Andrew, I regularly use/rent the bigger tubes, and one accidental turn on safety measure we do is turn the dimmer to 0% on all lights before packing them up. If they turn on, they use up none of the battery.
I feel like I've become a pro in lighting just by listening to you for 17 mins. The amount of knowledge based on actual real world experience is staggering. Better than film school. Here's a sub.
Hi Andrew greetings from Indonesia. I always watch your video for lighting review.. really love your detailed and comprehensive review.. this is truly what I really need to see in light review. Thank you!
Update: Nanlite has a new transmitter for the app for about 90 bucks or so - Nanlite WS-TB1 Transmitterbox. Makes the whole Nanlite LED family even more interesting.
"Not some RGB mix crap." - quote Andrew Lock That's one of the reason I like this channel. :D Update: just bought two of those directly from china and sure as hell the switches are in chinese as well as the menu by factory BUT you still have an english language menu option to switch to ..... you just need to find it. ;)
man how do you already have this? its still preorder. Do you do a + 12 green in 3200k as well? Do you guys know what powerbank hes using? Im not sure if he actually replies to comments
The power bank I use is WOPOW. I have the lights default set to +12 green all the way through. The distributors get test samples prior to release, these lights are two of those. I try to reply to everyone but CZcams is not notifying of all comments, I only found yours by scanning through.
@@gaffergear I just purchased these lights. When you say +12 Green, because it's set up G/M - I assume dialing in '-12' is actually +12 in the direction of green correct? If so that lines up pretty closely to my old Minolta Colour Meter ll.
@@nicholasandrewsCSI at 08:06 you can see how stupidly pink these lights were, Im guessing they must have tweaked the settings since I filmed this. I was surprised I was sent a light for review that was this far out to be honest!
It's a nice idea but not having the phone connectivity is a big negative and why I decided not to invest in Nanlite on the whole. Love what the lights do, but it lacks the control of other lights.
Great video. Brought a question to mind. Can you do a video explaining how to understand the gels you would need based on the Delta UV value you get when using a color meter?
Thanks for the very good explanation of this light, I have just buy one of this light and I think it’s a nice little and very flexible light for many things. I like to make some light painting together with my Olympus camera and it works really good. Keep up your good work.
Do you (any of you) feel that LED tends to be flat? Less dynamic than almost all other light sources? How far away from completely light a feature or series with LED light sources? I’m sure their are already productions that are full on LED, even in their practicals. But do they look comparable to those shot old school?
You're not wrong. There is actually a scientific reason for this. If you take a look at the spectrum reading of most modern LEDs you'll see they've smoothed out the curve for the most part, but there is still a giant spike in the blue part of the spectrum. This is where you start to see it getting "off" for the most part it is fine, and can look really good, it just doesn't render skin tones that great, like for example a tungsten would. NOW, there are some exciting developments in the chemistry of newer diodes. I saw a demo at cinegear last year where quasar was showing off a new diode chemistry, with that blue spike completely removed. They had a demo light there, and I was able to shine it on my skin in a dark part of the booth. Let me tell you my eyes were blown away. It looked like natural daylight. I think these diodes are still a few years off from mass production, but I'm excited for the future of LED.
Benjamin Carroll Thank You. What can be done to aid the LED’s available now. I’m looking to invest heavily in LED lighting as I see nothing but upside for the future. What solutions are Gaffers and DP’s coming up with to help the LED lights.
Love this review! Definitely interested in these for sure. Do you think a right angle USB-C adapter could fix that issue of running them off external batteries? Thanks for everything you do, I am a wiser and more safe Set Electric because of your content.
Was looking into that 45° plug idea myself but couldn't find a fitting one. They either hit the - (minus) button or are to curved to plug in because they are designed for phons. If you find something fitting please post a link. Should be great.
Hi Andrew,. thanks again for the fully comprehensive test. So in terms of the CCT test you did, the results from 2700K to 7000K were done with the +/- green set to 'Zero' (thus the poor Planckian curve results). However to get the best results you need to set each light to +12 to +15 Green to get the best results?? Nanlite really need to get on top of this issue with the Mixpanel having similar issues but worse results as the dimming doesn't link with the +/- green hue. Ho-hum!!!!
So i have the remote now, how do i stop it from changing my Kelvin when switching channels? You said the Kelvin is on a separate channel from the dimmer? but the tubes only let me choose one channel. (I’m usin this with the larger pavos and these little 6C’s) everytime i go back to dim another tube on a separate channel, it will reset the Kelvin to whatever the previous channel was on
@@JustinPhillip Seems like the remote is sending the "used" seetings to the respective lights thus you might not be able to dim lights seperatly with different kelvin adjustments. Just guessing though.
Thank you for the detailed review. A year or so later, how are you feeling about this light? Do you still like it? What have you been finding yourself using it and not using it for? Has it proven bright enough? How's the battery performing now? Thanks again.
Hi Andrew,thanks for your another great review:) Just one question: before starting the measurements of the LED lights, at all, do you leave them to work for, say, 4 or 12 hours non stop lighting, just to "bake" the LED color dye covering? I am doing that to all of my LED lights and I notice slight improvement in K and color rendition. I use Sekonic C700 Spectromaster.
@@gaffergear if possible, can you do a comparison between both as far as pro's and con's for each one and the situations you recommend one over another ?
@@bbrunorocha its a matter of where you want to stick the light as they are different in size... i would rather use the PavoTube if i could find space for it as the light i wider and therefore more soft... but you might want to recreate a small light or stick it in a practical instead of a bulb - then the MC will be better for the job............ but at that pricepoint you might as well get both, cheers
@@malikismyname thanks a lot for the reply !! Aputure has an amazing advantage with it's app that works really well while the pavotube needs and external controller, for a lot of people, that's a dealbreaker for sure. Other than that, both lights seems really nice and amazing for sure !
@@gaffergear That's a very good point. I just thought after you did such a great review I'd rather give you a kickback then buying it straight fromo B&H. I'm based in LA so I wouldn't be able to support your guys down there. But I understand and appreciate your POV. On another note, if you are interested in my feedback - I would love to see learn how you can create (moving) patterns (maybe you had some fun inventions made), lighting breakdowns, what colors you like to mix (you know when you do music videos and you want to create a color palette) etc. I'd also love to know how you collaborate with your DP's. And maybe what you think makes a good DP (from the POV of a Gaffer/CLT). Also, I own a Leko (not the LED version) with a gobo rotator and the people over at Visions in Color (LA) where I buy my expendables always have great ideas what you can do with Leko's because they also do a lot of events work. Once, they told me to use a certain pattern (forgot which one specifically), put it in the gobo rotator, and then use a glass gobo in the front as well to create a cool rain effect. She said that a lot of people don't do these things because they are cheesy but I think it's fun to experiment with lights like that. Another thing, I worked as a PA for the ARRI Academy in LA and helped Morris Flam, or just Mo (CLT of I am Legend, Black Swan, Black Mass etc.) and he showed us how to do DMX on the cheap. Because it went by so fast I wasn't able to remember each step. But I was wondering if you could cover how to "easily" set up DMX with LEDs and regular tungsten fixtures. Mo used his iPad with a $25 netgear device to create a network. Very impressive. Cheap but effective. He compared it to Arri's Skylink and theirs was not as stable and reliable (but I don't want to bash Arri - I love this company). Maybe you have covered this already but I thought it's very interesting for low budget filmmakers like me. Because occasionally I do get to do a pre-light and it would be great to have all this control. I wish I could hire a board operator and all this but I can't. However, I could work with my CLT and have them operate the lights with my ipad. And sure one could say that they should know all this but we are young filmmakers who are just trying to figure things out. Oh and one more thing - could you do a video on how to light different faces for different moods (round ones, deep eye sockets, ones with strong contouring) or maybe just how to analyze what lighting is most flattering for the specific face shape? Hope this all makes sense. Anyways, maybe this is too much - I enjoy your channel either way and learn a lot from you. So thanks and stay safe!
Really like all your reviews. It has been a tremendous help to me as a beginner. I'm looking for a LED tube that is portable and can help make my environment portrait photos just pop a bit (no high expectation of my work :-)) under those flat lighting conditions (not in direct sunlight). I'm wondering if this Nanlite tube is bright enough, or should I look at something like Ice Light with 500 lux at 1m. I have no idea how much the difference of this lux spec can make, but I hope for something compact that is handy for travel pictures which should be tight around the subject's upper body. Any advice is greatly appreciated!
Thanks! Do you know if Nanlite are looking at replacing their current 4ft tubes with 4ft versions of this model? Really like the thread, magnets, improved distribution of emitters, and +/- green, however, that usb-c power placement feels like a bit of a deal breaker for me if included on a 4ft version. I wonder if a low-profile right-angle usb-c plug would work? Also, they really need to sort out that app if they want to compete with Astera.
They need to sort out that app to compete with Astera and Aputure. They should be spending some serious cash getting a decent programmer in there to hook that up. It's so important!
I find the hue jumps dramatically and skips a lot of colour options the more the saturation is decreased. Do you have this issue? It’s not a big problem for the price of the light but I was trying to replicate cosmetic gels for example. The transition through colours is smooth at higher saturations though.
I am very grateful to this video. I have a personal question, would you consider talking about the lumin8 spectrum? since it does not have the G/M. but it has other properties
just fyi about the USB charging while using the light, you could buy usb cables where the head is at a 90 degree angle. Most likely it still wont be quite flat on the table but it be closer! ps, what is the use of that black plastic thing on the holder at 4:18? I purchased that holder and couldn't figure it out.
I have 6 Pavo tubes and two MCs. I'm waiting for the gaffer kit of 12 MCs and I'll get that as well. For me they are different use lights. I use the MCs primarily in practical lights and as architectural lights in shot (like down lights under a kitchen shelf). Where as I would use the tubes if I need a concealable light with a wider spread.
@@gaffergear thank you so much for that quick reply! So I’m guessing the 5600k scores would be much higher at +12 in CCT mode. Those R9 and TM-30 readings were a bit concerning.
REEEEEAAAAAAL pity about that USB plug. If you just want to set and forget whilst the light is on, it kinda can't be done cause you'll constantly have to swap units.
Seventeen minutes of talk about this light....not one second showing the ability of the light in practical use. It is very difficult to find any videos of this light where the person demonstrates what it's practical use is as far as functional brightness, angle of light throw, amount of light at distance, what things look like with this light being used to illuminate it for a film shoot, etc.
Explained better than other kids with cinematic b-rolls and of course RGB lights on the background 😆
And by someone who actually uses the fixtures he talks about! 💥
instablaster
Andrew, I regularly use/rent the bigger tubes, and one accidental turn on safety measure we do is turn the dimmer to 0% on all lights before packing them up. If they turn on, they use up none of the battery.
Elegant solution
I feel like I've become a pro in lighting just by listening to you for 17 mins. The amount of knowledge based on actual real world experience is staggering. Better than film school. Here's a sub.
Hi Andrew greetings from Indonesia. I always watch your video for lighting review.. really love your detailed and comprehensive review.. this is truly what I really need to see in light review. Thank you!
ordered a couple... thanks! for yet a great review!! you are the best out there giving reviews on lighting equipment. thank you for that!:)
And here I am, buying the light for it's cool effects.
How did you manage to not have more views and subs... Your content is absolutely fantastic. Thank you
According to a manufacturer their resurch suggests I'm old and boring and need music and effects.🤣
@@gaffergear These are easily, by a massive margin, the most useful videos on lights and gaffing. Thank you.
this is the ...BEST VIDEO ...to understand this NANLITE Pavo Tube 6c THANK YOU !
Great point about the plug green, thanks for sharing
Update: Nanlite has a new transmitter for the app for about 90 bucks or so - Nanlite WS-TB1 Transmitterbox. Makes the whole Nanlite LED family even more interesting.
"Not some RGB mix crap." - quote Andrew Lock
That's one of the reason I like this channel. :D
Update: just bought two of those directly from china and sure as hell the switches are in chinese as well as the menu by factory BUT you still have an english language menu option to switch to ..... you just need to find it. ;)
If these had better battery life, I'd buy several. Seems great in all other areas. Excellent review.
Best video about these lights. Thanks 🙏
Thank you for a good overview!
Thanks for the review. Purchasing!
man how do you already have this? its still preorder. Do you do a + 12 green in 3200k as well? Do you guys know what powerbank hes using? Im not sure if he actually replies to comments
The power bank I use is WOPOW. I have the lights default set to +12 green all the way through.
The distributors get test samples prior to release, these lights are two of those.
I try to reply to everyone but CZcams is not notifying of all comments, I only found yours by scanning through.
@@gaffergear I just purchased these lights. When you say +12 Green, because it's set up G/M - I assume dialing in '-12' is actually +12 in the direction of green correct? If so that lines up pretty closely to my old Minolta Colour Meter ll.
@@nicholasandrewsCSI at 08:06 you can see how stupidly pink these lights were, Im guessing they must have tweaked the settings since I filmed this. I was surprised I was sent a light for review that was this far out to be honest!
It's a nice idea but not having the phone connectivity is a big negative and why I decided not to invest in Nanlite on the whole. Love what the lights do, but it lacks the control of other lights.
SSI scores would be very helpful. Thank you for your meticulous work.
Great video. Brought a question to mind. Can you do a video explaining how to understand the gels you would need based on the Delta UV value you get when using a color meter?
Thank you
Thanks for the very good explanation of this light, I have just buy one of this light and I think it’s a nice little and very flexible light for many things. I like to make some light painting together with my Olympus camera and it works really good. Keep up your good work.
Do you (any of you) feel that LED tends to be flat? Less dynamic than almost all other light sources? How far away from completely light a feature or series with LED light sources? I’m sure their are already productions that are full on LED, even in their practicals. But do they look comparable to those shot old school?
It's easy to forget how good tungsten looks until you see it again.
You're not wrong. There is actually a scientific reason for this. If you take a look at the spectrum reading of most modern LEDs you'll see they've smoothed out the curve for the most part, but there is still a giant spike in the blue part of the spectrum. This is where you start to see it getting "off" for the most part it is fine, and can look really good, it just doesn't render skin tones that great, like for example a tungsten would.
NOW, there are some exciting developments in the chemistry of newer diodes. I saw a demo at cinegear last year where quasar was showing off a new diode chemistry, with that blue spike completely removed. They had a demo light there, and I was able to shine it on my skin in a dark part of the booth. Let me tell you my eyes were blown away. It looked like natural daylight.
I think these diodes are still a few years off from mass production, but I'm excited for the future of LED.
Benjamin Carroll Thank You. What can be done to aid the LED’s available now. I’m looking to invest heavily in LED lighting as I see nothing but upside for the future. What solutions are Gaffers and DP’s coming up with to help the LED lights.
got all the infos i needed here, thank you 🙏🏽
Love this review! Definitely interested in these for sure. Do you think a right angle USB-C adapter could fix that issue of running them off external batteries?
Thanks for everything you do, I am a wiser and more safe Set Electric because of your content.
Was looking into that 45° plug idea myself but couldn't find a fitting one. They either hit the - (minus) button or are to curved to plug in because they are designed for phons. If you find something fitting please post a link. Should be great.
Wow running to get these. Great review! I have to stop watching your channel whilst I’m trying to save money during this time.
Hopefully they've managed to correct the CCT through firmware on the release model.
Thanks Andrew
I've actually ordered 6.
This should be a big seller
Thank you!
Wow and thank you!
Hi Andrew,. thanks again for the fully comprehensive test. So in terms of the CCT test you did, the results from 2700K to 7000K were done with the +/- green set to 'Zero' (thus the poor Planckian curve results). However to get the best results you need to set each light to +12 to +15 Green to get the best results?? Nanlite really need to get on top of this issue with the Mixpanel having similar issues but worse results as the dimming doesn't link with the +/- green hue. Ho-hum!!!!
I don't see linking on the 6C ether, and when dimming a color it's changing
I ll get tubes once Nanlite will have upgraded their longer versions with wireless functions like the wayyyy more expensive Astera titans
Excellent content, love the channel. Question, that little $40 remote, does that also work with the bigger Pavo tubes?
Yes but limited control. The remotes won't run RBG for example
So i have the remote now, how do i stop it from changing my Kelvin when switching channels? You said the Kelvin is on a separate channel from the dimmer? but the tubes only let me choose one channel. (I’m usin this with the larger pavos and these little 6C’s) everytime i go back to dim another tube on a separate channel, it will reset the Kelvin to whatever the previous channel was on
@@JustinPhillip Seems like the remote is sending the "used" seetings to the respective lights thus you might not be able to dim lights seperatly with different kelvin adjustments. Just guessing though.
I'm trying to get some comparisons to the Godox lights. From my Sekonic C-700 they are way off by as much as 500k on most measurements.
Thank you for the detailed review. A year or so later, how are you feeling about this light? Do you still like it? What have you been finding yourself using it and not using it for? Has it proven bright enough? How's the battery performing now? Thanks again.
Don't use them that often, mostly use then inside a fridge, oven or a locker. Somewhere where space is tight. Definitely not an everyday light
@@gaffergear Thanks!
awesome, thanks
very nice review! :)
Hi Andrew,thanks for your another great review:) Just one question: before starting the measurements of the LED lights, at all, do you leave them to work for, say, 4 or 12 hours non stop lighting, just to "bake" the LED color dye covering? I am doing that to all of my LED lights and I notice slight improvement in K and color rendition. I use Sekonic C700 Spectromaster.
Yes I do, this was especially noticeable on the dedo lights and the TGL lights when I first got them.
@@gaffergear In what mode would you do that? Color cycling or just any white?
Would you recommend this over the Aputure MC which has a lot of flexibility as well? I would love to see a comparison of the two.
same!
I would be reluctant to recommend either one over the other, it totally depends on what you shoot. I'm getting both
@@gaffergear if possible, can you do a comparison between both as far as pro's and con's for each one and the situations you recommend one over another ?
@@bbrunorocha its a matter of where you want to stick the light as they are different in size... i would rather use the PavoTube if i could find space for it as the light i wider and therefore more soft... but you might want to recreate a small light or stick it in a practical instead of a bulb - then the MC will be better for the job............ but at that pricepoint you might as well get both, cheers
@@malikismyname thanks a lot for the reply !!
Aputure has an amazing advantage with it's app that works really well while the pavotube needs and external controller, for a lot of people, that's a dealbreaker for sure.
Other than that, both lights seems really nice and amazing for sure !
that was great. you should have an amazon affiliate link in your description.
Affiliate links take business away from the local distributors here, it's a small community and we need to spread the love around.
@@gaffergear That's a very good point. I just thought after you did such a great review I'd rather give you a kickback then buying it straight fromo B&H. I'm based in LA so I wouldn't be able to support your guys down there. But I understand and appreciate your POV.
On another note, if you are interested in my feedback - I would love to see learn how you can create (moving) patterns (maybe you had some fun inventions made), lighting breakdowns, what colors you like to mix (you know when you do music videos and you want to create a color palette) etc. I'd also love to know how you collaborate with your DP's. And maybe what you think makes a good DP (from the POV of a Gaffer/CLT).
Also, I own a Leko (not the LED version) with a gobo rotator and the people over at Visions in Color (LA) where I buy my expendables always have great ideas what you can do with Leko's because they also do a lot of events work. Once, they told me to use a certain pattern (forgot which one specifically), put it in the gobo rotator, and then use a glass gobo in the front as well to create a cool rain effect. She said that a lot of people don't do these things because they are cheesy but I think it's fun to experiment with lights like that.
Another thing, I worked as a PA for the ARRI Academy in LA and helped Morris Flam, or just Mo (CLT of I am Legend, Black Swan, Black Mass etc.) and he showed us how to do DMX on the cheap. Because it went by so fast I wasn't able to remember each step. But I was wondering if you could cover how to "easily" set up DMX with LEDs and regular tungsten fixtures. Mo used his iPad with a $25 netgear device to create a network. Very impressive. Cheap but effective. He compared it to Arri's Skylink and theirs was not as stable and reliable (but I don't want to bash Arri - I love this company). Maybe you have covered this already but I thought it's very interesting for low budget filmmakers like me. Because occasionally I do get to do a pre-light and it would be great to have all this control. I wish I could hire a board operator and all this but I can't. However, I could work with my CLT and have them operate the lights with my ipad. And sure one could say that they should know all this but we are young filmmakers who are just trying to figure things out.
Oh and one more thing - could you do a video on how to light different faces for different moods (round ones, deep eye sockets, ones with strong contouring) or maybe just how to analyze what lighting is most flattering for the specific face shape? Hope this all makes sense.
Anyways, maybe this is too much - I enjoy your channel either way and learn a lot from you. So thanks and stay safe!
Thank you for the detailed review! I'm wondering Can you program these tubes to do things such as a Chase Sequence like the Astera AX1 or Titan?
Not with the current app, it can do a scene change and that's about it
Really like all your reviews. It has been a tremendous help to me as a beginner. I'm looking for a LED tube that is portable and can help make my environment portrait photos just pop a bit (no high expectation of my work :-)) under those flat lighting conditions (not in direct sunlight). I'm wondering if this Nanlite tube is bright enough, or should I look at something like Ice Light with 500 lux at 1m. I have no idea how much the difference of this lux spec can make, but I hope for something compact that is handy for travel pictures which should be tight around the subject's upper body. Any advice is greatly appreciated!
Great review 👏🏼
good video
Thanks! Do you know if Nanlite are looking at replacing their current 4ft tubes with 4ft versions of this model? Really like the thread, magnets, improved distribution of emitters, and +/- green, however, that usb-c power placement feels like a bit of a deal breaker for me if included on a 4ft version. I wonder if a low-profile right-angle usb-c plug would work? Also, they really need to sort out that app if they want to compete with Astera.
They need to sort out that app to compete with Astera and Aputure. They should be spending some serious cash getting a decent programmer in there to hook that up. It's so important!
No idea
Also do you do -12 for tungsten?
You are the best!
Hi Andrew, in CCT mode is 50% brightness 1 stop below 100%?
Hi andrew, did you have the chance to try the Falcon Eyes "Irisa" yet? I'd love to know your thoughts.
I find the hue jumps dramatically and skips a lot of colour options the more the saturation is decreased. Do you have this issue? It’s not a big problem for the price of the light but I was trying to replicate cosmetic gels for example. The transition through colours is smooth at higher saturations though.
I will have to have a play and see, what percentage of dim is this happening.
I am very grateful to this video. I have a personal question, would you consider talking about the lumin8 spectrum? since it does not have the G/M. but it has other properties
I had never heard of the Lumin8 spectrum until now.... Looks impressive, waterproof could come in handy
just fyi about the USB charging while using the light, you could buy usb cables where the head is at a 90 degree angle. Most likely it still wont be quite flat on the table but it be closer!
ps, what is the use of that black plastic thing on the holder at 4:18? I purchased that holder and couldn't figure it out.
Its a removable stud, so you can use it in a C-Stand head, or direct on a stand by removing the stud
@@gaffergear oooh, thank you! Makes sense now! And cheers on the awesome content!
Do they have a USB L shape cable?
how do you measure the planckian curve for the light
DUV measurements, I had no idea about this until it was pointed out to me by manufactures.
Not sure if this is safe but just wanted to share how the usb c bad inlet design
Great details. Thank you. By the way, have you tried the Aputure MC? I'm actually cannot decide between MC and Pavo tube.
I have 6 Pavo tubes and two MCs. I'm waiting for the gaffer kit of 12 MCs and I'll get that as well. For me they are different use lights. I use the MCs primarily in practical lights and as architectural lights in shot (like down lights under a kitchen shelf). Where as I would use the tubes if I need a concealable light with a wider spread.
Gaffer & Gear thank for the info. I think ill do the same as well. Good one. Thanks. 👍
Do you think this or the larger Nanlite tubes would be good for a background light? To light up a wall with tungsten or something along those lines
Their fine, I have 8 of the 2ft and 8 of the 4ft and use them like that a lot
I have a relevant question. Did you have your lights dialed into +12 green when you did your color spectrometer readings?
Had it set to default settings. 0 +/- green
@@gaffergear thank you so much for that quick reply! So I’m guessing the 5600k scores would be much higher at +12 in CCT mode. Those R9 and TM-30 readings were a bit concerning.
REEEEEAAAAAAL pity about that USB plug. If you just want to set and forget whilst the light is on, it kinda can't be done cause you'll constantly have to swap units.
NANLink WiFi controller $300 NO WAY
Seventeen minutes of talk about this light....not one second showing the ability of the light in practical use. It is very difficult to find any videos of this light where the person demonstrates what it's practical use is as far as functional brightness, angle of light throw, amount of light at distance, what things look like with this light being used to illuminate it for a film shoot, etc.