Woman of Tokyo / 東京の女 (1933) (EN/BR/RU/PL/ES/FR/IT)
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- čas přidán 5. 08. 2012
- 1933, silent, black and white. Directed by Ozu Yasujiro. Starring Okada Yoshiko, Egawa Ureo, and Tanaka Kinuyo. Subtitles in English, Brazilian Portuguese, Russian, Polish, Italian, French and Spanish. 1933年。小津安二郎監督。無音映画。
- Krátké a kreslené filmy
![🌸 The Cherry Orchard: Blossoming (2008) | Japanese movie [English subs] [HD]](http://i.ytimg.com/vi/C3nf1MFCNzE/mqdefault.jpg)
Spoiler warning: one of the comments further down ruins the movie, do not read the comments.
アップして戴きまして有り難う御座います❗
本作は小津監督の初期の作品ですが、こちらでも「小津ワールド」が、描かれ、冒頭から、「足袋」が、干されて、又足袋の穴空き、「岡田嘉子」の「タイプ」シーン等、繊細映像されています‼️それにしても「岡田嘉子」さんが、綺麗ですね🎵
まさか「ソ連」に亡命「❔」して悲劇のヒロインになるとは‼️
改めて当時の風景、哀惜感等、有り難う御座いました❕
四回見させて戴きまして、感謝申し上げます‼️
壁紙クロスが現代的だし、照明器具も現代的でしたね。最新の設備が垣間見えます。
当時としては最先端でしょうから古臭くは見えませんね。
Suggested soundtrack selections that can be found on CZcams, to accompany this silent film:
>> Hiroshi Yoshimura (吉村弘) - Wet Land (1993) [Full Album] (30 minutes)
>> followed by the beginning portion of Brian Eno's "Thursday Afternoon" (60 minutes total length).
These two ambient works smoothly match the pacing of this Ozu masterpiece.
...
Fantastic suggestions, thank you.
Thank you.
Los subtítulos en español no están muy bien, son confusos. Si pueden, seleccionen los subtítulos en inglés, están mucho mejor.
What a great film. Completely silent and you hardly notice. You can really see how good the editing is. (This is a trick if you want to actually see how a film is: turn off the sound!) The lighting and performances are top rate. The film just appears so natural-showing Ozo’s mastery of “Hollywood style” filmmaking. I’m always surprised by how good Ozo is.
Dou mean OZU? not OZO?
Saw briefly the cast of and motion picture, "If I had a Million", specifically Charles Laughton's vignette, "The Clerk".
Does he kinda look like Buster Keaton? The fact that there's no sound, helps the affect. Don't read the next post unless you want to know what happens at the end of the movie.
このきれいな女優さん誰だろう・・と思ったら岡田嘉子さん！この5年後にソ連へ亡命ですね。
そう、杉本良吉氏と共に……。その杉本氏は逆にソ連からは疑いをかけられて、殺されたという……。
15,40 -1 celular-- el cine silente nipon mas natural que el gringo--peculiar secador de calcetines y como lo hace con el aditamento que se ve al fondo-- sapiencia asiatica--
昨日は同じサイレント「非常線の女」先程は「大人の絵本、生まれては見たけれど」を「毎日」ランダムに「小津ワールド」に触れいます😅😢
しかし小津さん「東京の「タイトル」好きですよね😅😢
何故か、私には「良く解りません😅😢」お恥ずかしい限りですね～😅😢
同じサイレントでも「コミカルな作品が」ベストです😢
せっかく「美しい「岡田嘉子さん」」は却って「非常線の女」の方が、良かったです✨
皆様は「どの様に」思いますか?
「ソ連」に「亡命」した「岡田さん」を「小津監督は「どの様に思ったのでしょうか😅😢」」
لر،ا
ح مز،
A lot of Japanese people in 21st century cannot understand why Ryo had to commit suicide.
Today`s Japanese are very different from 1933 when this movie was made.
MrEjidorie Thanks for the Spoiler Alert Warning :-/
In my research in Japan, the people born in the post-war period, meaning after 1964, do not have the old way of Japanese. Perhaps this is best because the old way of thinking led to a disastrous war.
Hey asshole, add SPOILER ALERT
I guess these inevitable steps of Japan towards modernity and the ability or willingness of individuals to take them but still conserving kindness and emotion are a main theme of Ozu. Especially impressive to see it here, in a film from 1933, when the the Second World War hadn't taken place yet and one could argue (although I'm by no means an expert on the topic) that modern themes of sexual liberation as well as American cultural influence wasn't as strong. Still it is Ozu's focus.
Maybe there's a hint there that even without overt Americanization and aftermath of the war, emancipation was sensible in Japan of the 30s and would have been on the rise regardless.
Thank you so much for uploading these superb silent and sound Japanese films. I am playing these back to back, and am loving them. 🎉