Oosthuizen Tiento de registro alto, Francisco de Peraza

Francisco de Peraza (1564 -- 1598) kwam uit een muzikanten-familie, en was organist van de Kathedraal van Sevilla, Spanje tot aan zijn dood. Het meeste van zijn werk is in de loop van de tijd verloren gegaan, en van deze Tiento (fantasie) wordt ook de herkomst betwijfeld. Een aparte moeilijkheid in Oosthuizen is dat de Rechterhand van de solostem ( de sesquialter) op centrale c begint, terwijl de Spaanse orgels de deling tussen linkerhand en rechterhand op c / cis hebben.
Door een paar keer de Sesquialter even dicht, en weer open te trekken (even snel tussen twee tonen door...) was het toch nog mogelijk dit prachtige compositie met zowel verstilde momenten als uitbundige coloratuur te spelen. Met een Chamade trompet zou het waarschijnlijk weer helemaal anders klinken, maar daar voor moeten we dan naar Spanje gaan!
www.wimstroman.nl
A member of a family of musicians, Francisco de Peraza was organist at Seville Cathedral in 1584. He continued there until his death. The vast majority of Peraza's many compositions have not survived. A Medio registro alto and the oldest surviving example of the Spanish tiento have been ascribed to him, although both attributions have been disputed. A special difficulty to overcome at Oosthuizen is the Right-hand Sesquialter solo wich starts from the middle c. The traditional Spanish instruments have the separation from left-hand to right-hand on c / c sharp. With some extra moving of the stop (just between two notes) the problem was solved. However with a Chamada trumpet it would have sound even more characteristically, but for such, one has to travel to Spain. www.wimstroman.nl

[@hsequeira7767]

Francisco de Peraza is an unknown iberian genius that deserves attention because of his genius and depression in his music,
you can really imagine hearing this on a barroque monastery with a lot of silent praying, the smell of incense burning

[@siralexandersequeira3rdcou12]

I don't consider this depression, but extremely catholic music, my tipe of music.

[@faneflycht3986]

This is all beautiful! The rawness of the "clarin" and the smooth base of " gedackt" and the general feeling of TIME passed.

[@totogabi]

absolutelly wonderful :)

[@youtubesketches110]

I love this recording and playing. I myself use the Calvert Johnson edition of "Historical Organ Techniques and Repertoire" to inadequately approximate this sound on American organs where I live.
-
I would love to travel to maybe get some qualified tips on trying this in Spain or even at this Dutch organ.
-
Alas, my best contacts are a few great Episcopal and Methodist organists who play here. Anyway, the next best thing is hearing this awesome recording where you help me imagine a quiet day in Renaissance Spain.

[@enziflex]

Dit is sfeer en genieten.
Bedankt !!!!!!

[@AntonioMarcosS]

Very Beautiful organ music. Very nice composer.

[@hsequeira7767]

Francisco de Peraza was Portuguese too his mother descended from Arouca in Porto, Portugal

[@avelinovazquezgroba4906]

Portugal era España na época de Francisco de Peraza ...Felipe II era o noso rei común...Ata Camões os portugueses considerábanse tan hispanos coma os casteláns...

[@hsequeira7767]

or in a private chapel that is quite peaceful