Premiere Vs. Resolve SHOWDOWN: Limiter

In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, we discover which NLE has the most useful and easy to use (and best sounding) Limiter audio plugin.
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[@robtrombino8943]

So, what I found odd about this is that you didn't lower the level on the channel itself before you applied the plugin. The track itself is what's causing the intial overload, so why wouldn't you address that first?
However, love your channel and (your presets which eveyone should purchase...) , and thanks!

[@cinema_sound5003]

There's no overload at 32-bit float for intra-channel overs. we only care about the output which is locked to 24 bit. We NEVER want to put limiters on individual channels unless you're looking for an effect. Still, I certainly suggest appropriate individual channel gain structure - but here it was just easier to drive the level from the channel for educaitonal purpose.

[@robtrombino8943]

@@cinema_sound5003 ... Ok, yes. Thanks.