Stanislavski acting exercises with The Stanislavski Experience

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  • čas přidán 3. 04. 2011
  • AS level Stanislavski workshop by Nick O'Brien from the Stanislavski Experience author of Stanislavski in Practice.

Komentáře • 10

  • @CallieNYC
    @CallieNYC Před 11 lety +3

    This is a great video for actors!
    I've been working on a channel for acting and I love watching acting videos. Keep in touch!

  • @Thriller94
    @Thriller94 Před 10 lety +5

    The best way to explain the "There is never any three" is by comparing it to your mother counting to three as a child..
    Out of 10, how many times did she actually get to three? It was always, "Don't MAKE me get to three!" Or "I don't know what I'm gonna do if I get to three".
    Right? So how does that relate? Well, the actor should never be left guessing, like you were as a child. So, on stage there is never any three. Hope that helped!

  • @glamoursitareyadav9184

    Best advice for acting career thank you so much sir

  • @pankajsharmaactor1574
    @pankajsharmaactor1574 Před 5 lety

    Sir I’ve recently done acting course from an acting college.
    But still could you make some more video for acting o

  • @nikhilraj2636
    @nikhilraj2636 Před 5 lety

    Is there anyone who knows any 6 month fulltime stansilavsi system acting course! Please help me

  • @don77frye
    @don77frye Před 11 lety

    I think he meant ... you already know what's going to happen before it happens ... because there is a script . You don't laugh at what happens because you expect it already . So you have to do it from the point of an actor ... when you do that .. everything flows nicely without confusion ... because you know the objective already .

  • @JonathanGracey
    @JonathanGracey Před 11 lety +4

    I'm so intrigued by the pen example of Stanislavski acting, "On stage there s never a three." What does that mean? The instructor seems to contradict himself when he says, "there is never a three" then "the actor always knows what will happen." If there is never a three (nobody gets a chance to pick up the pen), then how does the actor know what will happen?

    • @MrKylePopovich
      @MrKylePopovich Před rokem

      Yeah I was lost by this too. And it seems more improv than acting.

    • @andthenIdidabackflip
      @andthenIdidabackflip Před měsícem

      I personally don't see a contradiction, the three is happening in the actor's mind and of course shouldn't happen on stage, obviously because if you tell the cues to the audience by saying the three loudly, you pull the audience away from the imagination that this is spontaneous.
      Hence the actor does always know what will happen, his job is to pretend he doesn't