Professional Boom Operating Techniques | Part I

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  • čas přidĂĄn 29. 03. 2021
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Komentáře • 19

  • @reelnationmedia
    @reelnationmedia Před 3 lety +12

    Sound is the most underrated position on a film crew.

    • @TechBlokeUK
      @TechBlokeUK Před 3 lety

      Until you get to post ...... :-)

  • @SourceAwareness
    @SourceAwareness Před 3 lety +2

    Thanks Jason and FilmSkills crew! Pure Gold here!

    • @FilmSkills
      @FilmSkills  Před 3 lety +1

      Thanks so much! I am glad you like our tutorials!

    • @SourceAwareness
      @SourceAwareness Před 3 lety

      @@FilmSkills I love them, and would love to take Jason's film school course once my finances improve. Much love for you Awesome Folks!

  • @alexanderfamily
    @alexanderfamily Před 2 lety

    Fantastic videos!

  • @satish8889
    @satish8889 Před 3 lety

    Thank you

  • @thebluetroops1588
    @thebluetroops1588 Před 3 lety +1

    I watched your two videos only and now I will be your regular viewer

  • @robintubes
    @robintubes Před 3 lety +1

    Is there Any Process and Probogan To Join With Your Team

    • @FilmSkills
      @FilmSkills  Před 3 lety

      Yes, members of FilmSkills Unlimited are invited to our shoots to either watch or participate if they want hand-on training.

  • @JimRobinson-colors
    @JimRobinson-colors Před 3 lety +1

    I don't understand that if the point of position where the balance and position is the body - why is there not a pole that goes to the ground to support the pole - like every c-stand or fixed mic boom stand. Seems like to me that this is how it was done traditionally and then grandfathered down through time. It would be like a camera operator holding a jib with their arms. Makes no sense to me - I watched this to see maybe why? Still have no idea the advantage of holding your arms up to hold onto something that could be supported and operated pretty much exactly the same way.

    • @FilmSkills
      @FilmSkills  Před 3 lety +5

      Because, actors move. They not only move physically through space, but they also turn their heads. When you’re using a shotgun or hypercardioid microphone with a narrow pick up pattern, you must constantly re-position the microphone when the actors turn their heads to ensure their voice falls inside the pick up pattern. There are times that we do use a stand to hold the boom hole, but that’s limited to interviews or shots where the actor does not move their heads.

  • @AIishereFOR
    @AIishereFOR Před 3 lety +1

    GREAT TUTORIAL! THANKS! but too expensive to me :/

    • @FilmSkills
      @FilmSkills  Před 3 lety

      Do you know we offer a great subscription that lets you choose 5 new lessons each month for $49? You can learn more at www.training.filmskills.com/fst/subscription/build-your-own-course-5-1

  • @user-zv7lm8uk7h
    @user-zv7lm8uk7h Před rokem

    2:23 what movie?

    • @ootaviooo
      @ootaviooo Před 9 měsĂ­ci

      That's Sucker Punch, isn't it?

  • @teacherofteachers1239
    @teacherofteachers1239 Před 3 lety

    I'm not even two minutes in and already learning. This series wastes no time.

    • @FilmSkills
      @FilmSkills  Před 3 lety +1

      That's how I like to approach my training courses - there's so much materials, there's no room for fluff.

  • @davidclein
    @davidclein Před 3 lety

    Thank you