Nasalization, vowel modification, falsettone // Q&A # 4

#nasality #falsettone #palate #vocal #singinpills #vocalcoach
I answer some questions that have been asked to me in the comments.
1) The first concerns an observation relating to the height of the soft palate in modern singing. In fact, compared to opera singing, the soft palate in modern genres should not be kept too high, because this creates an excessive verticalization that does not allow to obtain some typical sounds of pop music. Much more useful than the yawn therefore becomes the internal smile, which allows us to create the right space, but without exaggerating. Furthermore, it is also very useful to nasalize, to obtain some very interesting balances and stylistic effects.
2) Secondly, I was asked for a clarification regarding the modification of the vowels, which I talked about in another video. In this video I actually simplified the explanation a bit, because in reality the modification of the vowels depends very much on the style in which we want to sing. Here are some examples to clarify this concept. The best thing is, as always, to be followed by a vocal coach who will guide you according to your voice and the style in which you want to sing.
3) Finally, I answer a question about falsettone, which was asked to me in relation to my reactions to Dimash, a phenomenal singer who sings as a sopranist. The soprano is a male voice that manages to perfectly imitate the sound of a lyric soprano (the soprano is a female classification of the voice). With our eyes closed we should not be able to distinguish the soprano from the soprano, if the latter is very good. The falsettone technique consists in creating resonance space to create harmonics with the mouth and make the sound more voluminous, even if it is always a head sound (in mechanism 2). I will give you some examples in the video to make you understand what I mean, even if it is a technique that I have never studied in depth and therefore I recommend you go and hear the real sopranists!
Chapters:
0:00 Introduction
0:05 Question 1: yawn vs internal smile
1:15 Usefulness of nasalization
2:07 Examples (nasality)
4:01 Soft palate and mixed voice
4:37 Question 2: Change the vowels
4:58 Vowels and style
7:00 Vowels "i" and "u"
7:43 Vowel "e"
8:28 Question 3: falsettone
9:46 Examples (falsettone)
10:32 Thanks and initials
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[@Aspassoconildrone2109]

Ciao Giacomo ti seguo da poco, ma trovo i tuoi concetti interessanti è fluidi, grazie!

[@GiacomoRossiVocalCoach]

Grazie mille!! 💚

[@luisasalerni8867]

Preciso, esauriente, chiaro e garbato. Come sempre👏🌸

[@GiacomoRossiVocalCoach]

Grazie mille Luisa, è sempre un piacere leggere i tuoi commenti 🙏

[@luisasalerni8867]

@@GiacomoRossiVocalCoach ☺️🌺

[@chiararaimondi4425]

Ciao Giacomo! I tuoi video tutorial sono sempre molto interessanti. Non essere troppo modesto con te stesso! Credo tu sia un ottimo insegnante oltre ad avere notevoli doti canore!😉🙌

[@GiacomoRossiVocalCoach]

Ti ringrazio molto!! Non ce la faccio a non essere modesto, in un mare di insegnanti e cantanti so che ce ne sono molti più bravi e preparati di me :) io cerco semplicemente di fare del mio meglio con le capacità e le competenze che ho!

[@chiararaimondi4425]

Ti stimo anche per questo!🙌🙌🙌

[@13esimotenore]

Sto cercando info sul falsettone lirico, lei saprebbe linkarmi qualche video a riguardo?

[@GiacomoRossiVocalCoach]

Grazie del commento! Purtroppo non la so aiutare, ho sempre sentito (rari) esempi legati al falsettone nei corsi di formazione che ho seguito personalmente.. ma non ho mai trovato video in rete con esempi, soltanto alcuni articoli

[@diamondbarnes469]

Il falsettone è molto utilizzato nella musica Rock-metal. Per la precisione stop closure falsetto. È ciò che tu chiami erroneamente M2 in voce piena! Il falsettone di stampo lirico richiede molta+ tecnica