from which he cannot escape. He is a hunter, a fisherman, a herdsman, or a critical critic, and must rem...
Words Without Songs - Ben Rieke
zhlédnutí 223Před rokem
In a lecture later titled “The Order of Discourse”, Foucault claims that “in every society the production of discourse is at once controlled, selected, organized and redistributed by a certain number of procedures whose role is to ward off its powers and dangers, to gain mastery over its chance events, to evade its ponderous, formidable materiality.” There is discourse in this piece too, as wit...
all those who live in such times - Ben Rieke
zhlédnutí 117Před rokem
Technically, this piece is an aggregate of ideas that I have worked through elsewhere-formal iteration, visible process, and an emergent relationship between foreground and background. More foreign to my music, but present here, is a single explicit expressive goal: observing the situation, seeing the outcome unfolding in real time, and being unwilling or unable to do anything about it. Whateve...
Anodyne - Ben Rieke
zhlédnutí 161Před rokem
Flute: Phoebe Rawn Oboe: Joeseph Jordan Clarinet: Anju Auto Horn: Andrew Arloro Bassoon: Caleb Hutchings Conductor: Tengku Irfan I. Anodyne? - 0:00 II. Anodyne? - 3:00 III. Anodyne? - 7:15 IV. etc and - 9:46 Program notes: What does it mean to “write what you love”? As much as I would like the “success” of my work to be a purely personal measurement-how well my execution matches my intention, p...
Ben Rieke - Decoupler
zhlédnutí 110Před rokem
Performed by Cameron Chase This piece is notated in such a way that it can be played on violin, viola, cello, or bass (good luck with the last one though!) Program notes: Isn’t the concept of pitch in string music kind of weird? There aren’t any frets! Vocal chords are strings too, but we think of speech as sliding up and down through a frequency spectrum rather than cycling through a collectio...
Projections - Ben Rieke
zhlédnutí 217Před rokem
Performed by Jeffrey Milarsky and the Juilliard Orchestra in Alice Tully Hall on 3/27/23 as one of the winners of the Juilliard Orchestra Composition Competition Program notes: Orchestral music is particularly vulnerable to market forces: hiring performers, renting a large space, marketing, administration, etc, all necessitate a large flow of income that, at least in America, is largely supplie...
meditations/applications - Ben Rieke
zhlédnutí 158Před rokem
Thanks very much to incredible cellist and new music advocate Jaemin Lee for whom this piece was written. Ford Hall, Jacobs School of Music, Bloomington IN 12/3/22 benrieke.com
Rounds - Ben Rieke
zhlédnutí 160Před rokem
Performed by The Rhythm Method at Lake George Music Festival 2022 as part of the Composers' Workshop. For me, strings have a unique circular quality; the oscillatory components of bow movement, finger pressure, the physical curves of the instrument body. Accordingly, Rounds circles through different dimensions of motion, repetition, and simplicity. 2:53 - funny boat horn
Senior piano recital (Andres, Rieke, Carter)
zhlédnutí 212Před 2 lety
Catch this while it's here because the moment I produce better recordings is the moment it becomes unlisted! Program: Timo Andres-Old Ground (0:00) Ben Rieke-Etudes 88 no. 1 (13:05) Knife (14:24) Calamari (16:57) Kick (20:10) 88 no. 2 (23:30) (eloquent speech (27:20)) Elliott Carter-Piano sonata I. (28:17) II. (38:00) Please don't miss the chance to listen to a good recording of the Andres and ...
melting - Ben Rieke
zhlédnutí 276Před 2 lety
Bb Clarinet - Noah Pujol Bb Clarinet - Yurong Bao Bass Clarinet - Jake Pierson Contrabass Clarinet - Garrett Nichols Violin - Bryson Karrer Viola - Maeve Whelan Cello - Jaemin Lee Bass - Grant Thomas Keyboard - Ben Rieke Conductor - Andrew Downs melting is a deliberate act of compositional self-sabotage. After becoming hyperaware of my repetitive tendency to structure pieces in a narrative, lin...
The Evening Redness in the West - Ben Rieke
zhlédnutí 420Před 2 lety
Recorded by the IU Concert Orchestra at the New Voices Competition winner's concert, Jacobs School of Music MAC, Nov. 14 2021 Violin soloist - Yeajin Kim The title of this piece is the subtitle of Cormac McCarthy's novel Blood Meridian. Described as an "anti-western", the book follows the unnamed "kid" as he joins a band of sadistic bounty hunters on a bloody rampage through early 19th century ...
Power Set - Ben Rieke
zhlédnutí 82Před 2 lety
A power set is the set of all possible subsets of a given set. In this piece, I have a set of three ideas: A. A constant 16th note pulse B. An ascension in pitch C. Gestural/rhythmic unity across the ensemble Power Set starts with a presentation of all of these ideas at the same time. Over the course of the piece, the striking of the woodblocks variously takes away and adds one idea to the set ...
Bloom - Ben Rieke (JACK Quartet)
zhlédnutí 384Před 3 lety
Recorded by JACK quartet as part of New Music on the Point 2021. Program note- Spring is a vague season for me. As is the case with many others, my mood usually improves with the lengthening days and new buds returning to dead branches, but it comes with an existential flavor much more visceral to me than that of autumn. Seeing the life return to the world around me every year does more to erod...
joycon piece 1
zhlédnutí 180Před 3 lety
messing around with Max MSP and a couple joycons will there be more? (probably not)
Six Sketches for Two Cellos - Ben Rieke
zhlédnutí 638Před 3 lety
Six Sketches for Two Cellos - Ben Rieke
Go Ben!
nice!
Yup.
Im hoping to use joycons and max for a community music project
What max objects take gyroscope and accelerometer data from vjoy software?
The hi object should do it
Thanks. Also started using the new gamepad object but can only get velo info
@@HeavyMetalPowerBottom no prob! If you run into issues with the hi object I can maybe provide the patch for this project
@@benrieke5504 managed to get info from hi object but am trying to understand what the numbers mean in the message box mean. Either numbers 20 24 and 28 followed by numbers 0 to 80000
@@benrieke5504 Managed some success with the gamepad object czcams.com/video/nv9K4DOCgRQ/video.htmlsi=UKhGzMCY0fAOdl4n
I first came across one of your pieces some years ago and wanted to see what you have been up to since then. You, sir, are very very talented.
Thanks so much! Your channel is a great resource by the way, I have used your score videos a lot over the years. Cheers!
Enthralling listen from start to finish. Impressive work Ben!!
Thanks Jake!
Norman has done his magic on you. Awesome piece!
Thanks Dustin! (actually wrote this one during last summer lol but the Norman magic is definitely real)
Based
nice!
fantastic work! I love your interpretation
thanks!
How did you get gyroscope/accelerometer data into Max? I've been trying to get useable data from my joycon with the hi object but all I've managed is getting the basic button on/off signals.
Hi-it's been awhile but I was also using VJoy and JoyCon-Driver by fosse. My patch shows a VJoy device going into the hi object; presumably VJoy is unpacking all the other stuff.
@@benrieke5504 Thanks for the quick reply! That's sorta what I was afraid of. VJoy doesn't work on Mac so I was hoping to find a workaround. At this point though, I think I'll try getting a virtual machine running on my MacBookPro and go from there? Regardless, it seems Nintendo really went out of their way to make using their JoyCon on other devices as hard as possible! Thanks again.
@@ajmachajewski No prob! Par for the course for Nintendo lol, hope it works out!
In the new version of max there is now the game pad object czcams.com/video/nv9K4DOCgRQ/video.htmlsi=UKhGzMCY0fAOdl4n
Congratulations, Ben! Such a powerful creation, and well performed! Keep up the great work!
This is so cool Ben
Loved the transition in and out of suspense and intrigue! Nice Ben!
this is very good i very much like as well as the program note.
Excellent, Ben! I love the organic development of this whole thing. You seem to have nailed your chosen concept
Thanks! Great to hear.
What software are you using?
cycling74.com/products/max/
Great piece, Ben!!