'La Vendetta' - Inside the Opera Studio: Workshopping Mozart - Sam Carl & Rosemary Joshua
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- čas přidán 28. 07. 2024
- British bass-baritone Sam Carl works together with Rosemary Joshua, renowned soprano and artistic director of Dutch National Opera Studio, and with piano accompaniment by répétiteur Lochlan Brown, on the aria 'La vendetta' from Mozart and Da Ponte’s Le nozze di Figaro. SUBSCRIBE to our channel for new video's every week: bit.ly/CZcamsNOB
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The Dutch National Opera Studio, started in 2018, is a young artists programme in The Netherlands, with international renowned soprano Rosemary Joshua as its artistic leader. Dutch National Opera Studio offers an exciting opportunity for outstanding young artists. The Studio's goal is to develop well-rounded artists by providing the highest quality training in combination with a wide range of professional experiences.
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#operacoaching #mozart #opera - Zábava
Fantastic Rosemary Joshua and Sam Carl....congratulations. I am in the same task: preparing to soon interpret "la vendetta"
Avec une professeur aussi belle ...on ne peut ! Que faire des progrès ! 👍👏
Geweldig om ook dit te zien. Als exzangeres weet ik dat coaching er zo toe doet en deze zanger is gezegend met een geweldige coach.
Comimenten voor beide.
If you find him ridiculous tjen you should go away and look for other art forms. Its not for you. You will never be able to aporeciate it. Just heard him sang Verdi's Requiem with three others. Suoerb and divine. He could not have done it without a prior toigh training.
Not personal, but opera singers in general sounds ridiculous, as in this typical case. After a while many of them even starts talking in the same manner they bark and it becomes even more comical.
Opera singers sound ridiculous cause true or correct operatic technique has been lost. Due to a bunch of modern trends from singers, directors, etc. changes were made since the 50s, and now half of operatic bases sound like they have a frog in their throat. If you listen to people like Maria Callas, Renata Tebaldi, Maria Di Hidalgo, Jerry Hadley, George London, Luisa Tetrazzini, Rosa Ponselle, and Claudio Muzio (I know it's a long list, you definitely don't have to listen to all of them to get the idea), you'll hear they sound much more natural
@@yonboi6644 Yes, when you say it I hear it clearly. He actually is trying to imitate a frog sound instead of using his natural free voice. Who am I to know, but maybe there are some roles where the frog sound is required by the composer, then he can travel around the world, on state cost, and doing these roles for a living.
NO