Create High Contrast Portraits: Exploring Photography with Mark Wallace
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- čas přidán 22. 07. 2024
- / adoramatv
In this episode, Mark Wallace demonstrates an easy way to create high contrast portraits. Mark uses two lights to create three different looks. You can create a similar look in your studio using seamless white paper or a white wall. Images were converted to black and white using Adobe Photoshop Lightroom, Adobe Photoshop CC 2020, and the Nik software collection.
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Model: Ximena Echeverri
Instagram: @u.xez
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Products Used:
Leica M10 Mirrorless Digital Rangefinder Camera, Black
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Leica 50mm f/1.4 SUMMILUX-M Aspherical -Black
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Sekonic L-858D-U Speedmaster Light Meter
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Profoto B2 250 AirTTL To-Go Kit
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Profoto Air Remote Transceiver
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Profoto Off-Camera Flash Speedring for Profoto B1 and B2
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Flashpoint XPLOR 600PRO TTL R2 Battery-Powered Monolight With XP-600Pro Ext Head
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Flashpoint Grid Set, for 8" Reflectors, Consists of 1 each: 10 deg., 20 deg., 30 deg.and 40 deg. Grids
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Aputure Fresnel 2X Mount:www.adorama.com/apfresnel2x.h...
Production Equipment Used to make this video:
DJI Osmo Pocket
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Sennheiser Evolution G3
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Sony Alpha a7 III 24MP UHD 4K Mirrorless Digital Camera with FE 28-70mm Lens
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Atomos Shinobi 5.2"" IPS Touchscreen Full HD HDR Photo and Video Monitor, Supports 4K HDMI Input
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#MarkWallace #Markonabike #ExploringPhotography - Jak na to + styl
EXCELLENT explanation. Never seen it explained this way. I’ve watched a lot of CZcams videos about soft boxes, hard light, soft light in stuff. But they never explained shape and form within the light and how to create it.
My goodness Mark. This was a brilliantly made and explained video. Can't wait to have a go. Thank you.
Without a doubt your videos are my favorite. So easy to watch. You have a wonderful presence. Thank you so much
Sharing knowledge. Love it.
Simply one of the best lighting videos I’ve seen on CZcams 👍👍
Big thanks Mark. You always make it so simple.
Great as always Mark! Thanks for the tips!
You're a great presenter Mark. You give lots of excellent information and explain it all very well. Well done!
Thank you, Mark and Ximena. Very nice clean shots, and your points in the demo are completely clear. Happy Thanksgiving!
Loves these. The last shot , with white background was my favorite
That was extremely clear. Great stuff.
Thank you, Mark. Awesome video!
Another inspiring video. Thanks, Mark.
Thanks for another excellent video. We learn so much from you!
thanks for this video - really want to practice these now!
Back to the basics: Simple does it. Good tutorial !
Another fantastic video Mark.
excellent examples and descriptions, thanks!
This is a great video, thank you. It is very helpful in making me understand light.. love your videos
The white background with the black shirt looks the best.
Wow the results look so cool!
Very helpful. Will use these techniques in my self portraits
Fantastic set up and images!
Love your teaching techniques...thank you
Really useful! Many thanks.
I don’t think I’ve seen anyone mention the difference between the exposure on the background and the exposure of that reflected light on the back of the model. That’s really useful information. Thanks Mark, I plan to put this into practice this week.
Great video! Thanks for posting!!!😃👍🙏
Amazingly and simply superb explanation 👌
Merci Monsieur ! It was very interresting ! Thanks a lot !
Cool explanation, thanks!
thank you so much for this!
great thanks for sharing the inspiration
Awesome video!
excellent illustration....
Perfect!
Great video!
Excelente informacion. !!! TKS
Fantastic., A brilliant intro.to high contrast work - (Buys Fresnel-Lens for my focusable snoots) ;)
Excellent lesson.
This was great stuff. Super simple but maximum impact.
Fantastic video and images. I love the look of the third scene with the white background. Besides being at f8, what are the other settings you used?
Awesome!
Thank you!!!
True master thank you
Thank you so much ♥️
🇨🇴 Colombia 🇨🇴 YES!!!
More MARK please!
Very nice thx you... very nice...
I love these series of videos Mark! Quick question: Could you do a tutorial or overview of the different types of backdrops (between seamless paper, vinyl, and textured/canvas)? I haven't really found a solid video outlining the pros/cons between them and what sort of photos turn out depending on which you use.
Great idea. I've made a few videos on backgrounds, but none comparing them. Here are a few to get you started. czcams.com/video/s5YkNwSO2Y8/video.html and czcams.com/video/Degjz2e88ds/video.html
+100
thanks Mark!so we don't need a softbox at all for this one!Because it's high contrast ,right?
love
This is the best lesson for starting photographers I have seen. 3 years of art school in 10 min😂
Hi,
I like your video. I would like a quick clarification if you don't mind. You said at the beginning of the video that Shapes are for Monochromatics and Forms for Colors. I did not understand why. Moreover, the last portraits are clearly monochromatics and displaying forms. Did i get something wrong?
This is one of the most educational videos I've ever watched. Superb work.
Thanks a lot for this! One question: How about the ambient light in the room - how much does that matter? E.g. what would happen if you took the same shots with the same light sources, but with the ambient light turned off?
He’s shooting at f/8 which would kill most ambient light in most situations.
Can you please share the camera settings for the shots taken - shutter speed, aperture, ISO, etc.? Thank you.
awesome' he reminds me of Rasputin
Hi Mark, mind asking you, was your godox set to slave mode so that the b2 can flash and trigger the godox light at the same time?
deric tan yes, that’s exactly right. I used slave mode.
Great video Mark, thank you. The camera being tilted on the tripod was driving my OCD nuts though :)
Ah yeah, It's hard to see me unlock, adjust, shoot, and lock again. Now it's going to drive ME nuts. hahaha.
I’m taking a light course with you and I have a crush on my professor (sorry to your wife ) but it comes from respect and knowledge admiration thank you!!
Lol
Adorama is a youtube photography school. I wish there was a chance were Adorama can allow us to post our work after each lesson so we can share what we have learnt from Adorama. Possibly get a professional paid feedback from Adorama team?
I love the fact that these tutorials are up on CZcams. But I'm just getting into flash photography and using bounce lighting. I wish there was a little more in-depth tutorial is I'm going on like with the settings and the setting up and so forth. Many of these videos are just like okay put your like here here here and pop your picture. Does anybody know where there's a similar tutorial it's a little more detailed?
Yes. Knowing what the camera settings used would have been useful to better understand.
Looks great. I really need some grids! And I can't find any egg-crate type ones to fit my Elinchrom lights :(
Give Adorama a call, they can connect the dots. 212-741-0063
Leica M10?
I'll try that Mark. Thanks. Love watching your vids. You and Gavin were my introduction into Photography way way back now
Hey Im new in photography can anybody explaon to me the iso shutter speed and aperture use in the video
Unfortunately, the Aputure Fresnel 2X Mount doesn't fit with the XPLOR 600PRO as you show in your equipment list. The bulb protrudes too far forward on the 600PRO to fit inside the Fresnel head.
Why am I not seeing the background in pictures taken before the Godox light was turned back ?
vijay kumar several reasons. Mainly because there is no light hitting the back wall. I’m using a grid to control the light. I’m also using the inverse square law. czcams.com/video/0YhdBlBptJ8/video.html
Mark why did you use a light behind in the photo where the background was pitch black???.
I wwnt the lights yall have
Why are you metering the light to f8 specifically? Beautiful images!!😱
Øyvind Holtskog F/8 is my go to setting for portraits. It has good DOF and it small enough to control the ambient light.
Øyvind Holtskog The aperture controls the depth of field. How much of the person do you want in focus. If you want all of the subject in focus, then f/8 works great.
Thank You for the great video.
Profoto triggers Godox as well?
the Godox is triggering optically from the Profoto
Almost all studio strobes have a sensor on them, it "watches" for other flashes to fire. The trigger is from the Profoto flashing. When the Profoto flashes the Godox "sees" it and also fires. That's why I had to move the Godox pack so it could "see" the Profoto flash. Using this feature you can trigger one light and all the others (no matter what brand) will also fire. Some speedlights also have this feature. You just have to put your flash in "slave" mode.
7:30 is where I explain it.
😊
Can I get results like this with a speedlight???
METHOS THE CLOWN Absolutely. Rogue makes grids and modifiers that are perfect for this. You can get the exact same results.
How are you getting the black background in the first series with a white wall?
Pj Haebe All walls are
black unless you illuminate them. Using the grid I’m simply keeping the light off the wall. So it’s black. There is no light on the wall.
Pj Haebe czcams.com/video/0YhdBlBptJ8/video.html
What are the settings you are shooting at Mark?
Dartagnan Pascal JOSEPH ISO 100, f/8, sync speed (1/160)
Setting on camera?
why do models have to be images and not photographed in the morning?
first!
flare vs high key
the correct term for B&W is *Achromatic* (without color), .... NOT *Monochromatic* (containing or using only one colour ; Light or other radiation of a single wavelength or frequency). *Leica* got it wrong by calling its 'B&W-only' camera as 'M-Monochrom', but, *Phase-One* is right when it names their XF150 'Gray-scale' camera system as "Achromatic".
Grayscale is a range of shades of gray without apparent color. The darkest possible shade is black, which is the total absence of transmitted or reflected light. The lightest possible shade is white, the total transmission or reflection of light at all visible wavelengths.
Black and White image contains only two levels. Gray image is represented by black and white shades or combination of levels for e.g. 8 bit gray image means total 2^8 levels from black to, white 0 = black, & 255 = White.
Grayscale image have a continuous range of gray values while a binary image is a digital image that has only two possible values for each pixel. Grayscales are represented as integers within the computer. In order to represent a gray scale by a number, a computer must first decide how many bits (binary digits) to use to represent the grayscale.
Black and White image is a special case of Grayscale image where the gray value/level is restricted to be pure white or pure black only in contrast to varying gray level of white or Black in case of gray scale image.
Grayscale image has gray values ranging from 0-255 where 0 =black, 255= white while the black and white image has only 0 and 1 values where 0 =black, 1=white.
grayscale image has the value from 0-255, whereas black and white has the value of 0/1 only.
Binary images are images whose pixels have only two possible intensity values. They are normally displayed as black and white. Numerically, the two values are often 0 for black, and either 1 or 255 for white.
Binary images are often produced by thresholding a grayscale or color image, in order to separate an object in the image from the background. The color of the object (usually white) is referred to as the foreground color. The rest (usually black) is referred to as the background color. However, depending on the image which is to be thresholded, this 📷polarity might be inverted, in which case the object is displayed with 0 and the background is with a non-zero value.
Some morphological operators assume a certain polarity of the binary input image so that if we process an image with inverse polarity the operator will have the opposite effect. For example, if we apply a closing operator to a black text on white background, the text will be opened.
I wonder why he missed her right jar line is a bit abnormal, throw it to shadow. I feel the left is more flattering. same theory and execution just choice and favorable features
hello... I am from viet nam
Steve Jobs :)
"Turtleneck and chain, please," said the '90s.
Boring and ugly light?? That looks like 50% of fashion ad photography today
Back in the 1990's there was a whole trend of black and white ads in fashion magazines. Calvin Klein had a whole series out with just the straight on deer in the headlights flash photo mostly of Kate Moss. Other photos had a lot more contrast but all were in black and white. This reminds me of those old ads.
Not fair as you are using camera and glass (about $13k) designed for BW photos and that’s why the photos are punchy.
You can do this with a $500 entry level DSLR.
Shoot raw and experience the power of post processing.
I don’t think I’ve seen anyone mention the difference between the exposure on the background and the exposure of that reflected light on the back of the model. That’s really useful information. Thanks Mark, I plan to put this into practice this week.
Great video!