Ambitious Card performed by Jamy Ian Swis: "Big Apple Card"

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  • čas přidán 14. 01. 2009
  • Excerpts from the PBS "Art of Magic" of Jamy Ian Swiss performing "The Big Apple Card," his distinctive interpretation of the classic Ambitious Card plot, including some trademark sleight-of-hand.
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Komentáře • 21

  • @geraldbasso1782
    @geraldbasso1782 Před 2 měsíci

    He does that very well! Always loved the way he did the pass!

  • @matthewengheta59
    @matthewengheta59 Před 7 lety +1

    The pass was amazing along with the d'amico double!

  • @CardAddict
    @CardAddict Před 15 lety +1

    Just perfect. I've worked on this since 10 years... One of my master !

  • @carlclegg6615
    @carlclegg6615 Před 4 lety

    That double lift at 0:39 was amazing. I’ve only ever read about it (In Buckley’s Card Control) but never have I seen it done.

  • @davidwinter4156
    @davidwinter4156 Před 11 lety +1

    He has the most convincing triple lift I have ever seen in my life.

  • @kunkushun1
    @kunkushun1 Před 10 lety +3

    The pass was the closest thing i have seen to invisible :) The camera is on him and we are watching from youtube up close on a perhaps full screen and u still can't really see it.

  • @magictwister76
    @magictwister76 Před 8 lety +1

    Freaking great classic pass

  • @robertzeurunkl8401
    @robertzeurunkl8401 Před 7 lety +1

    This guy is amazing. I dunno what a pass is, but whatever it is he obviously does it really well. Wish the vid quality was better.

  • @Matzes
    @Matzes Před 15 lety +1

    great pass

  • @conjurer77
    @conjurer77 Před 14 lety +1

    slick...slick...slick!!!!!

  • @1Spyke23
    @1Spyke23 Před 15 lety

    I realize you're a very talented young magician, and all.
    But, this guy is a legend you know.
    I believe these are only excerpts, from the description so the performance may seem rushed in that way.

  • @HENJAM48
    @HENJAM48 Před 13 lety +1

    sweet.

  • @CardFreak1000
    @CardFreak1000 Před 11 lety +1

    his pass is fuckin good

  • @awhanp
    @awhanp Před 15 lety

    may i also point out another points ... not that i m contesting your opinion but anyways....
    the pace is also determined by the performer's own personality and body language
    the pace is also set by what kind of impact you want to have on your audience. u want it to be a hard hitting bang bang bang type of effect or a nice relaxed symphony.
    there can NEVER be only ONE CORRECT interpretation of art.
    this was not a performance of an effect/routine but mere edited clips.

  • @1Spyke23
    @1Spyke23 Před 15 lety

    I suppose I can't argue with that :P
    I do agree with stacky though, this was done for TV so they would have had to speed and cut things out for the time slot. Since Jamy placed this here himself he may have also edited it a bit as well.

  • @TheatreHead
    @TheatreHead Před 14 lety

    smooth.
    any sources for the DL anyone?

  • @nat2r
    @nat2r Před 8 lety +1

    THAT. PASS.

  • @NightflyerMusic
    @NightflyerMusic Před 14 lety

    Good points, but the performance would be different in real life--the spectators aren't a camera, unblinkingly staring at his hands. Swiss is a good enough performer to engage his audience, which would be a good time to do the pass. He does go much too fast here, though.

  • @Wellpinit
    @Wellpinit Před 15 lety +2

    Yes he needs to slow down. This effect should be done slowly and with no show of moves or show of skill. In addition his "pass" was highly visible, and he used the pass a number of times and every time you see a flick. It is possible that a layman can overlook it once but not multiple times, they aren't stupid. In short, if you can't do an invisible pass then don't use it.

  • @magic-bq3vr
    @magic-bq3vr Před 6 lety +3

    The audience aren't supposed to see sleight of hand. Every move here is clearly visible. It's like you are showboating your technique at the expense of any magical effect. I really don't like this.