This is great stuff. I like how you're main drive is encourage us viewers to use these tools to express ourselves, rather than you just showing us what you can do.
Take the half-whole dim scale B C D Eb F Gb A Ab extract your C diminished chord C Eb Gb A. That leaves B D F Ab all the color tones you can use and it is also another diminish chord B diminished. So with that you can play a C diminish chord and add any notes from the B diminished for color, some call that the Double Diminished chord. Symmetrical harmony is very cool.
This idea of using just one extra note relative to one of the dominants of the diminished scale just have changed my life! Thanks for sharing BH wisdom so clearly my friend! 🙏🙏
Hi mate from Australia! I have to say, seriously, thank you so much for this channel and for sharing the beautiful ideas of this wonderful musician, Barry Harris. This has meant so much to me as a guitarist. I've never learnt so much about the language of jazz than I have from this channel. I'm having an amazing time learning this material and it brings me so much joy to finally understand the language of Jazz a bit more and to unlock some of those beautiful sounds that I love listening to. You're a wonderful teacher with a great temperament. I owe so much to Barry and to you for this channel. Best wishes.
What a great lesson Chris! 👏☺🎸🎶 Question: How might one apply some of Barry's ideas on a modal tune like say Cantaloupe Island, Footprints, or Maiden Voyage? Thanks Chris! 😊 🙏
I was wondering if you could cover Barry’s approach to using the dominant scale and the flat 5 scale. Major and minor 6th scales have been covered but the other two not so much as far as applications. Maybe you covered them in previous videos? Thank you so much in advance.
It's awsome. Now let's say we're in D then our diminished is E? so we get A C F# and Eb Dominants so for all those we get one diminished scale that works for all of them. Do we get 1 dominant diminished scale from each of them too? Say for the A there is the 1,2,3,4,5,b6,b7,7? I guess for all of those they would not have to resolve to D? It could be keys of D, B, F, or Ab. So you move 4 minor thirds and you come back to the 1st one. These are in the same family too these 4 keys that would be ones of these 4 5 chords?
How do you use the minor 6 diminshied or the dominant chord version ? Is it like playing over a mode ? I'm confused if c6 is an A minor . What chord groups would you play over a 5 chord or a Dorian 2 chord ?
This is great stuff. I like how you're main drive is encourage us viewers to use these tools to express ourselves, rather than you just showing us what you can do.
Take the half-whole dim scale B C D Eb F Gb A Ab extract your C diminished chord C Eb Gb A. That leaves B D F Ab all the color tones you can use and it is also another diminish chord B diminished. So with that you can play a C diminish chord and add any notes from the B diminished for color, some call that the Double Diminished chord. Symmetrical harmony is very cool.
I’m definitely trying that! Thank you! 🙌🙌🙌
This idea of using just one extra note relative to one of the dominants of the diminished scale just have changed my life! Thanks for sharing BH wisdom so clearly my friend! 🙏🙏
Hi mate from Australia! I have to say, seriously, thank you so much for this channel and for sharing the beautiful ideas of this wonderful musician, Barry Harris. This has meant so much to me as a guitarist. I've never learnt so much about the language of jazz than I have from this channel. I'm having an amazing time learning this material and it brings me so much joy to finally understand the language of Jazz a bit more and to unlock some of those beautiful sounds that I love listening to. You're a wonderful teacher with a great temperament. I owe so much to Barry and to you for this channel. Best wishes.
Thank you so much for these little snippets and for keeping the channel going mate! Each little lesson is a great big rabbit hole to lose yourself in
I love your channel. Don’t ever stop. 🙏
Great job Chris!
Complimenti Chris for the explanation. Many thanks
Fantastic. Thank you, Chris
Thanks a lot giving us your wealth on Barry’s wisdom and ideas..Back in school !!
Wonderful! Thank you, Chris!!
Again mind blown. Thank you sir.
so helpful - please keep doing these videos!
Thank you so much, treasure material for sure
Thank you for the video. Very good !
Awesome. Thanks for sharing . Hope you make New videos for diminish ideas. Bless you!
Thanks Chris! More goodies to learn on harmonica :)
Cool explanation. Thx!
⭐️⭐️⭐️⭐️⭐️It’s also very fun to explore these ideas at the end of “U.M.M.G.” (Upper Manhattan Medical Group) by Billy Strayhorn
Awesome!
What a great lesson Chris! 👏☺🎸🎶
Question: How might one apply some of Barry's ideas on a modal tune like say Cantaloupe Island, Footprints, or Maiden Voyage?
Thanks Chris! 😊 🙏
nice one
Love you man
Killer video
Thanks so much for sharing, hope you are well God loves you deeply Shalom 🤗🐼❤️✝️💐 Philippians 4:8
I was wondering if you could cover Barry’s approach to using the dominant scale and the flat 5 scale. Major and minor 6th scales have been covered but the other two not so much as far as applications. Maybe you covered them in previous videos? Thank you so much in advance.
Yeah man
Great lesson - presume you can used the same lines on the other 3 dom7 chords in this family?
It's awsome. Now let's say we're in D then our diminished is E? so we get A C F# and Eb Dominants so for all those we get one diminished scale that works for all of them. Do we get 1 dominant diminished scale from each of them too? Say for the A there is the 1,2,3,4,5,b6,b7,7? I guess for all of those they would not have to resolve to D? It could be keys of D, B, F, or Ab. So you move 4 minor thirds and you come back to the 1st one. These are in the same family too these 4 keys that would be ones of these 4 5 chords?
How do you use the minor 6 diminshied or the dominant chord version ? Is it like playing over a mode ? I'm confused if c6 is an A minor . What chord groups would you play over a 5 chord or a Dorian 2 chord ?
I cant believe I know where the half step whole step scale comes from.