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Dead Tenors' Society
United States
Registrace 6. 02. 2014
Dead Tenors' Society is dedicated to the great tenors of the past. The familiar and not so familiar voices of a bygone era are showcased in rare recordings that will probably not be found elsewhere. If you are a fan of Caruso, Gigli, Björling, Martinelli, Tucker, Tagliavini, del Monaco, Dalmorès, McCormack and Melchior...or Carron, Giannini, Bloch, del Papa, Klementiev, Naval, Izquierdo, Hensel, LoMonaco and Mařák, then you'll enjoy Dead Tenors' Society.
Carlo Bergonzi - Recondita armonia (Staatsoper Wien, 1976)
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing on the job. At 16, he enrolled in the Arrigo Boito Conservatory in Parma, studying as a baritone. His studies were interrupted by the war and Bergonzi found himself in uniform, his opposition to the Nazis landing him in a German POW camp. After being liberated by the Red Army, the typhoid stricken, 80 pound Bergonzi spent a year recovering, resuming his studies at the Conservatory in 1946.
Sources disagree as to when Bergonzi made his operatic debut…Schaunard in a 1947 Catania La Bohème, Figaro in Barbiere di Siviglia in Varedo the same year and Figaro in Lecce in 1948. During the next few years, Bergonzi sang as a baritone, bouncing around the Italian provinces in such roles as Belcore in Elisir d’Amore, Sonora in Fanciulla del West, Marcello in La Bohème, Sharpless in Madama Butterfly and Enrico in Lucia di Lammermoor. He never felt completely comfortable, however, as a baritone, and began to consider a new path. Starting in 1950, Bergonzi essentially retrained his own voice, reemerging as a tenor the following year.
Bergonzi’s debut as a tenor occurred on January 18, 1951 at the Teatro Petruzzelli in Bari as Andrea Chénier. Reviews were glowing and the young tenor’s career took off quickly. He was invited to sing I Due Foscari in an RAI broadcast to commemorate the 50th anniversary of Verdi’s death and he became a fixture on Italian radio. Important debuts followed in Rome, Naples and Buenos Aires, with his La Scala debut in the title role in the world premiere of Jacopo Napoli’s Masaniello occurring on March 23, 1953. Turiddu served as the role for his U.S. debut in Chicago in 1955, and he took his first bow at the Met on November 13 of the following year as Radames. Over the course of 32 seasons, the tenor sang over 300 performances of 21 roles before taking his final bow as Edgardo on November 12, 1988. During those three decades, Bergonzi also graced the stages of Philadelphia, San Francisco, Mexico City, Caracas, London, Paris, Barcelona, Las Palmas, Lisbon, Monte Carlo, Verona, Turin, Bologna, Florence, Genoa, Munich, Vienna, Tokyo and other major opera centers.
It is a sad truth that Bergonzi remained before the public for far too long. Although his middle register never lost its bloom, the tenor began having difficulty with his top notes by the time he reached 50. He continued to appear, however, much to the delight of his fans. A LONG series of farewell recitals began in the 1990s and there was the ill advised attempt at one of the only major Verdi roles he had not yet sung, Otello. The tenor was well prepared for this Carnegie Hall performance in May 2000. As a member of that audience, I can attest to the fact that the old magic was still there at times. Bergonzi’s mid range sounded remarkably youthful, but in the end, the Moor was simply too much for the 76 year old tenor. Bergonzi bowed out after the 2nd act.
There were a few more recitals following the abortive Otello, but Bergonzi spent most of his time coaching young singers and holding court at his restaurant, I Due Foscari. Following a brief illness, Carlo Bergonzi passed away in Milan on July 25, 2014. He was 90.
During the post WWII era, a plethora of world class Italian tenors emerged from Italy, providing daunting competition for Carlo Bergonzi. His smooth, lirico-spinto instrument did not have the heroic ring of Corelli or del Monaco, nor did it have the caressing sweetness of di Stefano or Valletti. What Bergonzi did have was precise diction, nuanced phrasing and eloquent musicality. Even in his declining years, when the top notes were sometimes flat and strained, his years of experience and impeccable artistry made for absolutely breathtaking performances. Bergonzi’s repertoire of nearly 50 operas included Trovatore, Giovanna d’Arco, Luisa Miller, Attila, Forza del Destino, Simon Boccanegra, Ballo in Maschera, I Due Foscari, I Masnadieri, Il Corsaro, I Lombardi, Ernani, Oberto, Don Carlo, Tosca, La Bohème, Manon Lescaut, Edgar, Turandot, Il Tabarro, Pagliacci, Adriana Lecouvreur, Loreley, La Wally, La Gioconda, Mefistofele, Faust, Carmen, Werther, L’Elisir d’Amore, Norma, Jenůfa, Ifigenia, and Masaniello. His extensive catalogue of recordings, made for Decca, Philips, CBS, EMI, Sony and Orfeo, includes aria and song recitals, many complete operas and an array of live recordings. In this recording, Bergonzi (with Manfred Jungwirth as the Sacristan) sings “Recondita armonia” from Puccini’s Tosca. This was recorded live at Staatsoper Wien on December 20, 1976, with Horst Stein conducting.
Sources disagree as to when Bergonzi made his operatic debut…Schaunard in a 1947 Catania La Bohème, Figaro in Barbiere di Siviglia in Varedo the same year and Figaro in Lecce in 1948. During the next few years, Bergonzi sang as a baritone, bouncing around the Italian provinces in such roles as Belcore in Elisir d’Amore, Sonora in Fanciulla del West, Marcello in La Bohème, Sharpless in Madama Butterfly and Enrico in Lucia di Lammermoor. He never felt completely comfortable, however, as a baritone, and began to consider a new path. Starting in 1950, Bergonzi essentially retrained his own voice, reemerging as a tenor the following year.
Bergonzi’s debut as a tenor occurred on January 18, 1951 at the Teatro Petruzzelli in Bari as Andrea Chénier. Reviews were glowing and the young tenor’s career took off quickly. He was invited to sing I Due Foscari in an RAI broadcast to commemorate the 50th anniversary of Verdi’s death and he became a fixture on Italian radio. Important debuts followed in Rome, Naples and Buenos Aires, with his La Scala debut in the title role in the world premiere of Jacopo Napoli’s Masaniello occurring on March 23, 1953. Turiddu served as the role for his U.S. debut in Chicago in 1955, and he took his first bow at the Met on November 13 of the following year as Radames. Over the course of 32 seasons, the tenor sang over 300 performances of 21 roles before taking his final bow as Edgardo on November 12, 1988. During those three decades, Bergonzi also graced the stages of Philadelphia, San Francisco, Mexico City, Caracas, London, Paris, Barcelona, Las Palmas, Lisbon, Monte Carlo, Verona, Turin, Bologna, Florence, Genoa, Munich, Vienna, Tokyo and other major opera centers.
It is a sad truth that Bergonzi remained before the public for far too long. Although his middle register never lost its bloom, the tenor began having difficulty with his top notes by the time he reached 50. He continued to appear, however, much to the delight of his fans. A LONG series of farewell recitals began in the 1990s and there was the ill advised attempt at one of the only major Verdi roles he had not yet sung, Otello. The tenor was well prepared for this Carnegie Hall performance in May 2000. As a member of that audience, I can attest to the fact that the old magic was still there at times. Bergonzi’s mid range sounded remarkably youthful, but in the end, the Moor was simply too much for the 76 year old tenor. Bergonzi bowed out after the 2nd act.
There were a few more recitals following the abortive Otello, but Bergonzi spent most of his time coaching young singers and holding court at his restaurant, I Due Foscari. Following a brief illness, Carlo Bergonzi passed away in Milan on July 25, 2014. He was 90.
During the post WWII era, a plethora of world class Italian tenors emerged from Italy, providing daunting competition for Carlo Bergonzi. His smooth, lirico-spinto instrument did not have the heroic ring of Corelli or del Monaco, nor did it have the caressing sweetness of di Stefano or Valletti. What Bergonzi did have was precise diction, nuanced phrasing and eloquent musicality. Even in his declining years, when the top notes were sometimes flat and strained, his years of experience and impeccable artistry made for absolutely breathtaking performances. Bergonzi’s repertoire of nearly 50 operas included Trovatore, Giovanna d’Arco, Luisa Miller, Attila, Forza del Destino, Simon Boccanegra, Ballo in Maschera, I Due Foscari, I Masnadieri, Il Corsaro, I Lombardi, Ernani, Oberto, Don Carlo, Tosca, La Bohème, Manon Lescaut, Edgar, Turandot, Il Tabarro, Pagliacci, Adriana Lecouvreur, Loreley, La Wally, La Gioconda, Mefistofele, Faust, Carmen, Werther, L’Elisir d’Amore, Norma, Jenůfa, Ifigenia, and Masaniello. His extensive catalogue of recordings, made for Decca, Philips, CBS, EMI, Sony and Orfeo, includes aria and song recitals, many complete operas and an array of live recordings. In this recording, Bergonzi (with Manfred Jungwirth as the Sacristan) sings “Recondita armonia” from Puccini’s Tosca. This was recorded live at Staatsoper Wien on December 20, 1976, with Horst Stein conducting.
zhlédnutí: 306
Video
Carlo Bergonzi - Non piangere, Liù (Naples, 1976)
zhlédnutí 143Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing on the ...
Carlo Bergonzi & Montserrat Caballé - Tosca, Act I duet (Staatsoper Wien, 1976)
zhlédnutí 181Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing o...
Carlo Bergonzi - Ah, sì, ben mio (Lugano, 1981)
zhlédnutí 120Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing o...
Carlo Bergonzi - Ciel che feci: Ciel pietoso (Lugano, 1981)
zhlédnutí 126Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing o...
Carlo Bergonzi - Nessun dorma (Naples, 1976)
zhlédnutí 222Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing o...
Carlo Bergonzi - Dal più remoto esilio; Odio solo, ed odio atroce (Rome, 1980)
zhlédnutí 68Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing o...
Carlo Bergonzi - Quando le sere al placido (Lugano, 1981)
zhlédnutí 72Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing o...
Carlo Bergonzi - Tu, che a Dio spiegasti l'ali (Oper Graz, 1975)
zhlédnutí 97Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing o...
Carlo Bergonzi - E lucevan le stelle (Staatsoper Wien, 1976)
zhlédnutí 84Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing o...
Carlo Bergonzi - Ma se m’è forza perderti (Lugano, 1981)
zhlédnutí 212Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing o...
Carlo Bergonzi - Fra poco a me ricovero (Oper Graz, 1975)
zhlédnutí 91Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing o...
Carlo Bergonzi - E lucevan le stelle (Lugano, 1981)
zhlédnutí 120Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing o...
Carlo Bergonzi & Edita Gruberová - Verranno a te (Oper Graz, 1975)
zhlédnutí 135Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing o...
Carlo Bergonzi - Sotto il sol di Siria ardente (Lugano, 1981)
zhlédnutí 64Před 14 hodinami
Carlo Bergonzi (1924-2014) was the last of the great tenors to emerge from post WWII Italy. His 50 year career in opera and concert took him to nearly every major theater in the world. Born near Parma, Bergonzi sang in church choirs and a few local opera productions as a child. He left school at age 11 to work with his father in the local cheese factory, often getting into trouble for singing o...
Carlo Bergonzi - La donna è mobile (Metropolitan Opera, 1968)
zhlédnutí 346Před dnem
Carlo Bergonzi - La donna è mobile (Metropolitan Opera, 1968)
Carlo Bergonzi - Ô nature, pleine de grâce (Naples, 1969)
zhlédnutí 480Před dnem
Carlo Bergonzi - Ô nature, pleine de grâce (Naples, 1969)
Carlo Bergonzi - Parmi veder le lagrime (Metropolitan Opera, 1968)
zhlédnutí 266Před dnem
Carlo Bergonzi - Parmi veder le lagrime (Metropolitan Opera, 1968)
Carlo Bergonzi - Quanto è bella (Firenze, 1967)
zhlédnutí 271Před dnem
Carlo Bergonzi - Quanto è bella (Firenze, 1967)
Carlo Bergonzi - Questa o quella (Metropolitan Opera, 1968)
zhlédnutí 466Před dnem
Carlo Bergonzi - Questa o quella (Metropolitan Opera, 1968)
Carlo Bergonzi - Una furtiva lagrima (Firenze, 1967)
zhlédnutí 678Před dnem
Carlo Bergonzi - Una furtiva lagrima (Firenze, 1967)
Carlo Bergonzi - Celeste Aïda (Teatro Colón, 1968)
zhlédnutí 330Před dnem
Carlo Bergonzi - Celeste Aïda (Teatro Colón, 1968)
Carlo Bergonzi - Pourquoi me réveiller? (Naples, 1969)
zhlédnutí 235Před dnem
Carlo Bergonzi - Pourquoi me réveiller? (Naples, 1969)
Carlo Bergonzi - O tu che in seno agli angeli (Covent Garden, 1962)
zhlédnutí 456Před 14 dny
Carlo Bergonzi - O tu che in seno agli angeli (Covent Garden, 1962)
Carlo Bergonzi - Ella è pura (Bologna, 1961)
zhlédnutí 176Před 14 dny
Carlo Bergonzi - Ella è pura (Bologna, 1961)
Carlo Bergonzi - Di quella pira (Atlanta, 1960)
zhlédnutí 809Před 14 dny
Carlo Bergonzi - Di quella pira (Atlanta, 1960)
Carlo Bergonzi - La rivedrà nell' estasi (Bologna, 1961)
zhlédnutí 289Před 14 dny
Carlo Bergonzi - La rivedrà nell' estasi (Bologna, 1961)
Carlo Bergonzi, et al - È scherzo od è follia (Bologna, 1961)
zhlédnutí 131Před 14 dny
Carlo Bergonzi, et al - È scherzo od è follia (Bologna, 1961)
Carlo Bergonzi - Ma se m’è forza perderti (Bologna, 1961)
zhlédnutí 245Před 14 dny
Carlo Bergonzi - Ma se m’è forza perderti (Bologna, 1961)
Magnífica interpretación de Bergionzi. Gracias por compartir.
Maestro Bergonzi in magnificent ringing golden tones in his prime.
Позиционно очень низко поёт, вообще слушать неинтересно, отсюда, не голос, а голосок всего лишь.
Браво чудний голос🎉🎉🎉🎉🎉🎉🎉❤❤❤❤❤❤❤❤❤
Grandissimo Ernani!!!
This is exquisite!
La prima foto con De Curtis
The best recording of this song
Mi sembra eseguito con grande impeto vocale molto simile a Melchior...
God hired Corelli to sing in paradise forever!!!
Greatest rendition of this aria from Pagliacci ever made. Bravo Mario...and his glorious voice.
Extraordinaria interpretación.
Grandioso, emocionante. Lo tienes todo
MARAVILLOSO y lo vi en cuatro óperas diferentes.
EXTRAORDINARIO TENOR; ARAGONÉS-ESPAÑOL. Tengo escrito u breve artículo sobre esta enorme y peculiar figura.
CREO QUE ES ARAMBURO: UN EXCELENTE TENOR, MEJOR QUE OTROS, SEGÚN EUGENE O´NEILL
Pensées a Fernanda et la très grande Carmen gracias🫶🫶🙏
HERVORRAGEND 🎉
♥️🎼
So natürlich wunderschön
Mio bisnonno😂
Здравствуйте. А не загрузите ли видео с Бергонци, где он поет Lamento di Federico , аккомпаниатором выступил Vincent Scalera ? В живую. Там целый концерт был. Встречался в ютубе, но ролик был удален по неизвестной причине.
Outstanding!
Thanks!
Amazing Achille.
Rispetto agli anni d'oro ( secondo me dal '53 al '73) in questa fase di carriera, pur cantando sempre divinamente, le note alte di Bergonzi risentivano molto del suo stato di salute vocale del momento....c'erano serate in cui sfoggiava acuti meravigliosi ed altre in cui faticava. Complice probabilmente, oltre all'età, anche il repertorio decisamente impegnativo
Straordinario
Among the very greatest I was privileged to hear live.
Bravi!!!! Desde el Sud Brazile.
❤😂everlasting monument🎉 Carlo, primo uomo
It's wonderful. Thank you.
HERRVORRAGEND🎉
Bravissimo ❤
Questa romanza è stata il suo cavallo di battaglia durante tutta la sua carriera. Qui, dopo 30 anni, è eseguita in maniera superlativa, accenti, legato e note acute piene e squillanti. Grande Carlo
I fully agree.
❤
SEHR GUT
Enorme, gigantesco, immenso Carlo
Magnifica interpretación.!!
A wonderful voice. My favourite tenor.
En su tiempo, brilló el gigante Franco Corelli, pero tuvo una gran carrera Bergonzi.
Magnífico Bergonzi.
Bravo!! 👏👏👏
Wunderschöne Aufnahmen, vielen Dank. Er wird nicht vergessen.
L ho sentito di persona!
Magnifique voix, mais chanteur de mauvais goût, en tout cas pour ce morceau 😅
I love Di Stefano. Such beautiful diction.
Truly inspired singing and phrasing. But I also enjoy many of today’s tenors.
Immenso, nessuno come lui...
STRAORDINARIO!
No me canso de oírlo sublime tremendo épico único el mejor potencia al servicio del arte la potencia de la mano a la sensibilidad grandísimo plácido.