I usually don’t like drum solos. But Tony is on another planet, the music flows directly from him. Only one Tony Williams in a century , as Miles told.
Was at this clinic with several drummers from NTSU. We knew it was going to be an inspiring day, and indeed it was. Incredible drumming from the masters. Tony was so loose and cool and such a technician. The scrubs he was wearing were a great metaphor for his surgical approach to drumming. So precise and confident in his playing. That's what impressed me. He was a true gentleman. I can't remember the downtown building this clinic was in, but I recall stepping outside during a break and seeing Tony taking in the sights of Dallas. He was just walking the streets by himself and digging the sites. As he remarked, this was his first time to Dallas. He was such a "chill" guy who was always in the zone. I wish I would have had more courage to approach him that day in downtown Dallas and tell him "thanks for inspiring me to work harder," but I figured he wanted this time to himself before performing later in the clinic. I thought his philosophy about playing brushes was so unique. Thanks for posting this as it brought back great memories from my college days at North Texas.
There are possibly a very few drummers who can sound like Tony Williams, but Tony really originated so much of his vocabulary. He was really a Jimi Hendrix on drums. I think people generally underestimate the profound influence he had on the Miles quintet.
I remember when I was 17 and drumming in a school Jazz festival, Chuck Israels, former bassist of John Coltrane and Bill Evans was a special guest adjudicator. He was absolutely brutal. Was really hard on all the kids. After my jazz combo played he basically ripped everyone in my band a new asshole and then came over to me.... I was shaking..... he told me that I reminded him of the first time he saw Tony Williams playing in a jazz club as a kid...and he ended up giving me an award with scholarship money. I think I almost cried I couldnt believe it. Tony Williams was my favourite jazz drummer. Disclaimer: I am now 30 and nowhere near as good as Tony Williams.
Tony Williams is one of the greatest drummers of all time. So many more recent top drummers have modelled thenselves after him. What a fabulous guy, so informative and humble as well.
jonsilence Another great description of Tony brilliance being described as a force of nature I often hear and visualize as as Tonya playing as a volcano erupting underneath the music lifting everything above it even higher and higher and hotter and hotter the most difficult drummer to imitate and copy so totally unique.☺😁😀🤣
7:48 regarding his drum tuning.. the tones are in the key of B.. descending from the 5th note of the scale F#.. down to the root @ B.. then down further to the next F#.. so his Snare and Lowest Tom are both F#.. 1 octave apart.
The late great Tony... There are other drummers who might be more technically advanced but who else plays with such raw power and energy? When he gets that bass drum chugging with the snare he is untouchable. R.I.P. Tony.
My personal list of the greatest drummers of all time constantly changes, but Tony Williams, Vinnie Colaiuta, Billy Cobham, Dennis Chambers, and Omar Hakim are among the few who are always at the top.
I completely agree with you (adding Dave Weckl to that list). Since I was in 7th grade (1982) I was a huge Rush fan. Naturally, I saw Neil Peart as a God. In my late teens/early 20s I began to learn about the drummers like Weckl,Chambers, Hakim, etc... I became less impressed with Neil Peart from a technical standpoint. Is that unfair? I still think he is a great player, just not in the way I see the legendary sessions cats... thanks in advance for your opinion.
@@trevormcmanis I would say from a compositional standpoint then Neil towers over the rest of them. But I agree he is not as technically proficient as the others. He said a lot with a smaller vocabulary.
@@Cpt_Guirk You are absolutely correct. Thank you for sharing your comment. After I reread my original comment, I realized I failed to mention that Neil is a primary reason I became a drummer. To be honest, he had more technical ability than I gave him credit for. I still can’t believe he is no longer with us. Neil was an amazing person. 🙏
San Anselmo in beautiful Moron County. I spent my childhood there so I can empathize with Tony on that one. He's buried in Colma ,San Francisco. He was a innovator for sure, and he is surely missed!
Every time I hear a drum kit with Remo C.S. Black Dot heads it reminds me of the 1970's and the Tony Williams sound!!! This was during my teenage years and as a matter of fact, my first professional drum kit came with Remo Black Dots back in 1977!!!
Today so many techniques on drums rely on bounce, push-pull,free stroke, Moller etc...and so many things that Mr. Williams played were controlled bounces :)...he still is the one and only to inspire me to carry 3 floor toms on a gig.. thank you for posting these fantastic videos!!!!! :))))
A force of nature....the eye of the hurricane.... a towering and singular figure in the history of the drums. God rest his gifted soul....he is missed more than words can say. Yes, clearly one of Bozzio's primary influences, and when I first heard Terry I thought "This sounds like Tony Williams smoothed out and run through a computer."
Brutal sound, absolutely love those clear dots on those drums. Powerful sound but still so melodic, the fundamental comes through more than w coated heads.
+A UserName The dot heads do sound great when they are tuned well. Sometimes I like using them, sometimes I don't. It does depend on how they are tuned. The dot heads do have a clearer "attack" or "stick" sound to them, if that's what you want. Not as many guys use them these days, but don't always go by normal convention. I think they are cool if tuned right. I also think they are better with the more traditional sized drums. 8x12, 9x13, 10x14, etc.
I like how he says that he doesn’t tune his drums to a specific sound but when he played them it appears to be F#, B, C#, D#, E and finally a high F# om the snare. So basically the first 5 notes of a B major scale! I bet it happened subconsiously!
His flow and groove is just so good. Like a great sportsman, you can watch them without sound and still be entertained. The marvelous movement and technique!
Mr. Tony Williams - you live on forever in each of us who have the passion and soul of a drummer. Thank you for your years of depth. For the beat of your soul lives on! David Curtis
how hard could have been to have a mic in the audience and pass it along to the next one , poor guy having a hard time to get the questions,, and that light .. gee... having said that it,s a blessing to have a hands on such priceless video,, mat rest in peace mr williams..
These are great clips tedsirota!! Thank you. But I find it so odd that Tony Williams is onstage and answering these questions. He's TONY WILLIAMS!!! He ain't got to answer to nobody!!! Great solo at the end.
I have a lot of respect - admiration - for a lot of drummers, but, simply,TW was, and will always be - the best Jazz drummer the world will ever hear! Out to Lunch; Nefertiti; Believe it! And his comments were great! Playing for the people - this man was not an egotist! And in the end he played a bit of ride cymbal - absolutely glorious!
Independence off the charts. He makes the set talk. One thing though, apparently the sound engineer did not know how to control Tonys ride cymbal because it was WAAAY to loud in the mix. I would love to hear and see a better mix of this day. But anyway I'll take whatever there is. Thx for putting this up.
The ride cymbal is the most important aspect of a jazz drummer's sound. It sounds perfectly balanced in my home theater setup but I'm listening on a high end audio setup so it might be that your setup is too bright sounding.
Could someone else notice that something seems to happen to the bass drum at the end of the last performance? he seems to stare at someone and point at the bass drum like saying something, and then he smiles...and finishes his solo playing toms and cymbals only 19:57 to the end .... TONY is so unique and GREAT .
Love this guy. It’s like, how bout I bust fast single stroke rolls up and down the toms and have it sound cooler than anyone, like you’ve never even heard it before?
The man at the very end said Simon Phillips was up next...Simon s a great drummer and i bet he gave a great clinic, but to follow Tony....man, that's rough...
Does anyone knows who has these cymbals, I know its tony's unique sound but who on earth has them now?, they sound so good as tony sees individualy, HIHAT OMG, amazing, Tony you are the best !!!
Min Marker5:14'ish - though I couldnt hear the question, and perhaps I am projecting based on what Tony's answer was. I love how he stated, "one you make a record, its commercial." I always wonder why people criticize musicians for being commercial. Musicians gotta eat too...
I've posted a new video which focuses on Tony's brush playing at 12:37 here and a transcription of the first 12 bars appears on page 56 of my drum book. It's amazing how much Tony continues to inspire us.
Charles Beauregard - About 11 years ago I bought 3 Tony Williams DVD's on eBay. One of them was this 1985 Zildjian Day Clinic. Needless to say the seller pushed bootleg copies off on me. However, it came with the copied cover artwork and even the DVD was printed from the original artwork!! Anyway, after looking at them, they appear to be from "Tutu Records". You can research it from there.
can somebody tell me the configurations of tonys classic kit? i am thinking 9x13-10x14 14x14 floor 16x16 floor 16 or 18x18 floor bass drum 16x24 thank you
I usually don’t like drum solos. But Tony is on another planet, the music flows directly from him. Only one Tony Williams in a century , as Miles told.
Was at this clinic with several drummers from NTSU. We knew it was going to be an inspiring day, and indeed it was. Incredible drumming from the masters. Tony was so loose and cool and such a technician. The scrubs he was wearing were a great metaphor for his surgical approach to drumming. So precise and confident in his playing. That's what impressed me. He was a true gentleman. I can't remember the downtown building this clinic was in, but I recall stepping outside during a break and seeing Tony taking in the sights of Dallas. He was just walking the streets by himself and digging the sites. As he remarked, this was his first time to Dallas. He was such a "chill" guy who was always in the zone. I wish I would have had more courage to approach him that day in downtown Dallas and tell him "thanks for inspiring me to work harder," but I figured he wanted this time to himself before performing later in the clinic. I thought his philosophy about playing brushes was so unique. Thanks for posting this as it brought back great memories from my college days at North Texas.
Man, brushes on a dotted clear head with snares off. Tony Williams (forever) is the giant of big sound!
There are possibly a very few drummers who can sound like Tony Williams, but Tony really originated so much of his vocabulary. He was really a Jimi Hendrix on drums. I think people generally underestimate the profound influence he had on the Miles quintet.
As a teenager too! Genius.
Williams always remembers drummers he has learnt from, drummers he hears.... and then he is what he is.. the best
I just watched all 3 videos and all I have to say is: wow. Thanks for posting this -Tony is legend...
This guy is playing something different with each hand and both feet. All coming together. Non drummers have no idea how hard this is to play
I remember when I was 17 and drumming in a school Jazz festival, Chuck Israels, former bassist of John Coltrane and Bill Evans was a special guest adjudicator. He was absolutely brutal. Was really hard on all the kids. After my jazz combo played he basically ripped everyone in my band a new asshole and then came over to me.... I was shaking..... he told me that I reminded him of the first time he saw Tony Williams playing in a jazz club as a kid...and he ended up giving me an award with scholarship money. I think I almost cried I couldnt believe it. Tony Williams was my favourite jazz drummer. Disclaimer: I am now 30 and nowhere near as good as Tony Williams.
That's pretty cool bro
Haha I needed that thank you
I would have loved to have heard him with Hendrix...that would have really been something!!!
Omg I have often thought the same. Tragic that never happened.
Tony Williams is one of the greatest drummers of all time. So many more recent top drummers have modelled thenselves after him. What a fabulous guy, so informative and humble as well.
A tornado-like vortex of drumming energy.....NOBODY else in this world can play like Tony did.
jonsilence Another great description of Tony brilliance being described as a force of nature I often hear and visualize as as Tonya playing as a volcano erupting underneath the music lifting everything above it even higher and higher and hotter and hotter the most difficult drummer to imitate and copy so totally unique.☺😁😀🤣
Or like you my fellow drummer.
One of a kind. Can say so much, his playing said it all. Loved Tony Williams ❣️
7:48 regarding his drum tuning.. the tones are in the key of B.. descending from the 5th note of the scale F#.. down to the root @ B.. then down further to the next F#.. so his Snare and Lowest Tom are both F#.. 1 octave apart.
The late great Tony... There are other drummers who might be more technically advanced but who else plays with such raw power and energy? When he gets that bass drum chugging with the snare he is untouchable. R.I.P. Tony.
As generous in his verbal presentation as he was in his music.All of us--drummers and listeners--will be eternally grateful!!
"These are my drums...all the way from my basement" immortal line.
There's an interview with Mike Clark and he talks about playing Tony's kit in his basement. That had to be surreal.
@@lucianlarghi5402 Yeah:"dont play like me...Play what you play!"
dudududum dudududum blablablamm-blablamm dururudururudururudururu
Just got inspired again at 55 years old.hell I just may take drum lessons again.i gotta keep it moving.
Awesome! He was like the 'rock' guy of the Jazz world, absolutely groundbreaking!
no no no. nothing about "rock" or "jazz" drumming, he's playing rhythm, he's translating something. genre aint go nothing to do with it.
My personal list of the greatest drummers of all time constantly changes, but Tony Williams, Vinnie Colaiuta, Billy Cobham, Dennis Chambers, and Omar Hakim are among the few who are always at the top.
I completely agree with you (adding Dave Weckl to that list). Since I was in 7th grade (1982) I was a huge Rush fan. Naturally, I saw Neil Peart as a God. In my late teens/early 20s I began to learn about the drummers like Weckl,Chambers, Hakim, etc... I became less impressed with Neil Peart from a technical standpoint. Is that unfair? I still think he is a great player, just not in the way I see the legendary sessions cats... thanks in advance for your opinion.
You are spitting straight facts my friend. Straight facts. And yes I realize I’m three years late, hope you are well
@@trevormcmanis I would say from a compositional standpoint then Neil towers over the rest of them. But I agree he is not as technically proficient as the others. He said a lot with a smaller vocabulary.
@@Cpt_Guirk You are absolutely correct. Thank you for sharing your comment. After I reread my original comment, I realized I failed to mention that Neil is a primary reason I became a drummer. To be honest, he had more technical ability than I gave him credit for. I still can’t believe he is no longer with us. Neil was an amazing person. 🙏
San Anselmo in beautiful Moron County. I spent my childhood there so I can empathize with Tony on that one. He's buried in Colma ,San Francisco. He was a innovator for sure, and he is surely missed!
Man!!! This is priceless!!! What a treat! T. W. up close and personal!!
Thanks for the post!!
I like how his solo was one complete thought, Incredible
Every time I hear a drum kit with Remo C.S. Black Dot heads it reminds me of the 1970's and the Tony Williams sound!!! This was during my teenage years and as a matter of fact, my first professional drum kit came with Remo Black Dots back in 1977!!!
Today so many techniques on drums rely on bounce, push-pull,free stroke, Moller etc...and so many things that Mr. Williams played were controlled bounces :)...he still is the one and only to inspire me to carry 3 floor toms on a gig..
thank you for posting these fantastic videos!!!!! :))))
Look at that smile on Tony,starting from 20:02. Priceless :) Heart of gold
I can listen to him all day. And his drumming too!
A force of nature....the eye of the hurricane.... a towering and singular figure in the history of the drums. God rest his gifted soul....he is missed more than words can say. Yes, clearly one of Bozzio's primary influences, and when I first heard Terry I thought "This sounds like Tony Williams smoothed out and run through a computer."
great analogy!!!!!
Brutal sound, absolutely love those clear dots on those drums. Powerful sound but still so melodic, the fundamental comes through more than w coated heads.
+A UserName The dot heads do sound great when they are tuned well. Sometimes I like using them, sometimes I don't. It does depend on how they are tuned. The dot heads do have a clearer "attack" or "stick" sound to them, if that's what you want. Not as many guys use them these days, but don't always go by normal convention. I think they are cool if tuned right. I also think they are better with the more traditional sized drums. 8x12, 9x13, 10x14, etc.
I like how he says that he doesn’t tune his drums to a specific sound but when he played them it appears to be F#, B, C#, D#, E and finally a high F# om the snare. So basically the first 5 notes of a B major scale! I bet it happened subconsiously!
His flow and groove is just so good. Like a great sportsman, you can watch them without sound and still be entertained. The marvelous movement and technique!
I don't even play the drums and he's still my favorite musician!
Mr. Tony Williams - you live on forever in each of us who have the passion and soul of a drummer. Thank you for your years of depth. For the beat of your soul lives on! David Curtis
Perfect traditional grip playing.....love tony...
This is master class with valuable information. I've learned things. A great day!
Awesome post. Thanks. I’m “just a singer,” and have just been blessed by listening to and observing Master TW. ✨⭐️✨
Thanks for uploading this.
Sydney,Australia
August 2015
12:30 brushes on a CS Black dot ! love it.
Man thanks for posting these Tony "lessons", fantastic posting.
Interesting tonality on his toms, different way to tune than many drummers would use.
That just broke me. Amazing.
incredibly musical. what a force. this totally made my week
fantastic musicianship. there's only one Tony Williams
A great drummer and a great man!!!
he give all life to drums ,the result must be more then amazing...he is leader ,we are folowers..
how hard could have been to have a mic in the audience and pass it along to the next one , poor guy having a hard time to get the questions,, and that light .. gee... having said that it,s a blessing to have a hands on such priceless video,, mat rest in peace mr williams..
The master at work
These are great clips tedsirota!! Thank you. But I find it so odd that Tony Williams is onstage and answering these questions. He's TONY WILLIAMS!!! He ain't got to answer to nobody!!!
Great solo at the end.
I have a lot of respect - admiration - for a lot of drummers, but, simply,TW was, and will always be - the best Jazz drummer the world will ever hear! Out to Lunch; Nefertiti; Believe it! And his comments were great! Playing for the people - this man was not an egotist! And in the end he played a bit of ride cymbal - absolutely glorious!
thank you for these videos on TW, much appreciated.
i love this so much
Fabuleux musicien que Tony Williams ....Il figure en tête des meilleurs batteurs de tous les temps....
Independence off the charts. He makes the set talk. One thing though, apparently the sound engineer did not know how to control Tonys ride cymbal because it was WAAAY to loud in the mix. I would love to hear and see a better mix of this day. But anyway I'll take whatever there is. Thx for putting this up.
The ride cymbal is the most important aspect of a jazz drummer's sound. It sounds perfectly balanced in my home theater setup but I'm listening on a high end audio setup so it might be that your setup is too bright sounding.
@@AlvesterGarnett Agreed
It was also a video tape recording, and this is CZcams.
Nitpicking
Nitpicking
Man that ride cymbal got hell of a wash!!! Beautiful!
... Tony was truly one of a kind - period !!!
Could someone else notice that something seems to happen to the bass drum at the end of the last performance? he seems to stare at someone and point at the bass drum like saying something, and then he smiles...and finishes his solo playing toms and cymbals only 19:57 to the end .... TONY is so unique and GREAT .
It's true but watch part 1 where he doesn't introduce the kick until later on..
Yes I noticed that also. The pedal malfunctioned and Tony just kept moving.
Love this guy.
It’s like, how bout I bust fast single stroke rolls up and down the toms and have it sound cooler than anyone, like you’ve never even heard it before?
"Classic, Iconic, Great, Fabulous".................very missed!
Tony, nobody would ever know if your drums were or weren't out of tune because your playing is in the highest of harmony.
of all the drumming giants who have passed,I miss Tony the most.
I cried for three days, man.
The man at the very end said Simon Phillips was up next...Simon s a great drummer and i bet he gave a great clinic, but to follow Tony....man, that's rough...
You can really see the influence he had on Terry Bozzio. Great Stuff!
A true musician's musician.
We miss you Tony.
I like how he knew that he wasn't going to use that drum so he left his towel on it.
this guy is the all around real deal
Those drums sound like they would be the same as playing on table tops!..Tight! with a lot of rebound!!
GW Edwards Not necessarily true. When the toms are tuned higher, playing rimshots on them gives the loudest possible sound for a tom.
They sound insanely tight! I wonder if he had his batters tighter or resonants?
like a train with a machine gun !amazing pure TONY
This man sang with the drums.
12:36 !!! WOW,
Unique Brush Technique !!!
WOW!!!!!
He died much too young and is sorely missed. A sheer genius
Tony would have kicked The Jimi Hendrix Experience into Overdrive.
I agree with you on that!!!
I haven't played for yonks, but I used to tilt the top of the drum toward me.
Good LORD ...I'm surprised those drums didn't catch fire in those first 2 minutes... o_O ...
God, he kills me.
Rock meets jazz
Wow!
존경하고 사랑합니다
Does anyone knows who has these cymbals, I know its tony's unique sound but who on earth has them now?, they sound so good as tony sees individualy, HIHAT OMG, amazing, Tony you are the best !!!
I want a Ride cymbal that sounds like that! Does anyone know the exact type of K he used?
Totally hear Max in this.
That brush playing at 12:36 is ridiculously groovy
Min Marker5:14'ish - though I couldnt hear the question, and perhaps I am projecting based on what Tony's answer was. I love how he stated, "one you make a record, its commercial." I always wonder why people criticize musicians for being commercial. Musicians gotta eat too...
Starting at 2:00 - awe inspiring phrasing there
I noticed his bass beater to head position defies Dave Weckle's advice in Back To Basics.
"where the drums end up sounding like a series of cardboard boxes, which is ok, but uh, these are not those kind of drums"
I believe they were 8x13, 9x14, 14x14, 16x16, 16x18, 14x24, 6.5x14
I'd rather witness great drumming on old damaged video tape than shallow drumming on pristine 1080p.
It may just be me, but his mounted toms seem huge. Pretty awesome though.
BPM 260
I didn't. But hey. Which one worked for you? Tried them both?
you got it ......
Sax players love this wall of sound.........
Check out the angle on his Tom's. He can't miss.
Which model Gretsch..?
I've posted a new video which focuses on Tony's brush playing at 12:37 here and a transcription of the first 12 bars appears on page 56 of my drum book. It's amazing how much Tony continues to inspire us.
A good copy of this must exist. Where is the master tape? This performance is phenomenal.
Charles Beauregard - About 11 years ago I bought 3 Tony Williams DVD's on eBay. One of them was this 1985 Zildjian Day Clinic. Needless to say the seller pushed bootleg copies off on me. However, it came with the copied cover artwork and even the DVD was printed from the original artwork!! Anyway, after looking at them, they appear to be from "Tutu Records". You can research it from there.
Hi, do you have clips of the other drummers (tommy, vinnie, simon, kenwood, louis and roli)?
can somebody tell me the configurations of tonys classic kit?
i am thinking 9x13-10x14 14x14 floor 16x16 floor 16 or 18x18 floor bass drum 16x24
thank you
I hear no definition out of the ride. Just a roar. Great drummer.
Vinnie in cuddle mode.
Jojo mayer’s voice or what?