One thing I love about Luke is how humble and willing he is to name his other collaborators. Mentioning Billboard’s help building the dubstep piece in Hold Against me, giving props to his mixing engineer. When I heard his ABC interview and he was playing songs and even here for Till The World Ends, he’s right, they sound very different to the final mix but he knows the importance of a good mixing engineer bringing it all together.
Watching this for the hundredth time and one thing that strikes me: This session is obviously the pre-mix production session and it already sounds amazing and well mixed before going to world-class mixer Serban Ghenea. Total pros.
Always the same with the questions in these events, audiences are tourists it's crazy just like the questions in the Pensado's Place ! One or two guys saved the situation tho !!
I kinda prefer that though. Having your own custom sounds, not using the same selection everyone is. I guess that's why producers like luke, benny and max still stand out sonically.
@@alemobra5747 back in the days, top producers were exchanging CD samples they were collecting from all kind of sources ... Also before 2010 Vengeance Samples were big. You had to have the Hit Kit Collection aswell ... Good days !
I guess they are just like computer assistants. That complete simple tasks the producer can't be bothered to do themselves lol. Like press record or set up a mic stand
@@brueck4 it is in this setting. Luke is deciding mics, tracking the vocals, organising takes and putting together the rough vocal chain. There is no need for anyone else. Nowadays the producer does most of that stuff. It's not like you need someone to mic a drum kit anymore or deal with analog gear.
@@bw2937engineers are educated on how to make sounds and instruments sound a certain way or sit in a certain “pocket” think about if you were in a room with a band and they all started playing at the same time, a engineer makes sure you can hear the drums in the most appropriate or creative way possible trust me bro tweaking that eq is a lot harder than it looks. but like he said a lot of the jobs are interchangeable and a lot of this looks a lot beefier than it really is at the end of the day they’re all just creatives using whatever skills they have to make the project as close to perfect as it can be.
Since 2016 when the actual president enter to the white house, the music was change and no one can change this horrible beat in all the song nowdays, the beat of the trap 😝
Teenage Dream “Impossible to sing live...” ummm sir you mean impossible for *KATY* to sing live lol get Kelly Clarkson on there she’ll demonstrate for you
Am I the only one who have impression that he didn't do any of that stuff and take ALL the credits and when he needs to explain anything he looking for help with kis "collaborators" ???
idk if we watched the same video, he’s constantly prompting emile (hope i’m writing his name right) and emily to speak, because they partook in the process. not because he feels like he has to lol, he seems like a nice guy to me, who wants people to speak up, otherwise it feels like he’s taking all the credit.
I doubt this guy even produced anything on his tracks. He is only name other people do the work. I mean he doesn't even know what is where in his tracks not to mention his lack of basic knowledge.
Nick chase lol it's easy to forget your track when there's like 170 tracks or elements going on per a song.. Producer will understand this kind of thing.coz it all happened to all of us
One thing I love about Luke is how humble and willing he is to name his other collaborators. Mentioning Billboard’s help building the dubstep piece in Hold Against me, giving props to his mixing engineer. When I heard his ABC interview and he was playing songs and even here for Till The World Ends, he’s right, they sound very different to the final mix but he knows the importance of a good mixing engineer bringing it all together.
Terrible human being though
Watching this for the hundredth time and one thing that strikes me:
This session is obviously the pre-mix production session and it already sounds amazing and well mixed before going to world-class mixer Serban Ghenea. Total pros.
these questions are so dumb, I wish the audience had smarter questions, so many of these answers are self explanatory
Always the same with the questions in these events, audiences are tourists it's crazy just like the questions in the Pensado's Place !
One or two guys saved the situation tho !!
inspiring
54:05 Damn these were the PRE SLICE / OLIVER Days ahah 😂
I kinda prefer that though. Having your own custom sounds, not using the same selection everyone is. I guess that's why producers like luke, benny and max still stand out sonically.
Even Luke uses the Oliver power tools samples
@@beng2984Luke doesn’t stand out tbh, he just steals from others. Max and benny in specific but plenty of bands and artists.
i wonder how they got/made these samples
@@alemobra5747 back in the days, top producers were exchanging CD samples they were collecting from all kind of sources ...
Also before 2010 Vengeance Samples were big.
You had to have the Hit Kit Collection aswell ...
Good days !
John Rhode was A camera. I was B camera. With swank av. Now owned by PSAV.
This is how the music industry looks behind closed doors
29:08 What's the Katy Perry reverb? Valhalla?
Till the world ends explicit version shown? 35:01
Genius
I just hope he used OTT and Sausage Fattner
...and then half-timed it using GrossBeat
@@bw2937 you're funny
@@bw2937 Well... That's a big fucking lie ahahaha
3 OTTs ON EVERYTHNG!
the ott jokes need to stop cuz that's why amateur mixes sound horrible
47:27 POLKA IS THE FUTURE
This aged well
So I'm still real confused what engineers do in the studio that's different from the producers.
I guess they are just like computer assistants. That complete simple tasks the producer can't be bothered to do themselves lol. Like press record or set up a mic stand
@@bw2937 this is not even 1% of what an engineer is.
@@brueck4 it is in this setting. Luke is deciding mics, tracking the vocals, organising takes and putting together the rough vocal chain. There is no need for anyone else. Nowadays the producer does most of that stuff. It's not like you need someone to mic a drum kit anymore or deal with analog gear.
@@bw2937engineers are educated on how to make sounds and instruments sound a certain way or sit in a certain “pocket” think about if you were in a room with a band and they all started playing at the same time, a engineer makes sure you can hear the drums in the most appropriate or creative way possible trust me bro tweaking that eq is a lot harder than it looks. but like he said a lot of the jobs are interchangeable and a lot of this looks a lot beefier than it really is at the end of the day they’re all just creatives using whatever skills they have to make the project as close to perfect as it can be.
kick miffery
Since 2016 when the actual president enter to the white house, the music was change and no one can change this horrible beat in all the song nowdays, the beat of the trap 😝
the worst thing about this is that people around him remain quiet.
Why are you even here?
@@TheBlashMusic lmao
Teenage Dream “Impossible to sing live...” ummm sir you mean impossible for *KATY* to sing live lol get Kelly Clarkson on there she’ll demonstrate for you
HAHAHAHA exactly
I mean what’s he gonna say?? “Yeah it’s so easy to sing anyone can, there’s nothing special about Katy”
@@Skkyyyyyyyyyyy maybe don’t use the word “impossible”, he could just say “difficult”
Yeah, I love Luke’s work but I hate Katy as an “artist”
Is it about breaths and line by line recordings rendering the full song impossible to sing in real time?
Yikes
Yikes? Dr Luke is a legend
@@TheBlashMusic lol Dr Luke stop kissing your own ass 🤣
What a douchebag
Dr. Luke is a r*pist and an abuser.@@TheBlashMusic
Am I the only one who have impression that he didn't do any of that stuff and take ALL the credits and when he needs to explain anything he looking for help with kis "collaborators" ???
idk if we watched the same video, he’s constantly prompting emile (hope i’m writing his name right) and emily to speak, because they partook in the process. not because he feels like he has to lol, he seems like a nice guy to me, who wants people to speak up, otherwise it feels like he’s taking all the credit.
I doubt this guy even produced anything on his tracks. He is only name other people do the work. I mean he doesn't even know what is where in his tracks not to mention his lack of basic knowledge.
Yess so treu..Maybe he just had the ideas and didn't do anything technical or music wise
here is a confirmation czcams.com/video/6Cd06blVfI0/video.html
@@dinfluence30 some sources of his ideas czcams.com/video/6Cd06blVfI0/video.html
Nick chase lol it's easy to forget your track when there's like 170 tracks or elements going on per a song..
Producer will understand this kind of thing.coz it all happened to all of us
What a trash comment lol. Dr Luke is an incredible guitar player. He played on SNL for years. He knows his stuff