Аcting technique: Stanislavsky exercise. Push your imagination!
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- čas přidán 13. 12. 2014
- Stanislavski Studio LA.
Two teachers per every Class. Stanislavski Technique from Russia with love. Through the brain, we give your body catalysts to make a chemical process inside the actor that prepares the soil for planting, opening the nerves, and destroying the usual temperature of you "normal" life.
"do not look at me. NEVER look at me."
this is the best acting technique, it really makes you feel real emotions, before that was my prroblem i had no emotion towards my acting and so it looked fake. imagination if a muscle to train people, and you will become susccessfull actor
I have been studying this style of acting.
But who sits in a chair to make eggs?
Отличные уроки! Большое спасибо, хочу открыть студию в Ставрополе, мне ваши уроки очень помогают!
У Андрюхи свой канал есть, тут его как бича пригласили 😆
superb
I'm ready for breakfast!
Super exercise for acting by india..
Sir..My Imagagine..
I see the objects in your hands...
Very usefull when you act Hamlet. Hamlet shout cook some egs while he says: TO BE OR NOT TO BE. I doubt if that guy is an actor-
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Whither the wilt. Let be known the nonsense and evolve that key into keen kindness of productive categorical assimilation. Between barters there is a trade of emotion in undertone. Never let the sublime overpower the subliminal. Never forget the forgiven and always acquire the action of reactants. It isn't just image that makes character, but the overall picture of structure through a base and basically acquired freedom. To capture that freedom and put it for words towards those displays is in itself a grounds for failure. Just kidding! It's about captivating an audience. What better way to move from stage to film than for the reason being that you want more people to feel and react to your reaction to the character you've been chosen to react to. I say react a lot. That's the key to getting this whole performance thing. If you know your lines backwards and front ways, then you can truly LISTEN to your scene provider and create something that no inanimate object, like money, can... you can CREATE a rate-worthy creation that garners you acclaim that will never be satiated by anything more than creating again. I admire the art of what Stanislavski wrote in his book. As a reader, I'd love to progress my own thoughts into a method which further adapts from the career shifters like Master Adler, Meisner & Chubbuck. Be it clear that we are all here to hear. From the past chimney to today's career. A fire-starter starts with a match that has no heat deriving from anything other than the creator. I LOVE ACTING. I miss it!
+@brainofBrandon Can you say it more simply?.))
+Stanislavski Acting Studio Acting is not a reservoir of actions. It is a jubilee of reactions. Adapt your ears to peers and you'll quickly analyze what many miss. Trust in the habit or practice and practice to acquire the habit. Know not nothing and something will happen. What I'm basically wording in longevity is: to be a fact, you must believe your act. That is the only way for fiction to emote to the audience in a way that they feel response. (No matter what someone is reacting!)
+@brainofBrandon & if you don't have to see exact words with exact beliefs, think of it like it's like clothing. All the threads are different, but they're the same construct tools to build the body. With thread relative to the written spool, you can achieve belief in your own way. This is the way to repeat a script with authenticity every time!
+Stanislavski Acting Studio it's truly with gratitude that such a finely accomplished & firmly planted school such as yours gave me a response. That's why I took time to space out my answer. I appreciate & wish to pursue a world where I can know that I'm being heard.
+@brainofBrandon Thank you! You've heard! Welcome to our studio anytime!
What the fuck
Blablabla 😴
You're an ignorant fool.
@@spamskanal 😂😂😂
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Atleast he tried
It's just Andrew 😆