Richard Tauber - Il mio tesoro (Covent Garden, 1947)

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  • čas přidán 22. 08. 2024
  • Richard Tauber (1891-1948) was a popular artist who enjoyed a 30+ year career that encompassed opera, operetta, concerts, films, radio, and conducting. Born Richard Denemy (NOT Ernst Seiffert, as has often been stated) in Linz, he was the son of theatrical performers who were married…just not to each other. The future tenor was raised in the theater until his mother’s financial circumstances became dire. She reached out to the boy’s father (who was unaware that he had a son), who granted financial assistance and eventually adopted young Tauber. When plans for the boy to study for the priesthood fell through, the elder Tauber responded by taking the youngster on the road with him. Young Tauber became obsessed with theater and music and spent most of his time at his father’s theater. He also became a fan of Heldentenor Heinrich Hensel and began dabbling in singing. Teachers dismissed him as having no future as a singer…although his insistence on singing Wagner for them may have influenced this assessment! Undaunted, Tauber enrolled in the Conservatory at Frankfurt, where he studied composition, piano and conducting.
    In 1911 Tauber’s father took him to Carl Beines, a leading voice teacher in Freiburg. Beines heard potential in the young man and advised him to abandon Wagner for Mozart and Lieder. After only a year of work, Beines helped Tauber to cultivate his voice into a polished instrument. The tenor’s first performance took place in May of 1912 in a Lieder recital in Freiburg. Meanwhile, Tauber’s father had been appointed director of the New State Theater in Chemnitz and, hearing his son’s progress, arranged for him to make his debut as Tamino in Die Zauberflöte on March 2, 1913. He had already signed a five year contract with Dresden Hofoper, where he sang over 50 diverse roles (he had already developed a reputation as a remarkably quick study), including Max in Der Freischütz, Nathaniel (and later the title role) in Les Contes d’Hoffmann, Don Ottavio in Don Giovanni, Bacchus in Ariadne auf Naxos and even Tonio in La Fille du Régiment. Tauber also made guest appearances in Zoppot, Berlin, Breslau, Lille and Riga. His Vienna Staatsoper debut was as Rodolfo in June of 1920. Two months later, his celebrated association with Franz Lehár began with an appearance as Jöszi in Zigeunerliebe at the same theater.
    During the 1920s, Tauber divided his time between Dresden, Berlin, Vienna, and Salzburg, eventually building a repertoire of over 100 roles. At the peak of his success, however, the tenor was struck down with rheumatic fever, which left him paralyzed. Although he regained his health, his joints were affected, leaving him with severe physical problems. Tauber learned to mask his mobility issues, as well as the debilitating effects of the illness on his voice. Now faced with a curtailed range, the tenor turned more to operetta and concerts, where he could choose his repertoire carefully. The need to sing top notes softly may have been a hindrance to any other tenor. To Tauber, it became a trademark.
    Tauber left Germany at the dawn of the Nazi regime, settling in London. He became more involved in radio and appeared in several popular films. His stage and concert career continued throughout the ‘30s and ‘40s, with appearances in Holland, Switzerland, Australia, South Africa, the U.S. and Canada. His Covent Garden debut occurred in 1938 as Tamino and his operetta, Old Chelsea, premiered in Birmingham in 1942. Sadly, a failed Broadway production of Land of Smiles left the tenor in debt and he was compelled to launch a U.S. concert tour to recoup his losses.
    By now Tauber was so crippled with arthritis that he could barely move on stage and he was plagued by a persistent cough which caused him to lose his voice at times. Still, his financial situation demanded that he continue working. On September 27, 1947, Tauber, now suffering from terminal cancer, was invited to appear in Vienna Staatsoper’s guest production of Don Giovanni at Covent Garden. This turned out to be Tauber’s final stage performance. A week later, the tenor was hospitalized, and a lung was removed. After brief struggle with his illness, Richard Tauber passed away on January 8, 1948. He was 56.
    Richard Tauber was, perhaps, an unlikely opera star. His voice, even in his prime, was problematic beyond a high A. Severe arthritis limited his stage movement and he was afflicted with a permanent squint in his right eye. Tauber, however, was able to overcome these challenges (even adopting a monocle to conceal the squint!) to become an elegant musical artist who epitomized old Vienna. His 730 recordings reveal an artist who never exceeds the limits of his instrument and sings with great sensitivity. Here, Tauber sings “Il mio tesoro” (“Grüsste die Heissgeliebten” in German) from Mozart’s Don Giovanni. This was recorded (sadly, the final phrases are missing) during Tauber’s final stage performance at London’s Covent Garden on September 27, 1947.

Komentáře • 11

  • @neugierigersucher9956
    @neugierigersucher9956 Před 5 měsíci +2

    It was Taubers last performance. He lived in London, the Vienna State Opera gave 4 guest performances at Covent Garden with Anton Dermota as Don Ottavio. Tauber knew the conductor Josef Krips from before the war, gave him a visit and asked if he could sing one of the performances. Both, Krips and Dermota, were surprised that Tauber was still alive. And so they let him do the performance. Tauber was very sick at that time, had had a lung operation before and gave the Ottavio of his life. Unbelievable!

  • @alfredbernasek6761
    @alfredbernasek6761 Před 3 lety +1

    EINE DER BESTEN AUFNAHMEN DIESER ARIE

  • @user-py1jg6bb2r
    @user-py1jg6bb2r Před 3 lety +1

    Unique timbre, very elegant delivery! Bravo,

  • @oliverdelica2289
    @oliverdelica2289 Před 3 lety +1

    Ohh do you have a recording of his La Fille du Regiment?

    • @deadtenorssociety2973
      @deadtenorssociety2973  Před 3 lety +2

      I don't believe that he ever made any recordings from that opera. If he DID, it would make for some fascinating listening!

    • @oliverdelica2289
      @oliverdelica2289 Před 3 lety

      @@deadtenorssociety2973 ohh definitely 🤩

  • @amantedellopera1681
    @amantedellopera1681 Před 3 lety +1

    Very good,but this belongs to john mc cormack,and luigi alva

    • @geoffreyriggs2397
      @geoffreyriggs2397 Před 2 lety

      That is true for this clip, when Tauber was no longer a well man. But Tauber is the equal of the finest to have recorded this music in his recording of twenty years earlier --
      czcams.com/video/ZU2w_gg_ffI/video.html

    • @donaldlevine1420
      @donaldlevine1420 Před rokem +2

      Sorry, but this is a 56 year old tenor near the end of his life, dying of cancer. Twenty years earlier he was one of the great Ottavios. All things considered, this is remarkable.

    • @gabrioxxx
      @gabrioxxx Před rokem +1

      @@donaldlevine1420 He died only months later. Tauber was a great tenor

  • @Kodaigon72
    @Kodaigon72 Před 3 lety

    Excuse me for asking this here, but do you still own a copy of czcams.com/video/mFX9XethRb8/video.html ?
    If you do still own it, was wondering if you could make a new copy of it; as youtube compression back then was unforgiving to audio quality. If you don’t own this record anymore, could you give me tips on where I might be able to find it even considering it’s rarity?