San Diego OperaTalk! with Nick Reveles: Puccini's Tosca

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  • čas přidán 21. 01. 2008
  • Nick Reveles introduces viewers to Puccini's "shabby little shocker," which has become one of the world's most beloved operas. Puccini's uncanny gift for melody and unerring dramatic sense prove a killer combination in this story of love, honor and revenge. Series: "San Diego OperaTalk! with Nick Reveles" [10/2001] [Humanities] [Arts and Music] [Show ID: 5762]

Komentáře • 10

  • @Il4Trovatore
    @Il4Trovatore Před 15 lety +1

    Nick, you did it again. It's a great introduction and inside story.
    Thanks

  • @ElisabettaVS
    @ElisabettaVS Před 14 lety +1

    That's a very good opera "introduction". Although I know Tosca very well, there are still some parts to discover. Tosca is my favourite opera! Thanks for posting!

  • @pepunar
    @pepunar Před 11 lety

    Amazing Videos, thank you so much!

  • @rossmcl177
    @rossmcl177 Před 16 lety

    Thank you for posting this series. Fascinating stuff.

  • @lbredikhin5
    @lbredikhin5 Před 13 lety

    Super! Thank you so much!

  • @markohuttunen
    @markohuttunen Před 4 lety

    A really interesting introduction! Well done and with real passion! Thank you!

  • @hashatz
    @hashatz Před 6 lety

    A most revealing and informative discussion. Especially for me, was the discussion of Scarpia's three chords and their appearance in the opera. The San Diego Series is very engaging in its scope. However, I find as in most treatment of opera, that little or no reference is made to the way the composer uses music to describe character relationships with reference to motive and intent. Opera is more than just dynamic. Since the genre involves human interaction, psychology is a factor. Therefore, it must include consideration of the psychodynamic element.

  • @SandrineAnterrion
    @SandrineAnterrion Před 14 lety

    Cheers.

  • @ElisabettaVS
    @ElisabettaVS Před 14 lety

    Puccini himself even thought about naming this opera "Scarpia", but he did not do so, because he namend every other opera after a female person (main character or I have heard something about ex wifes?)