Pt. Nikhil Banerjee Sitar Maestro
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- čas přidán 6. 07. 2014
- Sitar Maestro Nikhil Banerjee of the Maihar Gharana plays Raga 'Maluha Kalyan'. The deep and contemplative phrasings build up an atmosphere of reposefulness. A rare recording of technique and musical approach of the last century.
- Zábava
There is nothing more divine than this man's playing. This music cannot come through intense practice only. There has to be a spark of the infinite. What an irreparable loss to us when Nikhil da passed away at the prime of his life.
Sublime .
Never a moment of dullness.
Tapas is visible in the result that one sees with wonder.
Learners should see what is hard work.
I can see the delicate Visage of the artist.
can"t beleive that this kind of heavenly music is no more.
Great performance by a musical genius!
Doordarshan, please bring out Nikhil Banerjee's 1962 All India Radio Bageshwari Kedar performance for the wider public to enjoy!
the most complex patterned taans anyone ever played in sitar...
awsomely put i never knew what it was...so i always said it was his melody "logic" but now i see!!
Pandit Nikhil Banerjee was extremely devoted and through rigorous training under the guidance of Annapurna Devi and Ustad Ali Akhbar Khan ,he attained this unique level of melodious music rendered through Sitar. He blended the style of many Gharanas like, Pandit Radhika Mohan Maitra, Pandit Jatindra Kishore Roy Chowdhury of Natore State and John Gomes.,a disciple of Ustad Vilayet Khan ,his own father who initiated his training as first Guru and then finally to some extent by Ustad Alauddin Khan who was his official Guru at Mahihar. He imbibed all these different styles of music ,besides Ustad Amir Khan saheb ' vocal music . So he was able to develop his own style of playing Sitar,specially his Alap and Jor followed by Gatkari ,of Sapat Tans in the way of Ustad Vilayet Khan, on different talas following Pt Ravishankar and Ustad Ali Akhbar Khan . Ustad Amir Khan influenced his music to a great extent. Here the Meru Khanda played by Sri Banerjee was in the style of Ustad Amir Khan using three octaves and using the fluent strokes of Dadara and Dri Dri . Moreover the melody of his rendition was always enchanting to the listeners. He worshipped his music and offered as an offerings to the Supreme Power. He was very modest. His music is beyond our assessment as an audience unless one is acquainted with the Classical music onself. But the melody had long impression in the minds of his Audience. H. M . V first published a Long Playing record in the year of probably1964/ 65 and it was based on this Raga. That was the age of Pandit Ravishankar, mainly,and to some extent to Ustad Vilayet Khan.He hardly disappointed his coveted Audience while performing in India and abroad. He had no disciple as he was busy in rigorous practice of his instrument as a matter of Routine. But he might have some students in U. S. A as a lecturer of Ali Akhbar College of music. Music enthusiasts all over the world of Indian Classical Music had really lost a Gem like him untimely which created a big void in that world where it is hard to find devoted Artiste of his calibre.
In which year this programme was held in Doordarshan? Nikhil Babu was exqusite in playing his sitar for the Audience over the telecast of his recital when he was in full form .
@@gautamsen6423
heavenly music of the greatest Classical Indian Musician ............
Panditji was truly gifted and Blessed by Goddess Saraswati , he parted before his time at least he left us his beautiful music which we the music lover will enjoy till our ending days. I consider myself lucky to have met him couple of times. Great personality.
What a spellbound sitar presentation!!! Remembering my days of seventies, when listening him live in kolkata and got mesmerized. Thanks to the lockdown days, it gives me ample of time to listen him and plunged into deep ocean of melodies and meditate !!!
Great pandit Nikhil Banerjee, my pranaam to him.
I have not heard any other musician attempt to play or sing this raga (Maluha Kalyan ) Only Nikhil Banerjee has the ability to play this difficult raga.
USTAD AMIR KHAN
Pt Buddhadeb Dasgupta
@@DebeshDey322 chand ar paad
@@awaismirza8139 but is that not Maluha Kedar?
@@burkabandar3393 Please don't use such words for maestros.
If you can't pay respect, please learn to. If you genuinely want to belittle him, do upload your recording. I would love to listen to it.
Thank you 😊
so beautiful to see the great Pandit Nikhil Banerjee in concert, with such detail to his playing style captured on film. I've been playing sitar since 1986, and now I have another 5 years of practice ahead after watching this film...thankyou...
+peter davidian Yes my friend. We've been playing since 1991. After hearing Maestro Banerjee, one's first impulse is disbelief, then which locomotive to toss your sitar under….but then in the end, he makes you want to practice even harder. His "Dabari Mood" nearly sends us into outer space. To do just one meend with 1/2000th the rasa, that would be something!
Closes to singing that I recollect any Sitar Maestro playing!
Stupendous!🙏🙏🙏🙏
The god of sitar 🙏💯
Ohhhh...Pt. Nikhil da is way too good.. It is our good fortune you experience this audio visual performance. True treasure
Holy crap!!! That meending!
The singing sitar. It is trying to say something. Very good tabla accompaniment.
It is sad to see that the last comment was a year ago. Let ne start off 2021 with "I love sitar music!" Among the Avatars are this man, and the legendary Ravi Shankar and all the thousands, perhaps millions of sitar players whom I have not heard of.
So glad I finally got a chance to see this wonderful film. Great to have so much of his music, along with the historical facts. It made me feel as if I had really gotten a chance to know. (I saw only one concert of his, about 2 years before he died.) I don't see this film as unfinished. Like Nikhil's music, it may not appeal to everyone, but those who can appreciate his artistry will be very grateful they have seen it. (This is Teed Rockwell, using Diana's computer.)
The ethereality, the aesthetic, the poise...as if the goddess of music herself is manifesting the music - note by note - from the abstract, and is weaving them into a bead to offer to Nadabramha.
Respect for this maestro is endless 🙂
“A GRACE of The Infinite☝🏻 - To Have Heard Such a Wondrous Master of Sound… This is Musical PRANA…”
Pt. Banerjee is so down to earth. This is expressed through his extremely beautiful recital of Maluha Kalyan
Thanks to Doordarshan for Nikhil Banerjee's programme.
What a blend of masterly technique and musical creativity & artistry.
Gazab!!!
Incomparable Maluha Kalyan Rarest video of pt. Nikil Da
He was an Exceptionally brilliant Sitar player, he was Pride of Bengal, died only at 55 yrs of age
That is some very nice and touching music, special one,indeed...
An intense sonic flow from the outer world to the inner world!
He is the best. Myself is musician (guitar player).
I enjoyed lots of music played by him but this's the first video where I saw him playing. Here he seems feeble. His eyes are telling me, he's suffering inside. I read, he died at the age of 54. Shocking, the world lost a gem. While Shankar & others are a bit faster, he's a bit meditative. Only in the video, I saw him playing it faster. At 46:40 the second part starts. Which is what I like. Added to a playlist: Ragg~Indian classical music. Thanks from Great Britain (Wed 31 Mar 2021 21h23)
Wao catching and drawing phenomena
Yeahh so good!!!
Outstanding academic Great master of Sitar🙏
I have not ever seen my GOD but seen him who is my GOD Sir Sree Nikhil Bandopadhyay. PRANAM....।
He is far better than Ravi Shankar
Thats the tragedy.
Ravi Shankar ji was a marketing genius
@@burkabandar3393 yes..even zakir hussain told this in his book that nikhil banerjee was one of them who suffered because of ravi shankar's fame because ravi shankar could speak english and entertain his audience rather than playing sitar!
He also stated than in India specially in Kolkata people loved to listen to nikhil banerjee and not ravi shankar...!🙏
Naresh Bagewadi
Are you sure he said that? I haven’t read the book yet but it’s quite unbelievable that he’d say that about Ravi Shankar. Whenever I’ve listened to him speak about Ravi Shankar, he’s always been full of praises, though I totally agree with you.
@@nareshbagewadi No argument here. Nikhil Banerjee's greatness is unparalleled. But attributing Ravi Shankar's fame to his marketing acumen and/or articulation is a bit too much to digest!
the best!
Wonderful work mutch approached listening to this music from mohanbhia and madhubhen s africa bi
Awesome
Exceptional skill snd profundity
Amazing
Who is the accompaniest by tabla......
Who is the tabla player in dhun?
Which year ???
Excellent
17.10 onward.. Real bliss
🙏 Respect
Ek. Bengalse. Kamsekam. Sat. Sitar. Maestro. Had. Lightened. Universe.
Can someone pls share the Aaroh and Avroha of this raaga ? Also What is the mood of this raaga ? Will be really grateful for your replies!!
I've been unable to find any written analysis of this Raga either. The Kalyan flavor is obvious but I can only find a few performances of this Raag. I can't find anything written about "Maluha". Regardless, it's sublime.
I finally found a mention of it as a "rare Raga".
❤Maluha is a Anga not A Raga when it is Amalgamated with Kalyan it becomes Maluha Kalyan
As I understand it Maluha Kaylan is similar to rag yaman only with the tonic tuned Ma as a opposed to Pa and using shudda ma rather then tiva ma. I might be wrong tho
ラヴィシャンカルは革新、ニキルは保守を代表する神！
............. ?
As a curiosity, Sitarists have permanent calloused cuts on their playing fingers which is evident here early during the alap phase as very dark patches on his index and second fingers of his left hand. Another interesting thing is the use of the third (ring) finger when playing, whereas most play with only two fingers on the string. I think this started with Pandit Ravi Shankar. Donno if it is a character if the gharana. Another interesting and astounding fact is that every sound we hear struck is done with the single index finger of the striking hand. There are hardly any left handed sitarists. 🙏🙏😁
❤
Nobody like him ❤
Sir. Anindo. Chatterjee. Guru. Jnan. Prakash. Ghosh. Ke. Sishyathe..maiharmevi rahe sab..kesath. Bajae.pronam. Un. Dono. Guni. Manishi. Ko.Pandit. Timirvaran. And. Pandit nikhil Bandopadhyay. Ko. Satopronam.
When was this filmed?
Ohh my god😲😲♥️♥️♥️👏👏👏👏❤️❤️❤️❤️
As usual the tabla player does not get a mention in the title of the video, shame on you Doordarshan. Pt Anindo Chaterjee is an exceptional tabla player and one of our greats and deserves to be named. Frankly I am disgusted at how many youtube videos make no mention of accompanying musicians, it's as if the 'main' artist is all that matters. Well, music at this level requires accompanists who are also of the highest ability and deserving of being named.
It looks like Ustad Shafaat Ahmed Khan on the tabla
Hi JasJi, it may well be Ustad Shafaat Ahmed Khan but to me it looks very much like Pandit Anindo Chaterjee in his younger days. If anyone knows for sure it would be appreciated.
Just been researching this. You are right. Its 100% Pt Anindo Chaterjee.
Don't understand. Anindo Prakash Chatterjee's name appears in the title after the intro by Shubhendra Rao. What's this fuss about?
Do not get annoyed! Do people sometimes enjoy reiterating the story of a blind man narrating the beauty of the TajMahal 2 a deaf person?
please need's liaive
Min. 47
Wonder who the Tabla artist is. He has matched the pace of Sitar playing at every step of the way.
Can someone enlighten?
pt.anindo chaterjee 🙏
@@nareshbagewadi Thanks a lot, brother.
Awesome tabla accompaniment!👏👏👏👏
@@surendrakumarmathur6547 he is a well know artist very famous 🙏🙏
@@nareshbagewadi yes, cetainly.
I am wuite familiar with him.
It is only that I could not recognize him in the clip as his face seemed unfamiliar, may be due to time lapse. Thanks again.
@@surendrakumarmathur6547 yes same happened with me
Rupak
Nikhil uncle is secend to none.
Son of his friend santosh mukherjee.
what is he doing with his pinky finger? flicking sympathetic notes?
2006minesh Dang man such negativity you are displaying. It would be more ignorant if he didn’t care to learn what’s going on. He is interested enough to ask about the music to gain more of an understanding and this is how you respond?! Much love your way man I hope you learn to become kinder in your responses.
There is nothing ignorant about Nick asking the question. But your reply is certainly racist 2006minesh. Nick - yes you are right.
Yes, this technique is widely used in the Imdadkhani/Etawah gharana. He incorporated it into his style, which made him even more versatile.
Anilkrishna devburman ..alauddin. Kha. Dono. Dost. The. Or. SItermaestro. Anil krishna d burmanke. Vai. Biren. Dev. Burmanvi100 sal. Pahelei. Siter. Bisarad. The
Typical Doordarshan quality. The sound and picture are at least a few seconds out of synch. Are there no technical people who pay attention to such quality issues at Doordarshan. An insult to a great artiste.
There was another version up before which was possibly taken from a DVD. The quality of this version is vastly inferior.
The volume not measured or equally ballanced for sitar & tabla. This is the wickness or lac of audio technicians, who are need to be music lover at least, if not musicians. The details of ChkraTihai, Tukra etc. aren't audiable playing in between by the Tabla mastro Pt. Anindyo Chaterjee. Doordarshan would be more thankfull if would takes care timely