Alexander Ullman; Schumann, Papillons Op. 2
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- čas přidán 24. 04. 2017
- Born in 1991 in London, Alexander Ullman studied at the Purcell School, the Curtis Institute of Music in Philadelphia, and the Royal College of Music where he is completing his Artist Diploma as the Benjamin Britten Piano Fellow (awarded by The Philip Loubser Foundation).
In 2016 Alexander won 1st Prize in the inaugural Manhattan International Music Competition and in 2011 won 1st Prize at the Liszt Competition in Budapest. He was selected for representation by Young Classical Artists Trust (YCAT) in 2014.
Alexander has given concerts across Europe, Asia and America, highlights including recitals at the Leipzig Gewandhaus, Festspiele Mecklenburg-Vorpommern, Teatro Ghione (Rome), Louisiana Museum of Modern Art (Copenhagen), Archive Nationales (Paris), Auditorio de la Diputación de Alicante, Shanghai Oriental Arts Centre, Beijing NCPA and La Jolla Arts Festival (California). He has collaborated with the Dover Quartet and cellist Michael Petrov.
This season Alexander returns to Wigmore Hall, gives recitals in the Nottingham International Piano Series, St John the Evangelist Arts International Piano Series (Oxford) and Perth Concert Hall, and makes his debut with the Royal Philharmonic Orchestra and Manchester Camerata. Further afield he tours throughout Argentina and Colombia and takes part in the Montreal Chamber Music Festival and Chopin Festival in Majorca.
Engagements during 2014/15 included recitals in Milan, Munich, Monaco (Théȃtres des Variétés), Ankara, Samos, Crete, Athens and Majorca. Alexander continued to give recitals across the UK including the Bath Festival, and performed Ravel’s Concerto in G at Cadogan Hall, Tchaikovsky with the Orchestra Filarmonica Marchigiana in Italy, Grieg with the Suffolk Philharmonic, Chopin Concerto No. 2 with Vladimir Ashkenazy at the Royal College and Liszt’s Concerto No. 1 and Rachmaninov’s Variations on a Theme of Paganini with the Cardiff Philharmonic Orchestra in St. David’s Hall.
As a soloist Alexander has previously appeared with the Philadelphia Orchestra at the Mann Centre, the New Jersey and Fort Worth Symphony Orchestras, Montréal Symphony Orchestra, the Oxford Philharmonic, Southbank Sinfonia, Orchestra Filarmonica Marchigiana, Danubia and Budapest Radio Orchestras. He has been broadcast by BBC Radio 3, Radio France and MDR Classic.
During his studies Alexander has won numerous awards including 1st Prize at the Lagny-sur-Marne International Competition (2013), the Tunbridge Wells International Young Concert Artists Competition (2012), and 2nd Prize at the Isidor Bajic Memorial International Competition (2014). His teachers have included William Fong, Leon Fleisher, Ignat Solzhenitsyn, Robert McDonald, Dmitri Alexeev, Ian Jones and Elisso Virsaladze. - Hudba
Beautiful❤ Best played on CZcams 😊 Thank you so much Young Classical Artists Trust!❤❤
Back again. The best interpretation I have heard. Ullman brings out all the tenderness, high spirits and humour.
슈만 빠삐용 연주중 최고다 음악적인 느낌,소리의 색채,각각의 번호마다 다른 생각의 표현...오랜만에 좋은연주 감상한것 같아 기쁘다
00:07 Introduzione - Moderato
00:18 1.
01:00 2. Prestissimo
01:24 3.
02:14 4. Presto
03:02 5.
04:16 6.
05:16 7. Semplice
06:18 8.
07:34 9. Prestissimo
08:17 10. Vivo
10:23 11.
13:22 12. Finale
one of schumann's first compositions...may also be one of his best.
One can envision the papillons...butterflies, and flowers of spring in Schumann's composition and the Ullman's performance.
Bravo! Alexander Ullman, maravilhosa interpretação, é uma das peças favoritas eu gosto muito, obrigado por postar, brilhante apresentação . 06-11-2017-Sg. 17:43hs.-
Very very very very very gooooood!!!
I think this is my favourite recording. He has such fun with it, and doesn't feel the need to rush.
A really, really good performance with character pieces shining in the light of eternity, humour and charm against destiny.
Many parts of this scintillating performance rival the wonderful 'Richter in Italy' recording. Thankyou to Young Classical Artists Trust and more please.
Thank you for your ethereal rendition of a perfectly composed work.
Fantastic!!!!
Delightful! In such beautiful character!!!
Very good.
깔끔하다. 다시 연습하러 피아노 앞에 앉고 싶게 만드는 연주!
メリハリの効いたパピヨンでした。曲調から、息遣いがわかりました。
Just good as hell
Wunderschoene Einspielung!!!
Bravo ! Lindíssima a tua interpretação, parabéns ! UM abraço do Brasil
Bravo....!!!👏👏👏👏
It supposed to be Robert Schumann (1810-1856)
10:40
didn't schumann die in 1856 rather than in 1893?
WOW! Yet ZNHER wonderfl new discovery in the piano world! Funny! Nrmally, I hate coparisins \, but I had just istened to Novaes, Perahia and Demus play this work in the past three days, and decided, though I enoyed Demus very much, that i still mujch preferred to hear Guiomar Novaes play Schumann, but THIS has produced a very close second in appeal to Mme Novaes. I only i were a bit mellower, and a tiny bit LESS virtuosic. I have always regarded Papillon more has HAUSMUSIK than as music for the COCERT stage. This is IEDER not OPERA. Needless to say I wish young Alexander Ullman a SLENDID JOYOUS career. I can't wait to hear more of his playing.
Great playing! I just uploaded this piece too :)
00:18
Schumann: 1811 - 1856
1810 -1856
@@felixdevilliers1 Exacto.
音楽は安物であってはならない。気高く、他の追随を赦さぬいものでなくてはならない。スキルを揚げていかなくては。私のスキルで弾ければ、他にも弾ける人がいる筈です。
私は自伝は書かないかもしれない。コメントは書くつもりです。
The histrionics... this is Schumann not Chopin!
...which had the time was 21, in love with the likes of Chopin (and Paganini), and dreamt of becoming a composer-virtuoso.
I want you to apologize. 1 his as anyone"s response is based on the performers music interface/intercession and by which they immerse and are by the medium of music structures which endow them enabled such dynamic and current as music incarnate, and that is no matter if the sound is gentle roam across arpeggiating minors or comparing The perfect Papillion with a chopin nocturne.
4chのやり方は嫌いです。私の言葉ばかり盗んで、他人を飾り立てる。そんなやり方は誰も好みません。10chでAdoさんを歌い手だと紹介していたのも、私がカラヤン指揮の第九のコメントに、世界には凄い歌い手がいますね、と書いたのを言葉だけ盗んだのだと思っています。