Important Identification prayogas in different ragas

Check these videos for practice
• Tips and exercises

[@Priyaswamysvideos]

I didn't know where to start when it comes to raga identification. Thanks sister

[@rajus3756]

Been struggling for such guidance on Key Raga phrases.. This will enhance my learning... Many thanks and God Bless. Please complete the series with more Raga phrases. 🙏🙏🙏

[@ashapv4339]

Hello mam..this video helped me in my raga identification in my certificate examination...and i got first class in my exam..thank you soo much😊

[@nadatarangam8106]

We are very interesting to watch to your videos , all are very interesting & very helpful for beginners in Music. 👌👌👌👌

[@maniprerepa3709]

Your sincere attempt to impart the knowledge you have to music students is commendable.👏👏👏👏👏👏👏👏May god give you strength to continue your commitment.🙌🙌🙌🙌🙌🙌🙌🙌🙂🙂

[@east-west8887]

The 25 ragas scholastically covered in this episode :
Kalyani, Sankarabharanam, Hamsadvani, Mohanam, Nata, Kambhoji, Bilahari, Hindolam, Todi, SindhuBhairavi, Madhyamavathi, Anandhabhairavi, Reethigaula, Amruthavarshini, Hamsanadam, Natakurinji, Pantuvarali, Purvikalyani, Saranga, Mayamalavagaula, Sriragam, Shivaranjani, Kapi, Brindhavana Saranga and Saveri.
An unique attempt. Hats off. Best of luck.

[@girijagopal3564]

Amazing knowledge at this small age.pranam.and so many thanks to give this important guidelines.so much Love you dear. I am like your mother's age and studying from you.thanks a lot dear 😊❤️

[@gnanaprasuna1956]

Excellent work

[@srividya157]

Super.. Very well explained. Thank you

[@DevaKumar-sm4im]

Super explained sister Vaazga valamudan.

[@amshavarthini528]

Love u so much
so good in teaching
Thanks 🙏

[@josepheapen6142]

Excellent......

[@jagadeepmoka91]

I just love this angel

[@pillalamarribhagyalaxmi6672]

Thank you,very informative

[@girijaravi2113]

It is really nice,but your journey is too fast to pick up like beginners like us,v interesting indeed,pl continue with other raagas too

[@raghurammankala7451]

Very useful subject.thanks to you sister.

[@hariraghavan7413]

YOU ARE AN EXPERT TEACHER ..NO DOUBT ON THAT..

[@kamakshivishwanath2561]

Saraswathi Ammavaru🌹🙏
It's my luck
Watching, hearing your videos

[@ranivijayan777]

Amazing, really very very useful, Thank you so much...God bless you always 🙏🙏🙏

[@girijagopal3564]

Wow. Very mind blowing ,amazing description .stay blessed dear.🙏🌹

[@sridevotional6869]

Thank you for your advice.may god bless you with more knowledge and do videos for people like me. Ur teachings are very helpful.

[@narasimhadattakumar603]

Amazing. You are a real Sharada. Great. Thank you so much for the wonderful explanation.

[@chandrasekarank223]

Why all songs of one ragam is not played with same tunes. I am seeing so many variations of song in one ragam. How to find out the ragas of song? Is there any phrases of song matching with carnatic raga swaras.

[@padmajapulugundla9816]

Very beautiful explanation.Excellent presentation🙏

[@uglyvulture5172]

Please go through this song and comment.
பாவிகளைத் தேடி ஏசு வந்தார்.
பாவிகள் கூட்டத்திலும் அவரிருந்தார்.
பாவி ஒருவனை மீட்டெடுத்தாலே
பரலோகம் மெத்த மகிழும் என்றார்
பரிசேயர் பலருக்கும் புரியச் சொன்னார்
சரணம்:-1
ஆட்டு இடையனாம் ஒருவருக்கு
ஒரு நூறு ஆடுகள் சொந்தமிருக்கு
மேய்ச்சலில் ஒன்று தொலைந்து போனது
போனால் போகட்டும் என்பாரா?
தொலைந்ததைத் தேடி இருளிலும் ஓடி கிடைத்ததும் மகிழ்ந்து தோள்களில் சுமந்து கொண்டாடினார் அவர் கூத்தாடினார்.
சரணம்:-2
மாதவள் தொலைத்தாள் ஒரு நாளில்
தான் கொண்ட பத்தில் ஒரு வெள்ளியை
ஒன்பது வெள்ளியில் திருப்தியில்லை ஒரு வெள்ளி குறித்தே கலக்கமுற்றாள்
அறையினைப் பெருக்கி ஆராய்ந்து பார்த்து தொலைந்ததை மீண்டும் கண்டேன் என்று சொல்லி மகிழ்ந்தாள் அவள் துள்ளிமகிழ்ந்தாள்.
சரணம்:-3
ஊதாரி மகனை ஒரு தகப்பன் உதவாக்கரை என்று விட்டானா?
நாள் தோறும் மகனை எதிர்பார்த்தான்
தெளிந்த மகனும் தேடி வந்தான்
தொலைந்தான் அன்று
கிடைத்தான் இன்று
பிறழ்ந்தான் நல்வழி
பிறந்தான் புதிதாய்
வாரி அனைத்தானே மகனுக்கு விருந்து சமைத்தானே.

[@Nagaveni988]

Very nice ma

[@sumanhv6149]

Thank you sooo much!

[@anilkumarvyasabhattu693]

Excellent madam
Very very nice
Congratulations

[@learnenglish5634]

Thanks u r sharing good knowledge

[@jayasudhas2804]

Amazing, very useful mam👌👏🙏

[@AlwalReddyPharmaConsultant]

నాగానందిని రాగం కర్ణాటక సంగీతంలో ఒక రాగం. ఇది కర్ణాటక సంగీతంలోని 72 మేళకర్త రాగాల వ్యవస్థలో 30 వ మేళకర్త రాగము. దీనిని కర్ణాటక సంగీత ముత్తుస్వామి దీక్షితుల పాఠశాలలో నాగాభరణం అని పిలుస్తారు

[@kathaineram462]

Your all video's are very very useful.

[@kasinathan9489]

🙏

[@jayashreehg]

Very educative madam . thank you

[@Janaranjani2311]

So nice of Durga... thanks

[@haiannapurna]

Very well explained!

[@swamialipteshananda6613]

Very nice attempt!

[@maniprerepa3709]

ఇది చక్కటి వివరణ రాగఛాయలగురించి.

[@panchendrarajankandiah6572]

Thank you. I don't know, if my question is absurd or not. How many bandish can be created for each raga? I am a learner of music after retirement.

[@broadband4016]

In madhyamavathi m,ri.may be identification swaras

[@gayathrimanonmani1113]

Very informative

[@mgk6037]

Very very nice

[@sundaramurthyc6955]

Very nice

[@sundarisruthi7193]

Rithigowla and kaanada some similarities are there

[@prabhakargundlapalli393]

Please add some pause, between Raagas, to absorb the knowledge, for beginners.

[@PadmaGayatriKomanduriRag-dx3cs]

IF WE R ASKED 2 SING TDRNNAND IDENTIFY WHAT WE SANG HOW2 IDENTIFY.

[@lohithakota6643]

Thank u

[@S.SwarnaLatha]

Chala chakkaga chepparu👌👌

[@manivemisetty3092]

Meeru vocal.music nerpisthara mam

[@flutelearner8449]

thank you madam.. nice topic...

[@sangeethajayakumar5987]

Mam, it's quite fast to follow, this video

[@sujathatrinadh]

Plz telugu lo cheppandi

[@sajisajinp]

you are so so fast .. and so its confusing... sorry to say...