Sabine Devieilhe sings Mozart: Mitridate, rè di Ponto, K. 87, Act III: "So quanto a te dispiace"
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- čas přidán 26. 11. 2021
- Soprano Sabine Devieilhe dazzles in this aria of Ismene from the third act of Mozart's opera Mitridate, rè di Ponto, with Les Musiciens du Louvre and conductor Marc Minkowski. Discover the complete opera: w.lnk.to/mitLY
This electrifying recording stars baritenor Michael Spyres in the title role, alongside a star cast that also includes Elsa Dreisig as Sifare, Julie Fuchs as Aspasia, Paul-Antoine Bénos-Djian as Farnace, Adriana Bignagni Lesca as Arbate, and Cyrille Dubois as Marzio.
Mozart was just 14 years old when he composed Mitridate, rè di Ponto for performance in Milan. An opera seria set in ancient times, it boasts a sequence of spectacular arias for its cast of strongly contrasting characters. At the center of the action is Mitridate himself - the historical Mithridatus, King of Pontus, a ruler of Persian-Greek ancestry who was a formidable opponent of the Roman empire.
Video: Calle Carmen
#ClassicalMusic #Mozart
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That high E sounds like a violin. She's a magical creature.
It is undeniable to note the "musical signature" of Mozart. I didn't know this piece, but I must admit it's amazing.
Greetings from Brazil!
Absolutely breathtaking! Very, very beautiful. Congratulations
She’s my fave!
Gorgeous interpretation in period style of a different sort of Mozart piece, with Sabine deserving that little smile at the end, lovely even by her standards.
*_Absolutely exquisite ..._*
Très très joli ! Merci
Bravoooooo
Fantastic soprano.
Excellent quelle maestria 😌🙏
Très bien et très soigné, un Mozart exceptionnel et excellent 😃. Merci beaucoup de Paris France.
Très sage voir contraint. Tout sauf exceptionnel.
Speechless
I see Sabine, I click!
Holy crap
She’s incredible
Always wonderful Sabine!
amazing!
Her angelic voice is so peaceful that I could easily think that I'm in heaven
Simplesmente extraordinária! 💐💐💐👏👏👏👏👏
браво
Wonderful voice, Orchestre !! Congratulations Sabine and his Orchestra and thank you so much to all and Warner Classics. 💕💕💕🌹💐🌹💐🌹💐🌹💐🌹💐🌹💐🌹💐😊🌹❤🙋♀️🤩
Bravo Bravo 👏 🌹🌹🌹🌹🌹🌹🌹🌹🌹
She's Tinybird's fave, too!
So happy to find this gem for the holidays🎄🎄🎄🎄🎄🎄🎄🎄🎄
Fantastic sigin. Love
💖💖💖💖💖
Sublime 🌹
Amazing!
Wondeful❤️
brillante y emocionante oirle ! Gracias
Voce angelica !
Bravíssimo!
Piękny głos 😊👏👏🌹🥇👍🌞
Quel bonheur !
I know absolutely nothing about opera, but Sabine's voice must be one of the most outstanding voices I've ever heard. Simply exquisite performance!
Splendid! Miracle! Beaitiful!..🇰🇿🤘
What microphones do you use for her voice?
Those look like Neumann M 149s to me.
COOL
To see less than 25,000 views here suggests that here on this Earth, we have less than 25,000 intelligent people.
Now 47000….
❤
I don’t think even La Stupenda (Sutherland) could have done better with the high E. It remained musical. Quite a feat.
Regarding her top notes and that singing an E6 in a squeezed flageolet (as she does) is quite easy, as compared to the total perfection of technique needed to sing it with gola aperta, I would like to quote Zinka Milanov:
"It's easy when you do it badly."
CZcams, this is why hiding the dislikes is a crap idea.
Pff, I could do that if I wanted to, I just don't want to
So quanto a te dispiace
l'error d'un figlio ingrato:
ma pensa alla tua pace,
questa tu déi serbar.
Spettacolo novello
non è, se un arboscello
dal tronco, donde è nato,
si vede tralignar
Wow she's great. I wonder how Patricia Janečková would handle 1:34 compared to Devieilhe.
Logbook entry No.56:
I still wait for one, just one fully supported note! I mean is it too much to expect from a singer? Am I the unrealistic one here, or are the standards that are getting worse by the day?
Just one fully supported vocal in the middle range. I am not even asking for a full legato phrase. Just one note! Well, I think my waiting is turning out to be in vain...
My Lady, I fear you wait in vain. For the days of gola aperta and sul fiato are but memories, in this age where the airiest head voice from bottom to squeeky top seem to be the norm.
And legato, is it but a legend, my Lady?
@@celibidache1000 Logbook entry No.57:
Though I walk between opera houses, hearing thin airy whistling singing and screaming, I fear Evil: fot ART is surely not something coming out of there!
The legend of sul fiato and appoggio! A relic lost in past ages!
Maybe one day the Messiah (good vocal technique) will be sent down to our earthly realm, like an angel in the form of good teachers. One day, perhaps. So that we can end this aimlessly wandering of 40 years, blindly strolling through the desert full of pop opera singers and paid entities. There seems to be no end to them.
There are also kind and educated vagabonds in the desert that seem to be as lost as I am. But I am glad to know that they see through the temptation behind this empty star singer Fatamorgana and resist it - as do I. Glad I found them, they are a true oasis in the vast dry wasteland.
@@marieantoinette3857 What You write weighs heavy on my soul, all the heavier are Your words from the unfortunate truth they carry. My dreams turn to nightmares haunted by the Plague of Voci Ingolate, and the devil himself: Signore InMaschera. My ears are tormented by the nasal whines from the strangled throats of chestless tenors, their faces distorted, proclaiming their imagined Rossinian fach, as the master himself rotates violently in his restless grave in feverish anger awoken by this hellish blasphemy.
I must confess; I, too, belonged to the ignorant masses worshipping those fake gods, trying, fruitless to unleash my own voice by the modern scientific "technique" i had bern presented for 20 years, until one day, some years ago, my eyes, ears, and soul were opened as I began comparing the voices of the true Behemoths of the golden age with the sad mosquitoes of the present day. It was an epiphany.
I embarked on an intense journey back to the texts, manuscripts, and books of those masters we so mourn the absence of. And so I transformed my voice deeply grounded in the true tradition of Belcanto.
My Lady, I do not wish to brag, but now, after three, or so, years of experimenting on my own mishandled voice, and the voices of some singing pupils, and all the singers of the choir I have the honour of conducting, I think I've found something. Through specific, concrete exercises with their specified and unwavering function (opening the throat, forming the vowel in the pharynx, completely relaxing jaw, lips and tongue, strengthening the female chest voice, and so on and so forth) I have without exception, in some measure, transformed every voice I have touched. So concrete are the changes that those I've taught have looked at me in disbelief over the near miraculous change (choral singers of 30 years suddenly find an extra 5th both upwards and down in their voices after 20 or 30 minutes, and they marvel over the fact that singing no longer feels straining or heavy, as it always did those many years of singing). As for me and my tenor voice: from having an woofy C3 as my lowest note, I now effortlessly sing a sonorous Ab3 and G three, and sometimes even down to a slightly weaker but steady F3 and E3; from never having mastered the passaggio and my top register (since all I was taught was covering by means of overly darkening the vowels and extreme abdominal pushing) I now easily navigate to the Bb4, both loud and in pianissimo, and I have easy access to both B4 and C5, although they are in need of some more strengthening and are in no way yet fail-safe.
Forgive this self-centred tirade, I do hope I do not bore You too much. But, this gives hope for the future, for You, me, and all those of our kind why have seen through the theatrics and tricks of opera today, and who long to again hear released, thundering voices with clear vowels on the stages of the world.
Idiots with no talent and no intelligence demanding brilliance and genius from others - as if they're entitled.
@@WhirledPublishing Ah, flashing the old dishonestly pointless entitlement card, when, I, and all humans, ARE entitled to have and voice opinions freely, just as you are entitled to ignorantly judge people you know nothing about, even though it's only because they rub you the wrong way (the pettiest of reasons), as well as trying to get a point across without having a point in the first place, and, to hide that fact, subsequently resort to the only means you possess to purvey your imagined superiority, while unsuccessfully hiding your inert feeling of powerlessness - troll-like, mean unpleasantries.
I'd gladly taken in your view, had you had one. As regards to your reactive judging and blatant dishonesty, I can say nothing, as it speaks nothing of me, and all about you.
I respect and honour your entitlement.
Mozart wrote this when he was 14 years old….
Not as insightful as Ingela Böhlin from 2006 with Minkowski. But still very impressive.
Mozart specialist 😂
Mosquito constricted garbage.