You are a great teacher, Gary. You explain everything so well. I have been watching all your videos and still learn something every time. Thank you so much!
Very informative, especially about composition stems... something I knew intuitively but had not stopped to consider. I really like the way you manipulate tone and contrast to give light and emphasis to the subject.
Thank you Gary. A lovely painting. In all your work I've noticed (and learned) the importance of lights and darks to guide the viewers eye. The book sounds interesting.
Thank you for the superb videos. I find them very helpful in trying to get to grips with the medium of watercolour. Frustratingly, I can not find the book that you refer to. Could you please confirm the title and the isbn number if possible? Is 'Edgar Payne the Scenic Journey by Scott A Shields and Patricia Trenton' the same book under a different name in the UK perhaps? Best wishes dj
Great demonstration and very useful comments 👍 I like the composition and the subtle tonal values of the buildings a lot, but to my taste the darks of the traffic lights and posts are too strong and suck in too much attention.
Hi Gary fantastic work Love it all BUT when i started out to paint many years ago i did not do a lot of sketching or drawing, i just wanted to paint ,it was the colour that got me going,now i know how inportent drawing is to painting,my fault i know , but tell me in amounst all your demo's is there any you could point me towards about drawing to save me time serching as you are such a prolific artist .or could you do a few on drawing please if its not to much trouble,i cant be the only one who struggles with drawing,lol lol perhaps just a slower sketching out before painting ,i remain a great admirer of you,in my book you and joseph zzzzzzzzz are gods long may you live and teach us humble dabblers , regards william
No one watercolours here in America anymore. That is a shame so many artist have release the discipline of plein air art work. When those continue to paint indoors. You ruin in for the rest of us. We catch hell.
You are a great teacher, Gary. You explain everything so well. I have been watching all your videos and still learn something every time. Thank you so much!
Very informative, especially about composition stems... something I knew intuitively but had not stopped to consider. I really like the way you manipulate tone and contrast to give light and emphasis to the subject.
Thank you Gary. A lovely painting. In all your work I've noticed (and learned) the importance of lights and darks to guide the viewers eye. The book sounds interesting.
Amazing talent. Thank you
Thank's a lot. The light of your watercolor us wonderful
That painting is great. Thanks for sharing the info about that book and those composition ideas. Very interesting.
Wonderful lessons in each video, whether it’s composition, tonal values, simplifying a subject or defining a focus, it’s very informative!
Thank you for sharing the info about the landscape reference book.
Thank you Gary tools of the masters and you are one.
Brilliant, oh to have your talent at brush work 🙏👏👏👏👏👏🤗
Amazing! I learn so much from listening and watching here. Thank you for this. (following - subscribed - for a while now).
Gary this is terrific.
very useful - and clear -many thanks!
I like the minimal impressionist work...
Beautiful! Thank you! 👍
what a great work! thanks for sharing
Thank you for the superb videos. I find them very helpful in trying to get to grips with the medium of watercolour.
Frustratingly, I can not find the book that you refer to. Could you please confirm the title and the isbn number if possible?
Is 'Edgar Payne the Scenic Journey by Scott A Shields and Patricia Trenton'
the same book under a different name in the UK perhaps?
Best wishes
dj
Very beautiful! I like you art.
Very beautiful!
Great demonstration and very useful comments 👍
I like the composition and the subtle tonal values of the buildings a lot, but to my taste the darks of the traffic lights and posts are too strong and suck in too much attention.
Hi Gary fantastic work Love it all BUT when i started out to paint many years ago i did not do a lot of sketching or drawing, i just wanted to paint ,it was the colour that got me going,now i know how inportent drawing is to painting,my fault i know , but tell me in amounst all your demo's is there any you could point me towards about drawing to save me time serching as you are such a prolific artist .or could you do a few on drawing please if its not to much trouble,i cant be the only one who struggles with drawing,lol lol perhaps just a slower sketching out before painting ,i remain a great admirer of you,in my book you and joseph zzzzzzzzz are gods long may you live and teach us humble dabblers , regards william
I couldn't find a book with that title, did you mean Edgar Payne: Composition of Outdoor painting?
It's the same book published under a different title.
Great job,
Thank you! Cheers!
Nice!
No one watercolours here in America anymore. That is a shame so many artist have release the discipline of plein air art work. When those continue to paint indoors. You ruin in for the rest of us. We catch hell.
The foreground is not the best, yes the background looks good.