facts. i like how BT3 is just logic and his ex wife got into an accident while on their way to ultra 85 😭😂 if there's ever a BT4, i hope it's a bloodied, zombified logic walking on an empty road right in front of ultra 85 gateway
@@Harm.Ony.OfficialYeah exactly. I feel like Logic has just started letting the pressure get to him and it ruined/seeped into his music. If you listen to Logic’s early mixtapes they are actually pretty good. But ever since he got signed and blew up it always feels like he just kind of forces himself to be as likeable to everyone as possible which waters down his music. Then he retired and just made music that he wanted to, and it turned out great.
@Robert E. Speedwagon ok sure, but thats really what everyone says. People are always on that bandwagon that logic copies and sometimes that can be true, but he pulled it off and made a name. shocking enough, he does make his own shit in his later releases and people dont give him credit for that.
@@shoyoboyo5731 why? Cus some of the messages are corny? Personally that album is a good 8 for me tons of great messages, production slaps, not reusing bars and it's one of the only albums he has with a really really good message
@@shoyoboyo5731 bro underpressure the song itself deserves to give the album like an extra point or 2 that's literally the best song logic has ever made and I'm being fr nothing has come close since
undeniable, vinyl days and no pressure are easily his best albums it sucks to see that people only think of confessions of a dangerous mind when someone talks about logic
Before this starts, I would like to state for the record that I do actually like Logic's music (& he seems like a pretty decent guy, as well). Logic Ranking in Fantano-isms: I tried to listen to Supermarket. Got through like 3-4 tracks, then stopped, but even so, it's clearly a Not Good. Confessions of a Dangerous Mind - Decent 2. Clearly his worst. Everybody - Light to Decent 4. Concept sounded amazing, but wasn't what we got. This is the start of the downward spiral. There are moments on here that are OK, & some songs start off cool lyrically, but often devolve into excessively repetitive, shallow lyrics, with instrumentals that, while solidly produced with a good selection of elements, rarely ever change or evolve throughout their runtime. Also, the skits. God, the skits. Bobby Tarantino III - Light to Decent 5. I'll need to go back to again, but I remember listening to it on release & thinking it was OK. Not better than YS IV; a bit threadbare, low-effort at times, but not anywhere close to Everybody. So I just went back to it &, yeah, a light to decent 5. It starts off with its fair share of filler, but picks up heading into the back half to be OK overall. YS IV: Decent 6. Solid instrumentals, much better lyricism after the car fire that was Everybody. Some songs hit fairly well & have good storytelling. Overall, however, feels more like a tribute to his Young Sinatra tapes than an actual, full-on installment. Some songs are overly simple & rely too much on producing good vibes, & the Last Call track, while nice as a concept, lasts a really long time. Bobby Tarantino II - Light to Decent 7 - another good bounce-back album. Inconsistent at times; the repeated lyrics still pop up from time to time & there are some tracks with little substance. When it hits, though, it hits very well. And that's like half the time, if I recall correctly. Bobby Tarantino - Light to Decent 7 - lacks some of the variety of II, but is more consistent & cohesive overall, both lyrically & sonically. The Incredible True Story - Light to Decent 7 - More ambitious than Under Pressure; arguably the best skits for an album Logic has produced (I haven't heard his mixtapes). I wish the overall narrative had been woven into the actual tracks more & had been expanded upon. It kind of sits in an awkward place between a full concept album & a regular collection of tracks. atrial is generally solid tho. Vinyl Days - Light to Decent 8 - the opposite of Incredible True Story. Feels very personal & fun. Not as consistently great front-to-back as the Pressure duology, but still has some of Logic's best writing. The short length of the individual tracks works out very well overall & it feels like Logic is really feeling the joy in what he's making, which is great to see. Under Pressure - Solid 8. Need to listen to this again. No Pressure - Solid 8. One of the biggest bounce-backs I've ever heard after the travesty that was Supermarket. Maybe spoiled a little by Logic coming back, but it's an excellent retirement album. It even has Logic's best statement on race relations - credit to him for giving the floor to Orson Welles, given the (often clumsy) way he's tackled these topics in the past.
@@Stardropreacts Thanks. I can see that. It is ambitious & in some ways, it's not as outright bad as COADM & Supermarket, just repetitive & simplistic. I remember my initial reaction to the album being harsher than some of the later stuff, given that this was basically the first time I saw these issues (repetitiveness, filler lyrics, etc) pop up and Logic hyped up the album a lot. In the broader scheme of things, it might not be as bad as I rated it.
@@seansachs6105 I agree with most this rankings, Tho there are a couple things I feel differently about. For one, I don’t think Everybody is as bad as people make it out to be, Its still not great mind you lol but 3/10 bad? Nah, I think it’s very well produced, And has just enough solid tracks to push it around a solid 5/10. The opening track, The title track, 1800, Anziety, Killing Spree, Black Spider-Man & AfricaAryan are all decent or good songs, Take It Back would be good too if it didn’t drag on an extra 4 minutes with no rapping lol. Plus I think The Incredible True Story is a much more consistent and cohesive album than Vinyl Days, And I believe Under Pressure is far and away his best album, No Pressure was amazing but had a couple tracks that I coulda went without. Also if you haven’t heard the YS mixtapes yet I would give them a listen whenever you have the chance, Logic sounds so much more passionate and hungry on those tapes, Most of his all time best material come from the YS era, IMO YS:WTF is Logic’s overall best project, Like near 20 tracks of bangers on bangers, Lyrically as good as he’s ever been, Production is insane & I think it def has his catchiest tracks to date. Personally I’d rate his album as such: 1. YS: Welcome To Forever (Decent 9) 2. Under Pressure (Light 9) 3. YS: Undeniable (Decent to Strong 8) 4. TITS (Decent 8) 5. No Pressure (Strong 7 to Light 8) 6. YS1 (Decent to Strong 7) 7. Vinyl Days (Decent 7) 8. BT2 (Light 7) 9. BT1 (Strong 6 to Light 7) 10. YSIV (Strong 5 to Light 6) 11. Everybody (Strong 5 to Light 6) 12. BT3 (Decent 3) 13. COADM (Light to Decent 3) 14. Supermarket (Strong 1 to Light 2)
@@butterschunkmcdonalds5333 I just relistened to the songs you mentioned on Everybody, & yeah, the album is a bit better than I remember it. The production is solid & the elements are cool (I think I said that in my review), but I think something that I didn't explain earlier is that for some of the tracks (Hallelujah, AfricAryan, mainly the longer ones) the proportion of instrumental to lyrical content is unbalanced. Take Hallelujah for example. The instrumental takes a minute & a half to build up & does a good job at creating this grand / epic feeling, but the actual verses themselves are fairly short, & while they're not necessarily bad in themselves, there are some themes that are repeated from verse 1 to verse 2 and things aren't given a lot of depth. Then we get another instrumental break & a skit that, while cool & fairly well-acted, adds on to the massive run time. And, to be clear, my problem isn't that the songs are long; there are plenty of songs that are at least this long that I love. It's the amount of interesting content that we get for how long they are. Black Spider-Man is actually one of the best tracks on the record. 1-800 has a nice message, decent verses & good featured guests, even if "Who can relate? Woo!" will always stick with me. Anziety has a gorgeous instrumental, but the spoken-word interlude rambles at times & it ends up feeling like something that he should've (& could've) just included in his verse proper, given how short it felt. The beat switch up is great though. I actually like the instrumental for Killing Spree well enough, & the feature from Ansel Elgort is nice too. What bothered me was that it rehashed elements from previous tracks like Hallelujah without really expanding on them. In his verses on this project, Logic is often talking about how we as a society pit different groups against each other, especially racial groups, but he doesn't really go into the effects of that, personally or societally, or how we might try to fix it. And I'm not a fan of the hook. Everybody is decent, one of the better songs on here. America is probably the best song on here, mainly because it has one of Logic's more focused verses & the featured guests do a good job. AfricAryan has a great beat & an interesting first couple verses, but later on in the song, he ends up repeating the stuff he said about the single mother, basically word for word, instead of expanding on it. It just comes off as lazy. And I remember that the biracial stuff tired me out on first listen, because it felt like while his ethnicity was set up as a big thing that shaped his life, he didn't really go into detail with what he experienced, & the only time he did (on Take it Back), it felt really awkward, mainly because (1) we didn't get a lot of specifics other than "people told me I wouldn't be shit, that I wasn't welcome because of my race", etc, which he had mentioned before in his albums, & given that, his "look at how much this kid suffered" thing felt egotistical; (2) he told the skit in third person, rather than from his own perspective. The skit is good enough stuff, but I wish it had been expanded and connected to the songs themselves. It felt unfinished & I really only go back to it nowadays because of the Cole verse. So I'd probably give the album a 4/10 now. The Incredible True Story has a cool concept & some great skits, but it feels like the music isn't as connected to those skits as it could be. And that's, I think, what I meant when I said that I wish Logic had committed to the concept & gone more in-depth. Vinyl Days doesn't feel as consistent conceptually, nor as ambitious, but I think that ultimately helps lend it its own identity. It's not trying to be a big thing; it's just him having fun & goofing off, & I enjoy that. The transitions in between the tracks are really well done & help keep a consistent mood without feeling too samey. But the gap between TITS & Vinyl Days isn't very big imo, & there are moments on here (Paradise, CIty of Stars) that go clearly beyond anything on Days. I haven't relistened to Under Pressure in a while, so you might be right about it being his best. It's not a huge gap either tbh. Thanks for the tips about the Young Sinatra mixtapes btw! I'll check those out soon! Thanks for taking the time to write such a detailed response; it's been a lot of fun so far talking about this stuff.
i recently started getting into logics discovery, i remember only hearing like a few songs over the last few years so i started with ysiv bc thats where one of my fav logic songs came from 100 miles and running, from that point on it just seems like i enjoy his music almost as i do j cole or even kanye or kendrick. he really got some misses and a lot of hits
This might be an unpopular opinion but I think YSIV is one of Logic's best Albums and besides Under Pressue is my favourite Album by Logic. Also Fantano giving that album a 5 was complete bs but I respect his opinion.
@@jacksontrowbridge3700 and that's your opinion it's fair if it's based on you just not liking his stuff and not on blind hate. But I think this man can really really rap and has 5 good albums at least
Under Pressure - DECENT 6 The Incredible True Story - DECENT 6 Bobby Tarantino - STRONG 5 Everybody - LIGHT 5 Bobby Tarantino II - LIGHT 5 YSIV - STRONG 5 Supermarket - NOT GOOD (0) Confessions of a Dangerous Mind - STRONG 1 No Pressure - STRONG 7 Bobby Tarantino III - STRONG 3 Vinyl Days - LIGHT 7 College Park - LIGHT 5 One 0, one 1, one 3, five 5s, two 6s, two 7s
thank him for giving Confession album a light 1, i thought he would really murder it to not good. First listen to this i could only post the 😅 emoji to express my feeling. Logic gone too far on that one
I've never really liked Anthony Fantano, and after seeing him give both Under Pressure and The Incredible True Story 6's, I definitely don't respect him and never will
His album covers are incredible though
True
facts. i like how BT3 is just logic and his ex wife got into an accident while on their way to ultra 85 😭😂 if there's ever a BT4, i hope it's a bloodied, zombified logic walking on an empty road right in front of ultra 85 gateway
Except Supermarket
@@markai2002 that wasn't an actual album
It's shit, but not an official album (i think, if it is then yeah that's the exception)
@@Enja___ its not even shit lmao. Its literally a soundtrack to a book.
Wow, Logic never game HIMSELF a 10. Humble guy.
More humble than j cole fr
J Cole is homeless
@@cardieastgaming9466 Ok nigga
@@cardieastgaming9466 he's so humble he takes $2000 for one word in featured
@@cardieastgaming9466 no he’s homeless
A strong 1 is insane 😂
You saw this vid 😂👋
Prob a 3
💀💀💀💀
A strong 1 is weak 😂😂
So, its Logic rating his own albums?
Not funny
@@kidrenegade8525 Fantano's community has run into the ground jokes WAY less funny
@@cynicalip true
dead joke
Score depends on his metal state. He was begging for help in logics supermarket. Guy literally said: im not good
1:34 Bruh i legit thought that was Fantano on the cover 🤣
LMAO SAME
it is
lmao a 6 on incredible true story and under pressure is wild
6 isn’t a bad score but yeah should at least be decent-strong 7
7 and 8 for me
i think that’s less of a “this album is a 6” and more of a “i think he can do better”
the only two logic albums I got physical CDs, and Under Pressure is Deluxe. Guess I would grab No Pressure in the future
Under pressure is better and worth it on cd because of the acoustic instrumentals. It sounds so much better on the raw uncompressed cd
Surprisingly his highest scored albums are those he released after his "retirement" from music
no only 1, Vinyl Days
@@ClutchPiggieand no pressure?
It almost feels like he took the pressure off himself, and stopped trying to be so deep and just started making fun music
@@Harm.Ony.OfficialYeah exactly. I feel like Logic has just started letting the pressure get to him and it ruined/seeped into his music. If you listen to Logic’s early mixtapes they are actually pretty good. But ever since he got signed and blew up it always feels like he just kind of forces himself to be as likeable to everyone as possible which waters down his music. Then he retired and just made music that he wanted to, and it turned out great.
the day logic releases a 8,9, or god forbid a 10 will be the day the world ends
vinyl days was an 8 imo
with some trimming, vinyl days could be a 9
It’s a good thing that’ll never happen
@@funnybone6149 He certainly has the ability to make an album of that quality.
Logic is a genuinely good guy, very talented despite what some albums might show. I'm sure one day (if he doesn't 'retire' again) he'll drop a classic
incredible true story deserves better
city of starts is actually such a good underrated song
@Robert E. Speedwagon
and? it sounds good
@Robert E. Speedwagon
ok sure, but thats really what everyone says. People are always on that bandwagon that logic copies and sometimes that can be true, but he pulled it off and made a name. shocking enough, he does make his own shit in his later releases and people dont give him credit for that.
@Robert E. Speedwagon In what way has logic tried to copy Travis Scott, idk just sounds wild
vinyl days > under pressure is crazy
No fucking way he gave underpressure a fucking 6?????????????
I would give it a light 5
@@shoyoboyo5731 why? Cus some of the messages are corny? Personally that album is a good 8 for me tons of great messages, production slaps, not reusing bars and it's one of the only albums he has with a really really good message
@@slapdatcheese8415 Idk why just didn’t click. Though i will saythat soul food and gang related are great songs and the title track is a 10/10 song
Its an 9 to me
@@shoyoboyo5731 bro underpressure the song itself deserves to give the album like an extra point or 2 that's literally the best song logic has ever made and I'm being fr nothing has come close since
Imagine rating your own albums
Stop putting yourself down anthony your great
Why don't ppl bring up his first 4 mixtapes I think its some of his best stuff
no pressure is underrated
1:33 anthony fantano reviewing his own mug shot
undeniable, vinyl days and no pressure are easily his best albums
it sucks to see that people only think of confessions of a dangerous mind when someone talks about logic
Really? I'd say Under Pressure, T.I.T.S, and No Pressure or the top 3
@@smhpart2returnofthedisappo754
my opinion
@@zeal8111 Wow, really? That's crazy man, sorry for you loss.
@@smhpart2returnofthedisappo754
yeah exactly
stop acting like youre the damn main character lmao
@@zeal8111 you used the word undeniable, makes it sound objective
What a humble guy
I’m feeling a strong 5 to a light 6
Before this starts, I would like to state for the record that I do actually like Logic's music (& he seems like a pretty decent guy, as well).
Logic Ranking in Fantano-isms:
I tried to listen to Supermarket. Got through like 3-4 tracks, then stopped, but even so, it's clearly a Not Good.
Confessions of a Dangerous Mind - Decent 2. Clearly his worst.
Everybody - Light to Decent 4. Concept sounded amazing, but wasn't what we got. This is the start of the downward spiral. There are moments on here that are OK, & some songs start off cool lyrically, but often devolve into excessively repetitive, shallow lyrics, with instrumentals that, while solidly produced with a good selection of elements, rarely ever change or evolve throughout their runtime. Also, the skits. God, the skits.
Bobby Tarantino III - Light to Decent 5. I'll need to go back to again, but I remember listening to it on release & thinking it was OK. Not better than YS IV; a bit threadbare, low-effort at times, but not anywhere close to Everybody.
So I just went back to it &, yeah, a light to decent 5. It starts off with its fair share of filler, but picks up heading into the back half to be OK overall.
YS IV: Decent 6. Solid instrumentals, much better lyricism after the car fire that was Everybody. Some songs hit fairly well & have good storytelling. Overall, however, feels more like a tribute to his Young Sinatra tapes than an actual, full-on installment. Some songs are overly simple & rely too much on producing good vibes, & the Last Call track, while nice as a concept, lasts a really long time.
Bobby Tarantino II - Light to Decent 7 - another good bounce-back album. Inconsistent at times; the repeated lyrics still pop up from time to time & there are some tracks with little substance. When it hits, though, it hits very well. And that's like half the time, if I recall correctly.
Bobby Tarantino - Light to Decent 7 - lacks some of the variety of II, but is more consistent & cohesive overall, both lyrically & sonically.
The Incredible True Story - Light to Decent 7 - More ambitious than Under Pressure; arguably the best skits for an album Logic has produced (I haven't heard his mixtapes). I wish the overall narrative had been woven into the actual tracks more & had been expanded upon. It kind of sits in an awkward place between a full concept album & a regular collection of tracks. atrial is generally solid tho.
Vinyl Days - Light to Decent 8 - the opposite of Incredible True Story. Feels very personal & fun. Not as consistently great front-to-back as the Pressure duology, but still has some of Logic's best writing. The short length of the individual tracks works out very well overall & it feels like Logic is really feeling the joy in what he's making, which is great to see.
Under Pressure - Solid 8. Need to listen to this again.
No Pressure - Solid 8. One of the biggest bounce-backs I've ever heard after the travesty that was Supermarket. Maybe spoiled a little by Logic coming back, but it's an excellent retirement album. It even has Logic's best statement on race relations - credit to him for giving the floor to Orson Welles, given the (often clumsy) way he's tackled these topics in the past.
Agree with everything but everybody. I don’t think it’s that bad to be a 3. I’d give it a decent 5
@@Stardropreacts Thanks. I can see that. It is ambitious & in some ways, it's not as outright bad as COADM & Supermarket, just repetitive & simplistic. I remember my initial reaction to the album being harsher than some of the later stuff, given that this was basically the first time I saw these issues (repetitiveness, filler lyrics, etc) pop up and Logic hyped up the album a lot. In the broader scheme of things, it might not be as bad as I rated it.
@@seansachs6105 🤝
@@seansachs6105 I agree with most this rankings, Tho there are a couple things I feel differently about. For one, I don’t think Everybody is as bad as people make it out to be, Its still not great mind you lol but 3/10 bad? Nah, I think it’s very well produced, And has just enough solid tracks to push it around a solid 5/10. The opening track, The title track, 1800, Anziety, Killing Spree, Black Spider-Man & AfricaAryan are all decent or good songs, Take It Back would be good too if it didn’t drag on an extra 4 minutes with no rapping lol. Plus I think The Incredible True Story is a much more consistent and cohesive album than Vinyl Days, And I believe Under Pressure is far and away his best album, No Pressure was amazing but had a couple tracks that I coulda went without. Also if you haven’t heard the YS mixtapes yet I would give them a listen whenever you have the chance, Logic sounds so much more passionate and hungry on those tapes, Most of his all time best material come from the YS era, IMO YS:WTF is Logic’s overall best project, Like near 20 tracks of bangers on bangers, Lyrically as good as he’s ever been, Production is insane & I think it def has his catchiest tracks to date. Personally I’d rate his album as such:
1. YS: Welcome To Forever (Decent 9)
2. Under Pressure (Light 9)
3. YS: Undeniable (Decent to Strong 8)
4. TITS (Decent 8)
5. No Pressure (Strong 7 to Light 8)
6. YS1 (Decent to Strong 7)
7. Vinyl Days (Decent 7)
8. BT2 (Light 7)
9. BT1 (Strong 6 to Light 7)
10. YSIV (Strong 5 to Light 6)
11. Everybody (Strong 5 to Light 6)
12. BT3 (Decent 3)
13. COADM (Light to Decent 3)
14. Supermarket (Strong 1 to Light 2)
@@butterschunkmcdonalds5333 I just relistened to the songs you mentioned on Everybody, & yeah, the album is a bit better than I remember it. The production is solid & the elements are cool (I think I said that in my review), but I think something that I didn't explain earlier is that for some of the tracks (Hallelujah, AfricAryan, mainly the longer ones) the proportion of instrumental to lyrical content is unbalanced. Take Hallelujah for example. The instrumental takes a minute & a half to build up & does a good job at creating this grand / epic feeling, but the actual verses themselves are fairly short, & while they're not necessarily bad in themselves, there are some themes that are repeated from verse 1 to verse 2 and things aren't given a lot of depth. Then we get another instrumental break & a skit that, while cool & fairly well-acted, adds on to the massive run time. And, to be clear, my problem isn't that the songs are long; there are plenty of songs that are at least this long that I love. It's the amount of interesting content that we get for how long they are.
Black Spider-Man is actually one of the best tracks on the record. 1-800 has a nice message, decent verses & good featured guests, even if "Who can relate? Woo!" will always stick with me. Anziety has a gorgeous instrumental, but the spoken-word interlude rambles at times & it ends up feeling like something that he should've (& could've) just included in his verse proper, given how short it felt. The beat switch up is great though. I actually like the instrumental for Killing Spree well enough, & the feature from Ansel Elgort is nice too. What bothered me was that it rehashed elements from previous tracks like Hallelujah without really expanding on them. In his verses on this project, Logic is often talking about how we as a society pit different groups against each other, especially racial groups, but he doesn't really go into the effects of that, personally or societally, or how we might try to fix it. And I'm not a fan of the hook. Everybody is decent, one of the better songs on here. America is probably the best song on here, mainly because it has one of Logic's more focused verses & the featured guests do a good job. AfricAryan has a great beat & an interesting first couple verses, but later on in the song, he ends up repeating the stuff he said about the single mother, basically word for word, instead of expanding on it. It just comes off as lazy. And I remember that the biracial stuff tired me out on first listen, because it felt like while his ethnicity was set up as a big thing that shaped his life, he didn't really go into detail with what he experienced, & the only time he did (on Take it Back), it felt really awkward, mainly because (1) we didn't get a lot of specifics other than "people told me I wouldn't be shit, that I wasn't welcome because of my race", etc, which he had mentioned before in his albums, & given that, his "look at how much this kid suffered" thing felt egotistical; (2) he told the skit in third person, rather than from his own perspective. The skit is good enough stuff, but I wish it had been expanded and connected to the songs themselves. It felt unfinished & I really only go back to it nowadays because of the Cole verse. So I'd probably give the album a 4/10 now.
The Incredible True Story has a cool concept & some great skits, but it feels like the music isn't as connected to those skits as it could be. And that's, I think, what I meant when I said that I wish Logic had committed to the concept & gone more in-depth. Vinyl Days doesn't feel as consistent conceptually, nor as ambitious, but I think that ultimately helps lend it its own identity. It's not trying to be a big thing; it's just him having fun & goofing off, & I enjoy that. The transitions in between the tracks are really well done & help keep a consistent mood without feeling too samey. But the gap between TITS & Vinyl Days isn't very big imo, & there are moments on here (Paradise, CIty of Stars) that go clearly beyond anything on Days. I haven't relistened to Under Pressure in a while, so you might be right about it being his best. It's not a huge gap either tbh.
Thanks for the tips about the Young Sinatra mixtapes btw! I'll check those out soon! Thanks for taking the time to write such a detailed response; it's been a lot of fun so far talking about this stuff.
i recently started getting into logics discovery, i remember only hearing like a few songs over the last few years so i started with ysiv bc thats where one of my fav logic songs came from 100 miles and running, from that point on it just seems like i enjoy his music almost as i do j cole or even kanye or kendrick. he really got some misses and a lot of hits
100 miles and running is peak
This might be an unpopular opinion but I think YSIV is one of Logic's best Albums and besides Under Pressue is my favourite Album by Logic. Also Fantano giving that album a 5 was complete bs but I respect his opinion.
I disagree with almost all of these. Imo he's got at least 3 8/10 album
Logic sucks
@@jacksontrowbridge3700 so does your mom ,what's your point ..
Agreed. Everybody, Confessions Of A Dangerous Mind and Supermarket are all 8/10s
@@jacksontrowbridge3700 and that's your opinion it's fair if it's based on you just not liking his stuff and not on blind hate. But I think this man can really really rap and has 5 good albums at least
@@ethanielclyne5810 logic sucks
No pressure was my favorite aswell
T.I.T.S , U.P, and N.P are all 10s.
tits
He brought the yellow out for a 6?
This man is just bullying him my goodness
i don't think an album ever pissed me off as much as COADM
Under Pressure - DECENT 6
The Incredible True Story - DECENT 6
Bobby Tarantino - STRONG 5
Everybody - LIGHT 5
Bobby Tarantino II - LIGHT 5
YSIV - STRONG 5
Supermarket - NOT GOOD (0)
Confessions of a Dangerous Mind - STRONG 1
No Pressure - STRONG 7
Bobby Tarantino III - STRONG 3
Vinyl Days - LIGHT 7
College Park - LIGHT 5
One 0, one 1, one 3, five 5s, two 6s, two 7s
Can you review my unreleased tap let's do new things in this new world
You actually forgot about the Mixtapes
Bro said The Incredible True Story is a 6
Logic looks like Fantano
DAMN
What did he rate college park?
I'm feeling a light gic
Did he never do under pressure 2 ?
Bt3 isn’t even bad though. It was a trend for a while to hate on him for no reason
we all need to stop getting our opinions from fantano. you should like what you like guys, don't be a bot and have the "right" opinion
7-8/10 college park (my prediction)
He gave it a 5/10 💀
ion understand why anthony would ever give himself a one
thank him for giving Confession album a light 1, i thought he would really murder it to not good. First listen to this i could only post the 😅 emoji to express my feeling. Logic gone too far on that one
that’s fr tho, opens the album with such a good song and then immediately tanks with the rest of the album lol
wait Everybody should be above Tarantino 2 cos everybody got light to decent 5 and T2 got strong 4 to light 5
TITS and under pressure are both 8s for me
Is he even a Metal or Punk fan ?
Ye
What artists/albums has Fantano given a 9 or 10 on?
kendrick
Tyler, Danny Brown, Freddie Gibbs, Death Grips, Kanye, Kid Cudi, Kendrick are some I can think of rn
Peggy is consistently high from his 3 albums iirc
@@azimulhoque1497 Peggy has gotten two 9s and one 8 I think
David Bowie
I've never really liked Anthony Fantano, and after seeing him give both Under Pressure and The Incredible True Story 6's, I definitely don't respect him and never will
It’s his opinion, calm down, Fantano and Logic are literally friends with each other
logic has to have the widest range of scores, second to maybe Kid Cudi
i don't think there's any other artist fantano is more harsh on than logic. to give under pressure and no pressure anything less than an 8 is criminal
3:00
I don’t he likes logic
You have no authority in music whatsoever
COADM being a 1 is a crime
Damn so Logic is the definition of mid
if you base your opinion off of fantano's and not forming your own, sure
What an insane oversimplification of Fantano’s opinion. It’s not even yours either lmfao
bro has a chad pfp 💀
No, Logic at least tries to not be mid. The true definition of mid is Drake
@@VinexAesthetics drake is much much better than logic. Logic doesn’t even have his own identity.
Trans
rights
@@hiimemily ywnbaw
@@hiimemily W
Logic has always been mid
care to explain?
His new album is alright
Can anyone explain why everyone hate logics songs
All facts logic is weak