'Hello, Dolly!' and Off Broadway Spring Preview
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- čas přidán 17. 02. 2018
- "Hello, Dolly! "actors Kate Baldwin (Irene Molloy), Tony Award-winner Gavin Creel (Cornelius Hackl) and Broadway newcomer Charlie Stemp (Barnaby Tucker) discuss working with director Jerry Zaks on the revamping of the massive hit after the departure of Bette Midler and the arrival of Bernadette Peters with co-hosts Adam Feldman of Time Out New York and Theater Talk producer Susan Haskins.
Next up, Feldman, Michael Musto, Patrick Pacheco and Elisabeth Vincentelli return to discuss the spring's highly anticipated off-Broadway shows with co-hosts Jesse Green (Co-Chief Theater Critic of The New York Times) and Haskins. Topics include "Hangmen," the new play by Oscar-nominee Martin McDonagh; "Jerry Springer - The Opera"; "Returning to Reims," starring Nina Hoss at St. Ann's Warehouse; "The Amateurs" by Jordan Harrison; "Is God Is" at SoHo Rep; "Kings" by Sarah Burgess; and "Queens" by Martyna Majok.
Taped: 01/26/2018 - Zábava
Charlie Stemp is terrific. I met him twice, got his autograph, and he was so to earth. A lovely, lovely man Good luck in, 'Kiss Me, Kate.
Very nice of Gavin who graciously mentions Donna Murphy, who I believe was indeed the finest Dolly since Channing!
I know this was ages ago but Gavin mentioning “lil Taylor” in Dear Evan Hansen was such a big MOOD ♥️ best duo and foursome (with Kate and Beanie)
I saw Charlie Stemp in Half A Sixpence twice in London on Wednesday 25th January and Saturday 2nd September 2017 and he was amazing as Arthur Kipps
Charlie Stemp is the most talented performer - he was absolutely brilliant in Half a Sixpence, Broadway is lucky to have him !
Kate Baldwin is absolutely gorgeous and one of our most underrated leading ladies - seems lovely to chat to, too! Thanks Susan! :)
fountainchain126 Thank you! I totally agree.
AND she is nice!
I love Susan Haskins. She is such a great interviewer with when it comes to theater. She always seems to ask what I want to ask.
Love the Dolly cast..... critics panel part 2! Yay!
Thank you.
I love charile stemp
My question is, why has Michael's theatre column in the NYP gone downhill? A decade ago, he was fearless & displayed, consistently, wit --- his only fault were the books that he'd recommend from time to time (they were terrible, without exception). Today... well, is it the subject matter he has to cover? Has Broadway become so homogenized (no pun intended? Or it that a bon mot?) that it's turned into the conformist 1950s (left-wing instead of right), and we have to recycle actors who once paid $300 to get out of being drafted for service in the American Civil War?
I love charile stemp