Amy Beach, Gaelic Symphony in E Minor (full)

(English)
Eureka Ensemble performs Amy Beach's Symphony in E-minor, Op.32 "Gaelic" (1894-96) at Church of the Covenant in Boston, MA as part of our "Sheltering Voices" concert.
Amy Beach (September 5, 1867 -- December 27, 1944) was an American composer and pianist. She was the first successful American female composer of large-scale art music.
Recorded live at Church of the Covenant (Boston, MA) May 12, 2018
Eureka Ensemble, conducted by Kristo Kondakçi
Audio Engineers: James Donahue, Joel Watts
Video Director/Editor: Brandon Johnson
Want to support our work? Donate at eurekaensemble.org/give
Special thanks to the Women's Philharmonic Advocacy and Liane Curtis for making this performance possible.
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(Español)
Eureka Ensemble presenta la Sinfonía en mi menor, Op. 32 "Gaélica" (1894-96) de Amy Beach en Church of the Covenant (Iglesia del Pacto) en Boston, Massachusetts, parte de nuestro concierto "Sheltering Voices" ("Albergando Voces").
Amy Beach (5 de septiembre 1867 -- 27 de diciembre 1944) fue una compositora y pianista estadounidense. Fue la primera mujer estadounidense que logró tener carrera componiendo música de arte a gran escala.
Grabado en vivo en Church of the Covenant (Iglesia del Pacto) en Boston, MA, 12 de mayo 2018
Eureka Ensemble, dirigido por Kristo Kondakçi
Ingenieros de audio: James Donahue, Joel Watts
Videografía/Montaje: Brandon Johnson
¿Quiere apoyarnos? Puede donar en eurekaensemble.org/dona
Un agradecimiento especial a Women's Philharmonic Advocacy (Abogacía Filarmónica de Mujeres) y Liane Curtis por hacer posible esta presentación.

[@theyoutubetroll6679]

This symphony deserves more performances!

[@albaniauser312]

Great performance

[@briancrowle6290]

Thank you so much for this video. Amy Beach had a wonderful gift for melody and harmony, fully brought out in this symphony, and beautifully played here. It's so rewarding to listen to, and watch, such talented musicians at work. Bravo!

[@sydneyguillaume]

Fantastic performance! I really enjoyed watching it.

[@handledav]

beach

[@jamesobasiolu217]

38:02

[@jgesselberty]

Pleasant enough to listen to, and worth performing, but very derivative and without a personal voice.

[@danielmkubacki]

Why be so negative. You could have left it at "Pleasant enough to listen to, and worth performing."

[@jamesdownard1510]

One wonders had Beach been exposed more to musical currents beyond the conservative McDowell set, how far might she have expanded (this was written around the same time as Mahler's 2nd symphony and Nielsen's 1st Sym, and at the same time Ives is starting to burn conservative music to the ground). But then I think even if she been temperamentally drawn to more rule breaking, being a woman at the time had she trotted out something as pushy as a Nielsen, might not the establishment thrown their hands up and dismiss it as mere feminine excess.

[@claire-yn2bj]

38:03