How to make a TV WINDOW look REAL
Vložit
- čas přidán 30. 05. 2024
- ⬇⬇Gear In This Video⬇⬇
⚡Aputure 600d → geni.us/fDtsVdx
⚡Aputure 600x → geni.us/MIbKjm
💡Amaran T4c Tube Light → geni.us/npWB74
💡Amaran F22C → geni.us/IH7svIA
📺75” Onn TV →geni.us/b8R2
🦽TV Stand → geni.us/yThCL
🎛️TV Wall Controller →geni.us/PyHb1Bf
💡Aperture B7C Light Bulb → geni.us/o8Sg0w6batE
🔦Aputure Spotlight Mount Set with 26° Lens → geni.us/TFMm
🏮Aputure Light Dome 150 →geni.us/4fIRM
🧱Brick Backdrop → geni.us/80uS5b
🖥️Editing - DaVinci Resolve Studio with Speed Editor →geni.us/ZCEL1G
🎥Canon C500 MKII →geni.us/o7l8SA
Whatever you do…
---DON’T BUY---
🧳Awesome Camera Bag -Portabrace Case → geni.us/ogui
🎥Our A Camera - Canon C500 MKII →geni.us/o7l8SA
📹Our B Camera - Canon C70 →geni.us/B3YC6
📸Photo Camera - Canon EOS R → geni.us/3ILjqk
🎥Ursa Mini Pro G2 →geni.us/gaj6
🎥Ursa Mini Pro 12k → geni.us/12keyeball
📹Pocket 6k Pro → geni.us/6JKK2m
---DON’T FOCUS ON THESE LENSES---
📷Sigma EF 18-35 T2 Cine → geni.us/fAm3t
📷Sigma EF 50-100 T2 Cine → geni.us/fAm3t
📷Tamron EF 15-30mm ƒ2.8 → geni.us/jBXEzl
📷Canon EF 24-70mm ƒ2.8 → geni.us/jlQdsrg
📷Canon EF 70-200mm ƒ2.8 → geni.us/IJw21zZ
---EPIC LIGHTS AND MODIFIERS---
⚡Aputure 1200d → geni.us/zI4bJsl
⚡Aputure 600d → geni.us/fDtsVdx
⚡Aputure 600x → geni.us/MIbKjm
⚡Aputure 600c → geni.us/pjkvW5
⚡Aputure 300d ii → geni.us/HBuZz
⚡Aputure 300x → geni.us/bsEMm4
⚡Aputure MC → geni.us/fDmnzN
⚡Aputure Nova P300c →geni.us/ZqLbe
⚡Aputure Nova P600c → geni.us/Dzi8D
💡Amaran T4c Tube Light → geni.us/npWB74
💡Amaran F22C → geni.us/IH7svIA
💡Amaran 200D →geni.us/E8nJ
🔦Aputure Spotlight Mount Set with 26° Lens → geni.us/TFMm
🏮Aputure Spotlight → geni.us/bLa9
🏮Aputure Light Dome II → geni.us/hqJVHr
🏮Aputure Light Box 30120 → geni.us/X2Fp
🏮Aputure F10 Fresnel → geni.us/umYPAAd
🏳️Magic Cloth → geni.us/q56Im0
🏳️Matthews Silk 4x4 → geni.us/xFBI
🏴Westcott 4x8' Floppy Cutter Fabric → geni.us/fOcci7
🏳️Ultra Bounce → geni.us/luj9vRC
🏳️Unbleached Muslin Diffusion Fabric (20 x 20') → geni.us/AzsKb
🔺Matthews Black Combo Stand → bhpho.to/3kMRsQi
🔺Mathews Black C- Stand → geni.us/s2NGDV
🧱Brick Backdrop → geni.us/80uS5b
---DON’T GET CAMERA SUPPORT---
🔺Tripod - Sachtler aktiv10 flowtech →geni.us/AW0UBaB
🦿Monopod - Sirui Aluminum 4 Section Monopod with Feet → geni.us/vm37h9
🫥Monopod Head - Manfrotto MVH500AH → geni.us/C18YT8
🔺Gimbal - DJI RS 3 Pro → geni.us/Ab0c
🏋️Easy Rig Mini Max → geni.us/prfV
🚁Our Big Drone - DJI Mavic 3 → geni.us/278VG
🎤Perfect Mic - Sennheiser MKH50 → geni.us/H8VhK
🎤Boom Mic for Outside - Sennheiser MKH416 B&H geni.us/3Qi66
🎙️DJI Wireless Mic → geni.us/6tSZk
🎤Sanken COS-11D Mic → geni.us/kdw66
🎧Best Headphones - ATH M50X → geni.us/5RQdqwj
🎙️On Camera Mic - Sennheiser MKE440 → geni.us/gKut
🗃️Wooden Camera Lightweight Zip Box → geni.us/miPD
---DON'T USE---
🖥️Editing - DaVinci Resolve Studio with Speed Editor → B&H bhpho.to/3DgDFI1
🎨Color Grade - DaVinci Resolve Mini Panel → B&H bhpho.to/3j8d8pw
🔕Sounds - iZotope RX 10 → B&H bhpho.to/3H9teHd
---DON’T SUBSCRIBE or FOLLOW---
Website - epiclightmedia.com/
Insta - / epiclightmedia
Facebook - / epiclightmedia
Twitter - epiclightmedia?la...
TikTok - / epiclightmedia
PS: Some of the links in this description are affiliate links (actually most of them are) and we get a small kick back for them… so don’t use these links. Thanks!
00:00 Intro
01:30 The Build
04:14 How we lit the window
07:10 Camera Setup
08:11 Change it up
10:53 Unsubscribe
This was beautifully shot. Well done as always. Love how much information you guys share. I hope you don't keep growing and nobody subscribes.
I expected this to be a collab with Potato!
lol same
Waiting for that to happen soon
I agree lol 😝
the way the brick backdrop shot cleverly blended with the screen was very convincing. looked like you were in a large space
it blended so well, might have well just used 2 backdrops. instead of this whole rigamaroll. using video on the tv will set it apart, not this.
Great work! If you blurred the image on the screens a little you would create a depth blur separation between the view and the window frame making it more realistic. I'd also up the exposure for the screens a little on the daytime shots and also the Amaran T4c a bit brighter. Just my opinion, it's an awesome job!
The fact that the curtain in the room and the buildings "outside the window" have the same degree of out-of-focus blur could be a give away. I would consider blurring the image from the TV's a little to add blur to the "outside the window buildings" as opposed to the elements inside the room which is supposed to be much closer and a little more in focus.
Love the lighting breakdown. The use of TV's as "windows" is great, nothing like the ability to quickly change the background and not have to deal with lighting changes as the day progresses.
It’s true the consistency is nice
One big advantage that I notice here is that you would not need nearly as powerful of lights to pull this off because you wouldn’t have to battle the brightness of the exterior. Like the video mentioned, you only had to have that 600 D at 2.3% and you could 100% pull this off with a key light 1/4 the size and power.
I didn't need to watch this video, but this was cool, so I stayed the whole way through. I liked the night time setup and the first daytime.
What an absolutely fantastic setup! Each shot looks beautiful! I've seen a lot of the other videos you guys mentioned and this one looks the best for sure! Keep up the great work!!
Whiskey - Tango - Foxtrot?! 😱
This is mind-blowing!
I love the 2nd setup, you nailed the perspective. The brick wall very convincingly continues past the "window"
The Night scene was my fav. It would be cool to play with parallax in the tvs more for things like the slider shot, animated it to move counter to the slide and have it play back from resolve as youve set it up... a poor man's "void" Unreal engine setup... ha.
Very cool. My favorite was the last one with the brick backdrop. Day or night works.
I really love the night scene, it feels super cozy and has a great color contrast!
Only the day scene feels a bit off.
I think it‘s because the „window“ is not emitting enough light for an actual daylight setting.
The balance in the dynamic range of the shot feels not quite right. Especially with those dark shadows on the wall. Without the bounce-lighting a window of that size would allow, it looks more like a light box, than an actual window.
Furthermore, it’s pretty obvious the person is being lit 100% by big lights positioned around the person, like a studio, and 0% by the window. It seems like you might as well use green screen or something. It just looks like a fake Zoom background.
Amazing job on this! Loved seeing the different setups
Awesome video guys!! So cool and helpful, thank you. The final shots looked great!
That night filming is the best
That "don´t subscribe" intro made me instantly subscribe
Love the night cityscape setup 🔥
Looks great! I like that the window trim is attached with Velcro; allows for easy swapping between different colours and materials. The window sill box could be a handy storage space for the different trims, curtains, and dressings.
Just use a green screen. Much cheaper.😂
Awesome setup! Potato Jet's video already made me want to try this, but the glass conference room thing look... wow. That's just icing on the cake!
Congrats on home grown 200k subs :p
The night shoot looks lit!
Looks really good! Love the breakdown 👏
Man, this was great to see, and a great video. We've already been planning on getting a 75" LED TV for product photography backgrounds, but this is another use I hadn't thought of. Your setups looked really clean, motivated and flattering. Interesting thing about keeping bounces white and negative fill black, to clean up ambient color influence from the room... I've been working on doing the opposite lately.
Greig Fraser has talked a lot about using bounces that match /the environmental tones of the sets/ in movies like Dune and The Batman, to keep thinks feeling natural. I rewatched The Batman, and I realized you rarely ever see a clean & neutral skin tone throughout the entire movie. There's usually some color influence from the environment.
I've been doing some of my own tests, and found that you can indeed create beautiful, naturalistic results from intentionally bouncing light with tonal influence from the environment. It gives the frame a certain unified aesthetic quality, without the use of a stylistic color grade. Very eye opening. He also seems to like lighting/exposing things with very realistic looking brightness & contrast ratios, enough that you could almost believe he's shooting in available light. Or almost like you, the viewer, are actually there with the characters.
The scenes don't look very "lit", and the lighting is rarely "ideal", but it all seems to generate a very authentic feeling image... and ultimately everything still has careful intention behind it. I really admire it. But you guys' setups here really reminded me of the value in keeping everything clean and sort of "ideal" for totally different look. What Greig does is very different from how you'd light an interview, TV commercial, or piece of stock footage... or even a different sort of movie. Lighting is so particular, and yet has so much wiggle room, depending on what you're actually trying to do. It's fascinating to me.
Thanks for the vid. Just a quick note that when shooting through real windows, there is usually a noticeable green tint (you can see the difference between the TV window and the real window at the 7:54 mark). Anyway, thanks again for the vid.
Super versatile setup! I like them all.
Excellent video. The three setups are pretty convincing, but my preference goes to the night setting. I like the use of the practical, and the negative fill does a great job.
Fascinating. I love anything that goes behind the scenes.
This was awesome! Great use of space! The nightime city with the brick wall was my favourite but the first window light set up probably has more marketability for corporate clients. It still seemed a bit artificial to me at first glance and not sure if it was the color tone of the image or the lesser brightness of the sky, but still looked amazing with the motivated lighting you added. Thanks again, this was awesome!
For me, the lighting seems fine, although for the daytime shots I would expose so the "sky" is slightly brighter like you're saying as well.
I think the main psychological disconnect for me comes from the background blur, it doesn't match with how far the actual background would be. A non-technical person may not be able to pinpoint this, but I think they would "feel" something is off. The window trim is as blurry as the background itself, and also the image on the left is more blurred than the closer one on the right, which wouldn't be the case with real distances. I'm not sure if it is possible to emulate this difference in lens blur by manipulating the background image in some way.
The nighttime shot looks best to me as well, although it breaks down quickly as soon as they introduce camera movement like they show at the end, the backgound needs a very subtle parallax movement as well (no perspective shift is needed, just a slight crop on the image and then animate to move in the same direction as the camera move so the image "sticks at infinity" instead of moving along with the real background which is only a couple feet away.
All in all this method shows great possibilities, and I think for many corporate projects these results would be sufficiently convincing. I'd love to build a similar setup at some point to do more experimentation with the background blur.
I love this channel. You guys have helped me tremendously on quite a few things in the 10 videos I’ve watched. Love the one of bouncing light from outside with the Home Depot rig🙌🏼
Very good job. The day we have displays that change with the angle of vision we will enjoy virtual windows showing the part of the world we choose. Imagine a live (or recorded) view of Central Park. That display would be a kind of light field display, similar to the failed Lytro light field camera.
The night setup is awsome! Very realistic and cinematic.
Hey thanks!!
I like all the DIY on this show. It makes me wish to own a white van. Thanks for more tips and ideas.
I've considered getting a vinyl brick wall backdrop, and seeing it work well here was encouraging.
Great lighting on the brick wall shots !!! Very impressive..
nice setup with good detail.
Looks great!
The night time scene looked dope
Very informative. Great tutorial for lighting production in a short segment without talking down to your audience. I learned a lot, thank you.
Absolutely incredible! Always blown away by your knowledge and the videos you put out! Thank you!
@EpicLightMedia I made the same setup with an Ultra Short Throw projector would love you guys to see it 😉
if i ever have a studio space for client shoot i'll totally invest in this setup, it's so expandable and so much control of the environment
Brilliant! Excellent tutorial
so informative and very appealing setup. Great for the introverts that want to travel and go out into the world without having to go out.....
First time watching and loved the video! Great idea and super inventive way of solving quick changes. Have you thought about experimenting with any parallax software to add even more realism to the outside space?
The night scene is absolutely so freaking cool. I'm buying all the stuff just so I can make cool videos
Great content man. Thanks !
That's freakin Smart. Def gonna steal this. Love the details about the whole lighting setup too. We have a big light/softbox we use too almost always at 1% for interviews :)
This is incredible. Expensive, but still saves a ton of money while remaining portable and simple. The only thing I can see as an issue is the lack of parallax with a moving camera (for the city background) but other than that it looks great. I think experimenting without the white trim on the tvs would look good too as black trim is probably more common. Great job ELM!
And that could be fixed with some Vive Mars type stuff. But for a city, it's maybe not that big a deal
Can you not do it with a cheap projector?
@@Alec15 not a "cheap" one. It'll be easy too dark. Already cheap TV is coming out a bit dark
@@Alec15 I thought of that too but it would probably get too washed out
@@mortalens and if you shoot wide open?
all are cool. especially the last one with the city look
Very cool and informative. Loved the looks...
Wow you guys nailed this!
Love the last one ✨✨
I've wanted to do this ever since I saw Potato jets video. He took it up a notch further and looks like he used DMX or some other app to quickly shift the fill light tones between scenes. Really convincing looking setups for not a lot of money. Well done.
Awesome work, tons of helpful insight 😊
Awesome stuff!
looks great! video for the background would probably even sell the effect more like slight movement in the palm trees
First saw this look on Potato Jets channel. Great breakdown here. Thanks for sharing
I cracked up at the "tech bro!" but definitely the night-time shot is my favorite! This could really benefit from the Roscoe Dash + DOT or another small eyelight, just to give his eyes life... that's the last little detail to make it perfect!
The night-time city scape is stunning..! Would never think this was not real.
Oh wow thanks!!!
cool explanation!
Seriously. Comedy was on point in this episeode 10:26 "It's my go to thing"-- Well done sir.
Great video! Was thinking about this afterwards; you could switch the white spacers/separators between the TVs with black, wood, etc. Also, you could have drill a hole in a set and add light sconces/fixtures - these could be off-the-shelf or 3D printed.
3D printing would allow you to scale and customize the fixture design (art deco, modern, etc.) and they could be painted - might need to block out the side of the fixture that faces the window/screen - otherwise it could cause some odd reflections. Little aspects would really add to the ambience.
It's pretty good.
I mean I'd go for the cheaper ''LED pannel disguised as a window' on the wall'' because of the price, but your work is convincing. Bravo.
What a cool project and implementation! I like it.
Nice idea. I love it
Thanks for sharing this, I am building a wall for use with a projector for more background options and seeing what you have done is going to help with that.
Nice, thanks for these tips. I like the brick wall and the night setup
Thanks!!
Looks great! The only thing I'd want to fix/add is a way to move the TV's to the other side a lot faster. There are many sit-down interviews where I would like the interviewee looking to the left of the camera instead of the right. Especially if I'm filming more than 1 person per project. Also a nit-pik but the blue "moonlight" needs to be toned down for saturation - I feel like the general consensus for moonlight is to blast the set with a very saturated blue light and in this case I think less is more.
Thank you very much. It's very informative yet fun to watch
This is awesome ELM
Nice! I once used a large tv as my background because I didn't have a green screen. Although all the shots were limited to close ups and extreme close ups haha.
Awesome video. Thank you
Loved this video guys!
Hey thanks so much!!
Just stumbled on this video. Loved it, cool dudes, great info.
They look amazing 😮
Love every look. I learn something new every time I come to your channel. Keep it up guys.
Thanks so much
A humble Arizona boy. Love it.
Not so humble but I am an Arizona boy it’s true!
This is absolutely incredible, you guys did a phenomenal job at building this. The first two scenes looked the best. IMO the last scene with the city in the background looked good but the choice of making the tube light blue in the background to mimic the city lights was too much and instead 10:48 ended up looking like there is a St. Pauli Girl neon beer sign hanging somewhere on another wall out of the shot.
Nice set up! thanks, I prefere the blue dark nite
I have learned so much with you guys. Best channel on CZcams to learn about lights.
Ahh so kind!
This is a cool build for something I will never need but definitely want 😆
The bike in the night shot was hilarious, as your backdrop was a high altitude window, great work though man
We don't really want to subscribe your channel,
but your content doesn't let that happen...😆 Love your work
A plugin may exist for this already, but if not, I think it would be great for these setups.. natural light coming from outside (like a window) is disturbed by thermal aberrations in the space between background, foreground, and viewpoint. Additionally, movement like cars and birds, clouds and dust, exist. Our eyes pick this up and our brain mostly filters it out. However, when it's not there (i.e. with a static image), our brains recognize something is off even if we don't fully realize we're looking at an out of focus static image.
The theoretical plugin would add in random noise and slight distortion to create a general sensation of movement across the scene. If a user of the plugin wanted more detail, they could draw a line over streets and the plugin could insert dummy cars driving by. One could enable things like birds and clouds in the sky, or bugs swarming closer to the viewpoint.
Of course stock footage exists which can achieve this, but there exist more stock images in the world than stock footage. I think such a plugin could make this idea of TV backgrounds much more believable and more appealing to clients.
I need to make my subjects look more "elite". Thanks for this video EL! Great Job!
Thanks for stopping by josh!
Back at it again with another killer vid
You’re too kind
love the last shot with the fake night. i do think the lack of parallax on the city window gives it away a bit but if you move less then it's less noticeable
All of these look pretty good!
The sky on the first one should probably be a little brighter. I'd consider moving the tube light a little farther back (closer to the TV). The shadow direction on the plants looks a little off r n.
Can't wait to see with some moving backgrounds!
How big is your room?
Very interesting setup which is versatile😍 when budget allows it will try it out🤩
I filmed a short film for my college intramurals where i put a 40 inch tv outside the house and place it on the window because im too lazy to track footage and key it out. we did similar with the edges through set design but not as yours. One thing i learned about that technique is to avoid close ups with wide focal lengths and deep aperture (like f5.6) where you can see the rgb pixels of the tv.
This is awesome. Let see if I can make it in my classroom! Thank you!
Just excellent. 👍
Incredible video.
Hey cool idea!
This video is simply invaluable, I've learnt a lot and sure I'll find some situations will this knowledge will be in use. Amazing work.
Awesome. I liked night time for sure
I think they all
Look great
Amazing!
I love it... BUT... i'd keyframe the Image sideways on the screens a little bit when moving the camera for a parallax effect. 💜