The build up towards the end is breathtaking! Full organ and then fuller organ and even when it is finally at fullest, it seemed that there could be even more! Well done, sir!
I like very much this movement, perhaps one of the most remarkable ideas by Handel: it is also found in a very beautiful version in a trio sonata in F major in which the violins interlace in a fantastic natural way. Congratulations from a Brazilian organist!
'Gemma Bovery' "The taste for beautiful things which leads her to the expense cannot satisfy this young woman who suffocates in the cramped society. If love is her ultimate hope, her thirst for ideal, for beauty, for greatness, drives her back. to a point of no return. "
Thank you for the elegant performance! It is a wonderful interpretation, even without the orchestra. Also applause for the nice video editing showing different angles including the feet. Bravo! I am curious about the section from 2:35 to 2:55. Am I mistaken or are the topmost and bottom-most keyboards producing the same sounds?
The build up towards the end is breathtaking! Full organ and then fuller organ and even when it is finally at fullest, it seemed that there could be even more! Well done, sir!
I like very much this movement, perhaps one of the most remarkable ideas by Handel: it is also found in a very beautiful version in a trio sonata in F major in which the violins interlace in a fantastic natural way. Congratulations from a Brazilian organist!
'Gemma Bovery'
"The taste for beautiful things which leads her to the expense cannot satisfy this young woman who suffocates in the cramped society. If love is her ultimate hope, her thirst for ideal, for beauty, for greatness, drives her back. to a point of no return. "
Wow
Very Nice
Can someone help me figure out what registration he’s using at the beginning
8' Diapason on the Great, 8' String and String Celeste on the Swell, 8' & 2' Flutes on the Choir
@@arambasmadjian I can’t thank you enough man. Your registration was golden for this piece
@@SoggySandwich80 Thank you, and you're welcome!
Thank you for the elegant performance! It is a wonderful interpretation, even without the orchestra. Also applause for the nice video editing showing different angles including the feet. Bravo!
I am curious about the section from 2:35 to 2:55. Am I mistaken or are the topmost and bottom-most keyboards producing the same sounds?
The top manual has an extra mixture stop pulled out I believe
Ear Candy