Intermediate Lighting with Joey Quintero
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- čas přidán 30. 10. 2016
- Join Joey Quintero from Impact Studio Lighting. This Intermediate Lighting Class goes beyond the essential principles, techniques, and tools for lighting covered in the Intro to Lighting basics. Joey demonstrates how to light the classic headshot, beauty shot, and the particulars of shooting a fashion catalogue.
Accentuating ratios in lighting, Joey shows you how to accurately utilize a light meter for the desired result and discuss what light modifiers are commonly adopted. Those wanting a better understanding of light will find this class a great foundation to learn the necessary skills and will gain insight into the process of getting THE shot.
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Thanks BH! I've been learning so much from all of these videos.... One thing that I can take away from almost all videos/ speakers, is that every successful artist needs their own creative thumbprint :)
People watch 10 minutes of a almost 2 hour Video and give it a 👍. It's a dismissive complement, "Ya, ya whatever, it's good".
Lucky for B&H it didn't go the other way. I'd want to see more than that before giving it my personal recommendation, similarly I'd want to see it well off track before dismissing the work. I try to ensure I properly _filter_ anything appearing in my Playlists.
PS: Thank you B&H for sponsoring these excellent quality in-depth Videos that go up from time to time. Some don't understand the effort and the expense of a short well produced Video.
Thanks so much for this video. I'm very much a beginner, and do mostly landscape so I never really needed to worry about setting up lights and using modifiers. However, as I delve further into my photography I find that I want to explore as many facets as this craft has to offer. This video is, by far, one of the most informative I've seen, and has been immensely helpful in clearly explaining the fundamentals of lighting in photography.
he just suggested I go broke for my photography, I was broke to begin with so I'm starting with an advantage!
again a huge video content, ty B&H and Joey Quintero in this one.
Great presentation, really valuable for me. Thanks.
Joey, you are a master, thx for the invaluable info.
Very good teaching, many thanks from Austria.
Great toturial, good information. ....regards from South Africa
Excellent, thanks!!!
The man asked for three-five...lol. Very meticulous, love it!
priceless!!!
well done!!
Excellent
I have taking pictures since 1982$ and I have not heard anything that I can disagree, he is easily to understand, he didn't get people lost, most people don't know about ratios, they let the camera computer do the work, I love to take total control.
Love this stuff. Thanks. I think Joey needs a spot meter so he doesn't need to send his assistants on hikes lol
two minutes tô realize that's a Good Guy and open mind!
Great tutorials, B and H.
One observation though, it would be nice if Tutor can actually tell us the exposure settings used for those magnificent shots, especially where Joey dragged the shutter. Didn't actually tell which shutter speed he used.
Your thoughts and teaching is very great
There's some beautiful work on his Website: www.fotoquintero.com/ located a few blocks away from B&H.
Hello Joey Quintero, I love what I'm getting a lot from this. I just wanted to understand how you pracice at 2am without a model. What exactly do you use?
I would assume a variety of objects up to and including a mannequin could be used, however if I would recommend reaching out to Joey directly for specific information: www.fotoquintero.com/
*Andrea
Thank you Andrea
Isn't 8:1 3 stops instead of 4? 2x2x2=8.
Love the presenter, but please B&H a video with a presenter talking to a TV in the background is hard to watch. Sometimes you showed the TV full screen, but usually it just seemed like a prop in the background and I couldn't always see what Joe was referring to
is it me or is this guy not wrong isnt F8 1 stop under (darker) than F5.6?
Not sure exactly what point in the video you are talking about but its all terminology. Stopping down means the image is getting darker but the F stop is actually going UP. So depending on how you say it you could say stop down from F5.6 to F8 or you could say increase your F stop from 5.6 to 8. Its all a bit confusing and needs more context.
First 10 minutes reminded me of all the horrible teachers I had growing up and couldn't bare to watch the rest.
1:8 is 3 stops not 4!
Gavin Berry I agree
anf i ve dont understand why f5.6 become f8.0 for the background ?!
Waisted time!
You can do lighting with a soft box, that's for sure. But, you absolutely can NOT do classic portrait lighting with a soft box, umbrella etc. Classic Portraiture can only be done on one subject at a time. The light must be in a 12 to 16 inch parabolic reflector fitted with barn doors and it must be at an exact distance from the face. To close and you burn out the highlights, to far and you will have a flat image. The type of face will determine if you should use a short or broad loop lighting...narrow face use a broad loop. Also, the goal should be to make the face into an oval if possible. Obviously scars, bent nose etc, will need special consideration. The fact is that the with the advent of color film and the necessity of using softer light sources like umbrellas has set the art of the portrait back 60 years. Sad but true. No photographer living today can touch the images produced by the likes of George Hurrell and his fellow studio photographers from the 1930's and 40's. And one of the reasons why is that they knew lighting and posing inside out. Another reason is you will never be able to achieve a classic portrait with a 35mm camera...it is virtually an impossibility. You need an 8X10 view camera and Fresnel lights, or parabolic's with barn doors. Photography other than what I have stated is a compromise on the quality of the masters of light of the bygone days of Hollywood. Like the movies coming out of Hollywood today most of the photos you see being produced by photographers today are just crap. I am not saying that there aren't plenty of talented photographers out there with a thousand times more talent that I, I just don't see anyone today engaging in what I would consider to be classic portraiture. Take a look at some family studio portraits in an old trunk in the attic of you great grandparents you may find that in the days of the early 1900's through the 1940's that even the small town photographer was producing some really wonderful portraits. I marvel today at how they managed to do it. We may have auto focus and 20 frames a second on our cameras today but something important has been lost, and in my opinion, the Art of Photography had been sacrificed to the Science of Photography.
I'm kind of baffled that he does not even know what High Speed Sync is. Responding to the question at 1:06:50 whether he uses HSS he says he shoots only in manual mode and goes on about TTL in contrast to it for quick results. It seems like he actually doesn't even need HSS. All his examples don't need it. He always chooses an aperture small enough so he accidentally stays within the regular sync speed of his camera, even without a leaf shutter. Wow. Or should I rather say "Shame on you!"? :-D
I play at 2am with some coke.........................................coca cola
Sooooo this guy talks in a way I don't comprehend. I understand the meaning of the words but not the sentences as they are structure. He talks about things that are totaly abstract to me. Except f stops I understand that.
unfortunatly my brain cannot comprehend math like this. Frustrating to say the least.
Excellent