Super Simple Mixolydian MODE | Music Theory | Guitar Lesson
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- čas přidán 10. 05. 2024
- 00:00 INTRO & DEMO Performance
02:00 Review C Major Scale on 2nd String
02:54 Review D Dorian Scale from last lesson. (b3 & b7)
03:55 Let's learn Mixolydian Scale (b7)
04:40 R b7 9 b7 R 5 (Melody)
05:50 Funky Mixolydian = 6ths
06:13 - 07:02) Funky 6ths
07:30 Melody - C7 (Mixolydian Phrase)
08:39 Mixolydian 6ths
10:35 About My Two-Rock TF Signature Amp
11:27 Sea Turquoise Delay
12:17 Beetronics Vezzpa Fuzz
14:15 G Mixolydian Scale
Ibanez AZES31-IV (Ivory)
Two-Rock TF Signature Combo
One Control Prussian Blue Reverb
One Control Sea Turquoise Delay
Beetronics Vezzpa Fuzz
Providence Cables E205TF
D'Addario ECG25 CHROMES (12-52)
Pickboy Vintage Classic 1.00 TF Signature Pick
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(135-22) - Hudba
One of my favorite Guitar Wisdom lessons. Great idea to revisit this to start off another week of learning how to make great music on the guitar. Thanks!
So great to hear that. Please use these videos for reviewing!
Tomo starts jamming: “This has nothing to do with the lesson so don’t worry about that”
Lol I love this channel
Thank you so much!
Oh wow that intro performance was amazing
Thanks so much!
I really enjoyed this video because: 1. I like how you use an inexpensive guitar & make it sound like $1,000,000,000.00. 2. Single string approach to Mixolydian was VERY HELPFUL. 3. You’re approach is very friendly & inspiring. Please keep doing what you’re doing. Btw… I am a guitar wisdom subscriber & can’t get enough of your lessons. Thank you for making my guitar pursuits a little brighter!!!
Glad you liked it!
Thanks so much for subscribing my Guitar Wisdom!
It's amazing how fluent you are with the guitar. Thank you sir!
Thanks so much!
Always watch till the end! Those harmonics wow! Amazing! I'm learning so much, thank you.
Glad you like them!
Wonderful lesson, thank you!
Also love the idea of having a little “tone treat” as a reward 😋
You're so welcome!
Interesting lesson Mr. Tomo, hopefully I'll be able to incorporate this into my practice routine, thank you 😊 🙏🏽
You're welcome! Please enjoy!
Every time I watch your videos I learn something new. Thank you!
Glad to hear it!
I love this guy , his delivery is perfect , videos are great !
Glad you like them! Thank you!
I really appreciate you going over modes
You're welcome!
You have to love and respect a guitar teacher that combines play and learning in a lesson.
Tomo Fujita, kurete arigatou
Thank you so much!
thanks for such a great lesson from you.very easy to learn.
You're welcome!
Thank you for another great lesson 🙂
My pleasure!
Profesor fajita , I love your lessons
and how easy you make them
Thank you
You are very welcome
TomoFujitaMusic channel is an inspiration. I love that guitar
Thank you Fujita
Glad you enjoy it!
Thank you. Understand the scale now, but will take some time to play and use it the way you did. :)
You're welcome! Great to hear that.
Amazing video 🤩😍😍
Glad you liked it!!
The lights on the pedal match the lamps in the back lol
Great job 👍
Yes it does! Thank you!
Excellent 👌 thanks
Thank you!
Dont care how old is that song, the Tequila always makes me giggle. So funny
Great!
5 Ibanez’s in the same shot, sheesh sensei
Thank you!
Gold 👏👏👏
Thank you!
Very cool lesson Sir.. Thank you.
Glad you liked it!
Sir if someday you would be kind enough to elaborate exactly what goes on inside your head when improvising and also what is the ideal frame of mind we should learn to develop before a gig... Thank you so much master...(bow)
Thank you! First you need to understand two stages: Practicing v.s. Performing
Another fantastic lesson. Dorian = Minor 3rd and Mixolydian = flat 7th changes within the major ionian scale.
So great to hear that! Thank you!
Song is Tequila, played it on the trumpet in high school.
Good job!
Brilliant funk jazz
Thank you!
This sound is sweet
Thank you!
Tomo I just learned Major 7 (Ionian), Dominant 7(mixolydian), Minor 7(Dorian) are all related! thanks
Good job!
I wish i could be one of his lucky students. This man is so brilliant.
Thank you so much! You can join my Guitar Wisdom!
my favourite mode on the saxophone
Awesome!
Man, you got a lot of Ibanez guitars! What do you enjoy about them? Awesome video by the way.
I have worked on these guitars with Ibanez!
AZES Official Ambassador : Tomo Fujita (Berklee College of Music Professor)
www.ibanez.com/usa/news/detail/20210906153655.html
4:26 Tequila!
Yes!
Tomo!
Cool foot switch on the Two Rock, but talk about what's under the hood. 🙂
😎 ...........🎶🎵🎶
Thank you so much! How you have a great day!
Thank u.
You're welcome
Tequila! Was that song. Salud 🥂
Good job!
You are too good
Thank you!
I have been loving the guitar wisdom lessons but I have been wondering if you knew of anything similar for piano? I am having a hard time finding anything just like it.
Thank you so much! Piano Wisdom!
This is great, thanks Tomo!
Glad you liked it!
@12:53 very close to another mixo melody, Melissa by the Allman Brothers Band
Thank you!
Will your guitar wisdom be useful if I only play acoustic. Right now I'm primarily a bluegrass and church musician. Thanks.
Yes! I have so many lessons with Acoustic guitar. Thank you!
master, what is that walking line at 3:25 ?
Thank you! Please watch this!
czcams.com/video/SSs3oV6of0I/video.html
@@TomoFujitaMusic both great videos, thanks so much mr fujita :)
The song was Tequila!!
Good job!
That first jam has some AWB in it
Thanks!
No wonder that fuzz is so expensive, so beautifu
Thank you!
(C) C,C-,C#dim, Db,Db-,D-,D,Ddim, D+, D#dim,Eb,E-,Edim, F-,F, F#dim, G-,G,G#dim,Ab,A, A#dim,Bb,Bb-,Bdim,B-,B. No modes, it's about the chords.
Being tonal center C E G:
if any of these notes is altered in the xhordcpalette another has to exist in the chord selection. If they're not in the chord then no problem. If one of the notes of the tonal center triad is altered in the chords palette and is the only one then it has to have the leading tone i e. G#dim. Hope you understand.
C Ab+
Concern:
Resolve tensión
Voice leading principles
Thank you for sharing!
Just avoid clashing melodically speaking. No modes. No chord borrowing no parallel or relative mode. Chord Palette, tonal centers
Good job!
@@TomoFujitaMusic C C#dim D Eb Ab F#dim Gsus4 G7 Cmaj7, in correct relation to weak and strong. Melody, the chromatic scale like the harmony let's it be.
Wow. So every time I thought I was hearing minor pentatonic it was actually mixolydian?
The inlays are actually DOMINANT PENTATONIC.
It's a different pentatonic scale...but if you get it under your fingers.
It'll separate from a lot of guitar players.
The intervals are ( x = option or passing notes)
I personally use penta scales with 3 options...not just one)
Notice the b3 Option/passing note ????
1...x...2.....x....3.............5............b7..x....R DOMINANT penta
Within are also 5 modes
1...x...2...............4.............b6......b7...x...R
1.............b3............b5..x..b6.......b7...x...R
1.............b3........4...x....5..x...6...............R ( dorian ish)
1..x...2...x.....3....x...#4...........6...............R
Anyways.....aside from being FUN and sounding wickage cool
to play 12 barr blues
using dominant penta to vamp over each chord
A7.......D7......E7
or
E7.......A7.....B7
There's wazoo of mixolyian ish...MODEs from other scales.
If you were used to playing those passing option/passing notes
these other modes will easier to learn.
You'll get used to it...dont over think it.
it took me less than 6 months to play it/memoize the entire fretboard like that back of my hand..just like the regular minor or major penta.
In stead of trying to find short cuts.
It helps if you knew the modes with minor penta.
I knew them...so modes within the dominant penta was easy for me.
Anyways..
Mix
mix #2
Mix #4...............lydian dominant
Mix #2, #4
Mix b2
Mix b6
Mix b2, b6..........( phrygian dominant)
Mix b2, #4
Phry b4 ( it has b3 and Maj3) b4 is enharmonic to maj3
loc b4
dor b4
if you combine
dor b2, #4...and Mix b2, #4 = Full dim H/W
In a nutshell you can play MAJOR. min. DOMINANT or dim chords
every b3 interval
G7.......Bb.........Db.........E7
You should be used to playing G7 into C MAJOR or C min
and..............................................E7.into A min
The Bb and Db are N6 chords..
Some jazzy heads call the Db..Tritone sub of G7
I personally color those chord to whatever I want
maj7 or aug if I what....
Some times I'll even vamp it over the vi chord...
MAJ or minor and DOMINANT every b3 intervals...right ???? RIght :-P
The chords at 3.43 ....which have nothing to do with the lesson.... were the most interesting part of the lesson.
Thank you! That's just like in private lesson... I play something intersting... then...
TEQUILA!
Good job!
What triads or diads are you playing in c mixolydian?
You can watch a few more times. You will get it!
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