One of the most elegant, graceful, and ethereal performances Iâve seen yet. Barron always stands out as a remarkably innovative improviser who still respects the traditions of the past. He floats so easily in and outside of the beat with incredible rhythmic control, while playing seemless, brilliant lines that showcase his remarkable creativity. The drummer is swinging with remarkable precision and the bassist has a lovely tone. Amazing performance!
Hey, currently working on this and lil error, thought id throw it your way so you can edit the PDF file! Measure 39. The 32nds Bb and A down to the G is incorrect. I was hearing just a Bb there, but I think maybe you heard the 32nds because he actually plays both Bb, A, and G(I think). However, the Bb is the voiced and loudest note in that moment. If you watch his hand in that moment, its something like this. I could be a bit off, but it's definitely not a G with the 32nds preceding it. Either way, thanks for the transcription!!
1:59 Bar 89 tho đ Are you sure this is the correct rhythm though? Why does it feel like the Bb is pushed before the bar. Are you sure it's 6 crotchet triplets? It sounds more like 4 straight quavers plus 3 crotchet triplets (7 stabs in the bar not 6?)
Measure 54 is incorrect. The quarter-note triple starts with the D on beat 2. Itâs not qn triplets on 1s and 3s. On beat 4 itâs E ad G for two of the three triplets, the third being F# and A. Those are tied over to another eight note triplet on beat 1 of the next measure, followed by G and Bb after the downbeat, whereas A and C are on the downbeat of 2. Just like the last three measures of the solo
how about you shut the f*ck up and appreciate the fact that this man worked incredibly hard to transcribe Barronâs SOLOING hand and give it to the public to follow along with for free!? I canât with you trolls that comment shit like this. So incredibly rude and arrogant. If you want a two handed solo, you got two options: do it yourself or ask in a less condescending tone. âGood beginningâ when the dude or gal transcribed 95% of the solo đ€Šââïž
If you can comp over autumn leaves then youâre not ready to be playing this transcription in the first place. The chords are clearly written above the movements, as is common in jazz with literally every single lead sheet youâll ever look at. So why not just appreciate the hard work that was put in to transcribing the actual solo, instead of complaining because you donât know how to play the changes to one of the most common jazz standards in existence.
Very nice đđŸ
Brilliant! The best autumn leaves solo I've heard so far! I could play it over n over...
Couldnât agree more
One of the most elegant, graceful, and ethereal performances Iâve seen yet. Barron always stands out as a remarkably innovative improviser who still respects the traditions of the past. He floats so easily in and outside of the beat with incredible rhythmic control, while playing seemless, brilliant lines that showcase his remarkable creativity. The drummer is swinging with remarkable precision and the bassist has a lovely tone. Amazing performance!
i couldnt help but be happy after hearing Kenny even if i was dying leaves.
Fantastic solo. Kenny is one of the greats.
Killer transcription! Love this solo
My favorite Autumn Leaves solo!
An absolute legend. If Einstein had become a musician he wouldâve been Kenny Barron.
I think he would still be Einstein. He would just be a musician, i doubt he'd change his name
What a master piece. So much to learn!
Solo eccezionale. Barrow grande musicista!
Beautiful & sophisticated.
Beautifulđ Bar 89 was sublimeđ
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Very nice piano solo !
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Hey, currently working on this and lil error, thought id throw it your way so you can edit the PDF file!
Measure 39. The 32nds Bb and A down to the G is incorrect. I was hearing just a Bb there, but I think maybe you heard the 32nds because he actually plays both Bb, A, and G(I think). However, the Bb is the voiced and loudest note in that moment. If you watch his hand in that moment, its something like this. I could be a bit off, but it's definitely not a G with the 32nds preceding it.
Either way, thanks for the transcription!!
Can you reload the vid to include the beginning please?
Calt7 at bar 68. Great transcription tho
Badd Catt!
1:59 Bar 89 tho đ
Are you sure this is the correct rhythm though? Why does it feel like the Bb is pushed before the bar. Are you sure it's 6 crotchet triplets? It sounds more like 4 straight quavers plus 3 crotchet triplets (7 stabs in the bar not 6?)
The chord change after A half dim is Dalt and Gm(maj7), not D7 Gm7
Same thing
0:16 Bar 11 1:52 Bar 82 1:57 Bar 87 I hear that phrase everywhere! Is it a quote of something?
Probably has an original source somewhere, but it's really just a cliche blues lick!
Measure 54 is incorrect. The quarter-note triple starts with the D on beat 2. Itâs not qn triplets on 1s and 3s. On beat 4 itâs E ad G for two of the three triplets, the third being F# and A. Those are tied over to another eight note triplet on beat 1 of the next measure, followed by G and Bb after the downbeat, whereas A and C are on the downbeat of 2. Just like the last three measures of the solo
Measure 54 appears to have only 3 beats?
Well 89 I'm pretty sure the Bb is pushed (not on the first beat of the bar)
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Who are the other players?
0 dislikes. So perfect
edit: FUCK
You shouldnât have said that.
Good beginning, but Kenny Barron clearly plays with TWO hands, so please complete this transcription soon, thank you!
Still pretending like you can read music eh?
how about you shut the f*ck up and appreciate the fact that this man worked incredibly hard to transcribe Barronâs SOLOING hand and give it to the public to follow along with for free!? I canât with you trolls that comment shit like this. So incredibly rude and arrogant. If you want a two handed solo, you got two options: do it yourself or ask in a less condescending tone. âGood beginningâ when the dude or gal transcribed 95% of the solo đ€Šââïž
If you can comp over autumn leaves then youâre not ready to be playing this transcription in the first place. The chords are clearly written above the movements, as is common in jazz with literally every single lead sheet youâll ever look at. So why not just appreciate the hard work that was put in to transcribing the actual solo, instead of complaining because you donât know how to play the changes to one of the most common jazz standards in existence.
Cant*
What a shame
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