75-minute Sculpting Practice Session at 5x Speed
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- čas přidán 12. 09. 2024
- To watch this in real-time and to download the final result as either a .ZTL or .OBJ, visit us: outgang.studio...
Outgang is founded on the belief that education should be affordable, high-quality and given by industry professionals. Laura Gallagher has been teaching character art since 2012 at various venues and has launched Outgang in 2020 with the goal of helping out as many character artists as possible aspire to a better life for themselves.
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Etienne Bourdages:
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Frédérik Généreux:
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Piotr Dziubek:
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Reila Soley:
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Thanks for watching!
#Zbrush
I like that texture you do on the surface at the midway point when you sculpt with the clay tubes
That's how I also feel about sculpting: Touch the damn thing, add on, cut down, indent, grab , move, destroy, repair, throw around ... all that stuff that gives your sculpture life, pouring in your soul via your hands, letting the material flow through into own individual artistic filter and out again... as opposed to carefully trying to to create perfect alignemts from the get go, smoothing out every irregularitiers 10 times a minute, trying to make it perfect to death... resulting in weird, disproportional, lifeless blobs of uncanny valley, representing the entire opposite of what the goal was. Sometimes even highly professional have that in their sculpts due to their more rigid, technical, and I would say: more "fearsome" approach.
I can so relate to your approach. So many people are going into this way too technical, relying on aligning the sculpt carefully to a perspectiely distorted reference image instead of learning how to translate the forms with their minds to look right... which is IMHO one of the most important skill for a sculptor. Of course it is tougher, but there is no way around it.
Your results speak for themsleves, showing perfectly what I mean.
Dude you have just opened my eyes with that comment!
do you work in dynamesh for the majority of the time in these practices? love the gradual growth of the practice looks solid !
Yeah subdivisions mostly just get in my way and get me thinking about the wrong things. Dynamesh is the way :)
look so damn nice but i knownif i tried it, im gonna fail so badly xD
I still often fail my friend. Thanks for the compliment!
Hi Laura! Could you tell how you change the size and Intensity of the brush on this video? What's the easiest and fastest way? Is it your hot keys (which buttons do you use, if so?) or right click mouse or [ ], U? Thank you kindly!)
I use the brackets to change the size. I've configured my brush well enough that I don't have to play with the brush intensity, the pen pressure does that for me.
@@Outgang Wow! You answered to me! You are my star at the moment of my life.)) Watching your videos rn. It's always cool to hear proper English and masses of proper information, as it happens not very often in 3D, unfortunately.) Thank you for your answer! Good luck and Respect from Moscow, Russia! ;-)
how do you know when to increase your dynamesh resolution? is it just intuition, and whenever you need more detail for like the nose or ears you'll go up in res....
Yeah it's intuition. I try to have completed a pass over the whole head before increasing the Dynamesh resolution but I think we all develop different preferences through practice.