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Great video. Well explained and well organized. Look forward to future videos.

I’m starting to fall for Sophie 😍 I love your videos because I learn a lot, but Sophie always stills the show 🥰

Ai can’t create art sorry It copies art Ai can’t paint People are more likely to by human art than ai art Ai can’t make music it sounds horrible Also many companies have banned ai in art and music

grateful for you!

Ai will not destroy photograph or replace it Just like it will destroy or place many other jobs

Great demo! Thanks Seth, Marissa, and Daniel. Excellent.

Can you tell what your viewing the images on please on the stand

I heard that eletronic shutter or the hybrid mode reduces the dynamic range to post treatment. Is that true?

Great stuff, your delivery is perfect easy to follow and makes sense.

I use object in foreground often. Items such as water bottles, mirrors, lights, flowers, wedding veils. :)

Please be aware that this is the slower 3.2 gen 2. Not the 3.2 2x2. For Macs, you really need USB4.

Good info, good production quality, and gorgeous model--what's not to like about this video?

Is it possible to edit FCPX projects right off of this drive?

It’s Cliff the Profoto Guy

Abe: you can start off with the 3/2/1 backup strategy, but *there are levels to this.* Thank you for sharing your strategy, Abe. I know for working professionals, losing data can be ruinous, so having a solid backup strategy is very important.

It would be nice if you cared to explain what exactly is meant by "feathering"

There is always something different about Gavin's videos! What we can achieve with so less stuffs!

Hi Gavin, I went to a dollar store and bought a few bundles of dried spikes and use it in occasions to shoot a model through the spikes 😀 the are around 1 inch wide at the thickest part but since I have many of them I can cover sufficient for a cool look, just like you use the twigs 😀

nice

Very well explained. Thank you so much

Good stuff, except that petal hoods are for wider focal lengths, while cylindrical hoods tend to be for longer focal lengths. It's got nothing to do with whether the lens zooms or not. For example, the hood for Canon's RF 50mm f/1.8 lens is cylindrical, while the hood for the RF 16mm f/2.8 lens is petal-shaped (sadly sold separately). Both are prime lenses and their design is almost identical with the same bayonet hood mount. But if you were to put the cylindrical hood on the 16mm lens, it would block the corners of the image.

great video

Love your videos. It never gets old. I appreciate. I've just purchased a gray paper,I hope I can get those same effects from it. Savage Widetone Seamless Focus Gray

Gavin, your energy and demeanour is always so infectious. Even when I know what you are teaching, I can’t help but watch your videos. They always cheer me up!

@adorama is the trigger compatible with neewer Q4? I know Godox trigger is now, wishful thinking I hope it is.

Another variable that I didn't think of trying. Thanks

I'm so happy I found this video, I'm used to using back button and love it, but I'd never have thought about using the * like that and it's incredible. However, I found sometimes when doing servo, even if I kept the back button down it refocused when moving the camera - what was I doing wrong, how do I lock it? I ended up putting it on one shot to avoid this (I was shooting musicians at night in a concert) and in this case it worked better as they were a big jazz band and not moving that much. But would be good to know what I did wrong! Thanks btw.

Hello, thank you for this! I was wondering if you were able to share what would be the best solution for when you are shooting indoors in a space that has window lighting but also has tungsten lighting inside. I typically gauge by what the dominating light is, but I still find that I am getting mixed lighting in this case, it just seems like the type of situation that you can't really do much about, or am I wrong? :-/

Why 2000th?

U make look all so easy for u it likely is.

Hello Gavin, thanks for sharing another greate video.

Don’t worry, Gavin. We’ll “stick” with you

this could defifinitely be the one for me to try out :-)

Inspirational as always!

1/2000 shutter speed, is it because a slower speed like your cameras sync speed would let to much light in making the photo not as blurry? Or is it something else? Awesome video!!! Can’t wait to try this.

Just wondering why you used 1/2000 shutter speed ?

Interesting, thanks Gavin!!

Gavin your videos are always making me smile

Wow! I really love the simplicity of using the fabric - the results are great and so is Gavin as a teacher. So many inventive ideas - thank you!!

Bro tell me the model of the camera and the model of the lens, I want to buy it, please, thank you I'm Waseem from Pakistan

great ideas to try, I know I'm going to practice in my studio this weekend

Great video, very helpful and exactly what I was looking for. Thank you!

The best quality improve is making it worse

Using foreground blur as a framing device to make a more interesting photo, nice

another great session Gavin. What a treat. Appreciate your videos so much

Why don't the models smile during the photo session ?

Super inspiring, Gavin!!!

Excellent video again Gavin. Congratulations and keep up the good work!

Always comes up with great ideas Gavin! Now I need to go and find me some twigs 😁👍

Cara. Now known as Twiggy...