Leitz Elmar 5cm f3.5. A legendary vintage lens reviewed on digital cameras.

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  • čas přidán 2. 07. 2024
  • The Leitz Elmar 5cm f3.5 is one of the most iconic lenses in the history of photography. It was designed for Leica’s new compact 35mm cameras over 100 years ago. It needed to perform well - to provide sufficient resolution for photographers to make large prints from the relatively small 35mm film size.
    This video briefly looks at the history of Leica’s early cameras, and then reviews what it's like to use the lens on today’s digital cameras and how it performs.
    Here are links to the different sections:
    00:00 Introduction
    00:35 A brief history of early Leica cameras
    01:50 A look at the lens and what it’s like to use
    04:28 How the lens performs, stopped down, longer distance
    06:20 How the lens performs close up, wide open
    08:40 My conclusions
    If you’d like to contact me direct or make a donation to support my channel: simons.utak1@gmail.com
  • Věda a technologie

Komentáře • 62

  • @liveinaweorg
    @liveinaweorg Před 2 měsíci +10

    Okay, I replayed it three times and you did say 'hairy balls'. Hey, it's Friday, 4pm and I just logged off my work computer. I'm feeling giddy!
    As always, a superb and well narrated video. I shot with my Contax II and Sonnar F/2 lens for the first time last week and discovered the highs and lows of bright light on an uncoated lens. I know better now having watched your video.

  • @normandong4479
    @normandong4479 Před 2 měsíci +2

    Leica's collapsible Elmar lens is well known for its image quality. Knew an old friend who used the same lens on his Leica IIIf and traveled widely shooting Kodachrome 64. Years ago bought a refurbished Leica M3 and paired it w an Elmar 50 f2.8 lens. Results were quite good. Good point about older lenses that were not coated, which did affect flare and were not as sharp as modern lenses. I have since acquired DR Summicron f2.0 in fine condition (but heavily built). Acquired a Voigtlander 50mm f1.5 Nokton which is an older design with modern coatings. Share your enthusiasm for the older gear which present day shooters dismiss too quickly. Well done.😊

  • @andystiller3793
    @andystiller3793 Před 2 měsíci +4

    I started watching your videos for the micro four thirds lens reviews. I've continued watching your channel because of you enthusiasm and your videos are fun to watch.
    I now use multiple types and brands of camera. I understand why you want to use different cameras.

  • @theodahlem857
    @theodahlem857 Před 2 měsíci +1

    Those Barnack cameras are the most beautiful cameras I can think of. Love my IIIG and the fact I can use a whole armada of M39 lenses apart of the Leitz lenses. The sharpness is impressive, probably way over what Film could catch.

  • @rodcummings3606
    @rodcummings3606 Před 2 měsíci +1

    Wonderful review as always. The new format is educational, informative and inspirational. Humorous as well. You must have employed some new screenwriters. The Leitz Elmar 5cm f3.5 is indeed a legendary lens. Impressive image quality considering that it was manufactured almost 100 years ago. Especially the macro images. Though Trinity Lane in Cambridge was also extraordinary. While I do own a Leitz lens from an old slide projector - I've not ventured further down this rabbit hole simply on price. Though are starting to appreciate their deep history and highest quality industrial design. I get concerned when you mentioned that the lens wasn't hugely expensive to buy. Because in a months time - it will have become hugely expensive to buy.

  • @cschaus3769
    @cschaus3769 Před 2 měsíci +3

    Very good review and great information, thank you.
    Little mistake is that the Elmar is not a 5 element Lens, it has 4 elements in three groups.
    Many greetings, an thank you for the great review of this great little lens.
    Christian

    • @Simonsutak
      @Simonsutak  Před 2 měsíci +1

      Thank you. Yes, I should have been clearer about the evolution of the Elmar's elements and groups. My understanding is that the very first version had 5 elements in 4 groups. The next version had 4 in 3. And so did the third version. Source: wiki.l-camera-forum.com/leica-wiki.en/index.php/Main_Page

    • @byok.lighting
      @byok.lighting Před 2 měsíci +1

      The 5 elements was the Elmax, the predecessor Lense of the Elmar

  • @Skipsul
    @Skipsul Před 2 měsíci

    Very glad you reviewed this lens. They are lovely and I've gotten great results on mine with both film and digital. And I love that I can pocket my little Barnack when out on a walk.

  • @lensman5762
    @lensman5762 Před 3 dny

    I have a couple of 5 cm Elmar M collapsible lenses, one is F2.8, and the other F3.5. I use them occassionally on my M2 and M3. Right now I am waiting for a IIIc and and an Elmar F3.5 L39 to be delivered. The lens has the modern aperture settings and from the photograph it seemed to be coated, but I could be wrong. We'll see how they perform together.

  • @barrycohen311
    @barrycohen311 Před 2 měsíci +1

    I have it. Great lens. Mine was made in 1949. Oldest lens I have.

  • @WayneKnight_Rider
    @WayneKnight_Rider Před 2 měsíci +1

    a couple things:
    1. it’s 4 elements in 3 groups, with aperture between first two elements.
    2. you’re de-centering is likely attributed to using the extension (not the helicoid) to focus.if the lens is not locked at full extension, it can easily de-center.

    • @Simonsutak
      @Simonsutak  Před 2 měsíci +3

      You’re right. My version is 4/3, not 5/3. 5/3 was the design for an earlier lens. And I agree on the alignment of the barrel when it’s not locked into its full extension. Many thanks, Simon

    • @lensman5762
      @lensman5762 Před 3 dny

      Could the decentering be due to the lens disassembly/assembly for cleaning etc?

  • @Skipsul
    @Skipsul Před 2 měsíci +2

    Nota Bene on the hood: There IS a small thread that can take a hood or filter, and there are hoods that thread into the front of the lens. Some of these hoods can hold various color filters. Kodak actually made a lovely set complete with hood and several filters, which I have. But they are not ideal as you cannot adjust the aperture once the hood is threaded in (well, maybe you can if you use a needle).

    • @Simonsutak
      @Simonsutak  Před 2 měsíci +1

      Many thanks - I’ll look out for that Kodak set.

  • @vi0lator
    @vi0lator Před 2 měsíci

    Really nice format!
    And good informative reviews overall, thanks! 🙌

  • @SomewhatAbnormal
    @SomewhatAbnormal Před 2 měsíci +4

    Love your reviews sir!

  • @ronaldwills9318
    @ronaldwills9318 Před 2 měsíci +1

    That was great Simon! I really enjoyed it. You are a fine photographer. 🙌🔥

  • @paultaylorphotography9499
    @paultaylorphotography9499 Před 2 měsíci

    Awesome episode Simon thanks for this. I recently picked up a cheap Canon L3 body only so started to source an LTM lens for it. On FB market place I found an Elmar with M adapter for 200 nzd I thought that was a decent deal. The lens arrived today looking forward to trying it out cheers 📷

  • @BabyChupppa
    @BabyChupppa Před 2 měsíci

    Hopping to see Sonnar Olympia f2.8 18cm early version on your review.

  • @nicusorapostol
    @nicusorapostol Před 2 měsíci +1

    Thank you for another great video

  • @aag24
    @aag24 Před 2 měsíci +1

    Excellent video. Thank you very much.

  • @MrM0n57er
    @MrM0n57er Před 2 měsíci

    Great look. Ill watch how it works. Thanks

  • @cdrkennon
    @cdrkennon Před 2 měsíci

    Gorgeous photographs from a senior citizen lens! These older lenses have unique color rendering. It makes me wonder if there would be a market for uncoated lenses? Retro is in. What would a modern uncoated lens render like?

  • @buyaport
    @buyaport Před 2 měsíci

    Thanks a lot for sharing your experience. A film camera is just a box with no relevance for the picture quality. It is only the lens that counts. This is also true for digital cameras with all the tech crammed into the box. I use this lens in a slightly newer version as well as a (non collapsable) 3,5cm from 1937 on my Fujifilm X-T30. Being an APS-C camera, the pictures are as sharp as they can be even in the corners. Their look can simply not bereplicated by more modern lenses. Nice.

  • @barrycohen311
    @barrycohen311 Před 2 měsíci +1

    I have a film Leica but I rarely shoot film anymore. I use this lens on a Fujifilm X-T2 with a similar type conversion tube as yours. And I can get Infinity to insane level Macro. I would estimate minimum focus distance at about 1 Inch.

  • @cabbelos
    @cabbelos Před 2 měsíci +2

    Hairy balls :D sorry. I've had one for a while because I found it for cheap (later factory coated in good shape), but haven't had much inspiration to use it. Then I found a 1932 standardized Leica I for equally as cheap, and boy howdy does the combination feel great. It is one of those things that is better than the sum of its parts. Like you said, there are less ancient and better lenses and cameras, but there aren't that many better combos than a Leica 1 + 5cm Elmar.

  • @skazhenyj
    @skazhenyj Před 2 měsíci

    I have a very, very similar Soviet copy (Industar 10 aka FED 50mm F3.5), and it's claimed that it won't hit the A7 sensor; not that I have tried to find out. I've also adapted it in a funny way, turning it into M42 lens, then putting it on the focusing helicoid (as I adapt any M42 lens, for up to 30mm variable extension). When I collapse the lens it reaches infinity, plus I have up to 30mm extension with the lens collapsed. Unlike with normal M42 lenses, I can extend the lens itself of course, and this double extension turns it into a real macro lens. To be honest, it feels nicer to focus the lens with the helicoid anyway, but it doesn't feel as "vintage", for those who care to use the tab. I can improvise the hood, but if the aperture is tricky to use without it...

  • @anamorphicalan
    @anamorphicalan Před 2 měsíci +2

    harry ball bokeh interesting lens

  • @campbells0ups
    @campbells0ups Před 2 měsíci +2

    i have lenses with the 'hairy' bokeh balls before i think its to do with opitcal fauls such as basalm seperation, lens seperation, or debris

    • @Simonsutak
      @Simonsutak  Před 2 měsíci

      Yes, I agree, I was careful to say "my copy". I'm not assuming this is a common model-wide characteristic. (Perhaps I should have said this too!).

  • @gschweiger
    @gschweiger Před 2 měsíci +2

    "If you ignore the hairy balls..." Sometimes they just get in the way. :)

  • @TheSittinDuk
    @TheSittinDuk Před 2 měsíci +4

    If you want to collapse it into a mirrorless digital camera, a cheap and reliable way to protect your sensor is to put 1 or 2 sturdy O-rings around the lens barrel. Makes for a very compact setup with an L39 adapter!

  • @mortenoen434
    @mortenoen434 Před 28 dny

    The Elmar has 4 ellements in 3 groups, not 5 in 3. It is a Tessar design, but with the apperture just behind the front element. You should correct this. Thanks for the video.

    • @Simonsutak
      @Simonsutak  Před 28 dny +1

      Apologies - I took the earliest version design. Sadly I can't correct this in the video, CZcams won't allow posters to amend videos after posting. But I have mentioned it in other comments.

  • @JuanBuhler
    @JuanBuhler Před 2 měsíci

    I don't understand how this lens, collapsed, could touch the sensor. Wouldn't that mean that on a film camera, it would touch the film?
    I tried collapsing a Soviet copy of this fully while on a NEX-M39 adaptor on the A7ii, and it doesn't touch. You can also mount on a film camera, with the back open (I suppose an M + adapter would be necessary for this) and check--it doesn't reach the film plane.

  • @yxx_chris_xxy
    @yxx_chris_xxy Před 2 měsíci

    What is this white art deco building in many of the shots here (around 5:15, for instance) please?

    • @Simonsutak
      @Simonsutak  Před 2 měsíci

      That's Chiswick House - an 18th Century Palladian style "villa" in West London. It's close by to where I live in Chiswick, and has lovely gardens to photograph! Even closer is a wonderful art deco building I sometimes photograph called Voysey House. www.voyseysociety.org/voysey/buildings/sandersons.html

    • @SheikhDjibouti
      @SheikhDjibouti Před 2 měsíci

      Art Deco 😂😂😂

  • @kruno7150
    @kruno7150 Před 2 měsíci

    Two weeks ago I've stumbled upon Canon Serenar 50mm f2 (Canon take on Leica Summar 50mm f2) from early 50's. Look & feel is great, not to mention historical value (and rarity, only 1400 was made according to some sources) however, performance not so good comparing to similar designs from same era (it's great but Biotar is better, for example)

  • @cncshrops
    @cncshrops Před 2 měsíci

    So, I'm prompted to wonder if there are examples of photos from the 30s or 40s that are as sharp as the images you have shared here. I've certainly never seen any, but I've mostly only seen published images poorly printed in magazines. I'm curious to understand the relative contributions of lens and film to this one aspect of the picture.

    • @druszaj
      @druszaj Před 2 měsíci +1

      Handholding slower, grainier film in those days along with possible loss in quality at the enlargement step from the enlarger lens and film flatness of the negative carrier would contribute to that. And I'm unsure of how much digital sharpening is being used here

    • @Skipsul
      @Skipsul Před 2 měsíci +1

      I've shot a lot of film on mine, and it is very very sharp. If you look especially for studio work, or later published collections that were made off the original negatives (some of Eisenstadt's retrospectives, for instance, because he held on to boxes and boxes of organized negatives), you can find very sharp and crisp images.

  • @CableWrestler
    @CableWrestler Před 2 měsíci

    The industar 50-2 is based on this lens

  • @DONTSASSMEBOI
    @DONTSASSMEBOI Před 2 měsíci

    CANT IGNORE THE HAIRY BALLS LOL

  • @omerkaya545
    @omerkaya545 Před 2 měsíci

    0:41 what do you mean by "still in production"?

    • @Simonsutak
      @Simonsutak  Před 2 měsíci

      I meant the Standard (without rangefinder) was still in production whilst Leitz had started to produce the rangefinder Leica II (pre WWII).

  • @volkanbadem6489
    @volkanbadem6489 Před 2 měsíci

    i think you should compare this lens with cheap industar lenses.

  • @MobiusCoin
    @MobiusCoin Před 2 měsíci

    Does the lens still focus to infinity on the M42 mount?

    • @Simonsutak
      @Simonsutak  Před 2 měsíci

      Yes on my M42 to Sony e-mount adapter.

    • @MobiusCoin
      @MobiusCoin Před 2 měsíci

      @@Simonsutak So you can increase the flange distance, decrease the minimum focus distance, but not sacrifice infinity focus? The more I think I understand how optics work, the more I don't know anything.

    • @yangcheng-jyun8542
      @yangcheng-jyun8542 Před 2 měsíci

      @@MobiusCoin This is only possible because this is a collapsible lens. Originally the lens can only achieve right flange distance when extended, with M42 adapter, it can achieve it when it is collapsed.
      Really a brilliant solution, although not that "vintage" looking.

  • @classic.cameras
    @classic.cameras Před 2 měsíci +2

    I have the Soviet rip off version of this lens. The Industar 5cm f3.5. I wonder how they would do in a competition?

  • @sclogse1
    @sclogse1 Před 2 měsíci +2

    Tagalog Word of the Day: Utak. Definition: [noun] brain; intellect; intelligence; mind; mastermind.

  • @jawats
    @jawats Před 2 měsíci

    The bubbles look like they've captured microscopic algae or fungi of some sort.

  • @neilb3299
    @neilb3299 Před měsícem

    lol. “Hairy balls.”

  • @bobamarmstrong
    @bobamarmstrong Před 2 měsíci

    Did I just listen to hairy balls x) ?

  • @bpelectric
    @bpelectric Před 2 měsíci

    I'd maybe suggest you avoid the phrase 'hairy b___s' (7:48) in future videos?

    • @raze3297
      @raze3297 Před 2 měsíci +5

      I'd maybe suggest the opposite. I like a sense of humour.